The comic adaptation of La vida es sueño by Calderón de la Barca (2018) emphasizes the emotion of anger as one of the forces that guides the plot. The protagonist, Segismundo, displays aggression through two main gestures: the clenching fist and the frown on his face. This article aims to answer the following questions: Why did the comic artist d…[Read more]

This publication is part of the project “Ricontrans – Visual Culture, Piety and Propaganda. Transfer and Reception of Russian Religious Art in the Balkans and the Eastern Mediterranean (16th to Early 20th Century)”, funded from the European Research Council (erc) under the European Union’s Horizon 2020 research and innovation programme (grant…[Read more]

I co-edited this collection of essays about color order and color ordering systems based on a workshop held at TU-Berlin in 2020.
https://bit.ly/Ordering_Colours

Historical Synergy: Mannheim holds that historical and political thought is determined by the socio-historical location of the thinker and the political aspirations and material ambitions of the group or groups to which he belongs.
2. Prehistoric Artic Hunter-Gatherer Synergy of Beliefs in Animal Spirits w/ Economic-Political Realities Erica Hill…[Read more]

This article examines how Thomas Hughes’s “The Misfortunes of Arthur” pays homage to Elizabeth I through its eclectic use of Arthurian traditions and deployment of imagery centered on corrupted sexuality and the body politic.

This work won the ‘XX Premio de Investigación Fernando Jiménez de Gregorio’, awarded by the City Council of Talavera de la Reina in 2011. Reviews: 1) Reseña de Josep Maria Gregori Cifré en Critica Bibliographica (vol. C, febrero 2013): http://www.academiaeditorial.com/web/talavera 2) Reseña de Leticia Yustos en DoceNotas. Revista de Música y Danza…[Read more]

This essay, which expands on my talk at the Colors and Cultures / Couleurs et Cultures conference in April 2021, charts the history and my plans for a broad exploration of Turkey red as both subject and as object in global history. In it, I move between the personal—the compulsions that led me to undertake this series of studies, and which c…[Read more]

The Cathars became a major movement, while having some influence in the Rhineland, Northern Italy and Northern France the movement was strongest in southern France (especially the Languedoc region) and northern Italy. By the 12th century the Cathar popular movement had gained a substantial following in urbanized southern France.
The dualistic…[Read more]

After a lacklustre attempt to become a painter,William Kent (1685–1748) developed a career as a garden designer, working mainly for Lord Burlington and other patrons in his circle. His gardens represent some of the earliest gardens of a style that became known as the ‘English Landscape Garden’, exemplified by Stourhead in Wiltshire, Rousham in Ox…[Read more]

Du sage Varnava la merveilleuse apparition de sa vision avec exemple pour tous, cette traduction-recréation roumaine en vers du Dialogus du poète baroque hongrois Nyéki Vörös Mátyas, effectuée en Transylvanie en 1670, peut être considérée comme la première œuvre du pope Ioan de Vintz. Sur le plan européen, sa Vision de Varnava représente l…[Read more]

Part of a special issue “Making Animal Materials in Time” (HSNS 53, no. 3)

For the 16th birthday of the hereditary prince Carl August of Saxe-Weimar-Eisenach on 3 September 1773, his teacher Christoph Martin Wieland had the play “The Choice of Hercules”, a “dramatic cantata”, performed at the Weimar court theatre. Did Wieland thus connect to a tradition of the Hercules myth connected with the dynasty or the place…[Read more]

This essay traces the transformations of aristocratic representation using the example of the Russian Tsar’s daughter Maria Pavlovna (1786–1859), who was married to the Weimar court in 1804. Maria Pavlovna endeavoured to put her informal ruling techniques, charitable undertakings as well as her patronage and memorial ambitions in Weimar’s ‘…[Read more]

Thomas Kyd’s The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener’s son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular…[Read more]

Examines Shakespeare’s The Comedy of Errors and the epistemological challenges of differentiating twins in light of Aristotle’s Metaphysics, specifically his theories of substance and individuation.

The music chapel of the Cathedral of Segorbe has historically played a primordial role in the history of Spanish music, constituting a focus of musical activity that attracted a numerous group of singers, instrumentalists, organists and chapel masters who formed part of the aforementioned chapel, whose antecedents date back to the mid-13th…[Read more]

In this book chapter, Dr. Davis examines the depiction of a dissimulated desire for material improvement (mejora) as it is expressed in the epic poetry of imperial Spain, particularly in Alonso de Ercilla’s La Araucana. She shows that within the aristocratic context of the times, the desire for personal betterment or “mejora” is always contingent…[Read more]

The nautical motif of the ex-voto (votive offering) is a lyric genre that reflects poetically the possible experience of a shipwreck survivor. Paradoxically, many of the poets who evoke the perils of sea travel never left Spain or, at most, sailed only the waters of the Mediterranean. Their writing of the sea remained consistently codified in…[Read more]

The biographical trajectory of the Franco-Flemish composer Josquin des Prez can be described as exciting and his musical contribution as transcendent in an era of sublime creativity that coincided with the artistic and intellectual rediscovery of the values of classical Greco-Latin antiquity. A contemporary of Leonardo da Vinci and Michelangelo,…[Read more]

In his response to the Dauphin, his threats before Harfleur’s walls, and his St. Crispin’s Day oration, Henry V deploys what we might call proleptic histories of the present as a means of rhetorical persuasion. Henry invites his audiences, that is, to imagine themselves in the future, understanding the present as part of their own history. Hen…[Read more]