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Muhammad Naeem deposited اردو ناول کا آغاز اور استعماری نگرانی Beginning of Urdu Novel and Colonial Surveillance in the group
Literary theory on Humanities Commons 2 years, 1 month agoThis article explores the connection between the development of new literary genres in Urdu and colonial authority. British Colonial authorities tried to develop a system of scrutiny for local literatures. To limit the ‘vernacular’ literatures within the ‘suggested’ traits, colonial administration used its local subordinates in disseminating the…[Read more]
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Muhammad Naeem deposited اردو ناول کا آغاز اور استعماری نگرانی Beginning of Urdu Novel and Colonial Surveillance in the group
Cultural Studies on Humanities Commons 2 years, 1 month agoThis article explores the connection between the development of new literary genres in Urdu and colonial authority. British Colonial authorities tried to develop a system of scrutiny for local literatures. To limit the ‘vernacular’ literatures within the ‘suggested’ traits, colonial administration used its local subordinates in disseminating the…[Read more]
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Muhammad Naeem deposited اردو ناول کا آغاز اور استعماری نگرانی Beginning of Urdu Novel and Colonial Surveillance on Humanities Commons 2 years, 1 month ago
This article explores the connection between the development of new literary genres in Urdu and colonial authority. British Colonial authorities tried to develop a system of scrutiny for local literatures. To limit the ‘vernacular’ literatures within the ‘suggested’ traits, colonial administration used its local subordinates in disseminating the…[Read more]
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Rebecca Ruth Gould deposited Manuscripts Don’t Burn in the group
Soviet and Russian history and culture on Humanities Commons 2 years, 4 months agoIn 2023, a new museum opened in Tbilisi, at the Writer’s House of Georgia that previously house the Soviet Writers’ Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l…[Read more]
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Rebecca Ruth Gould deposited Manuscripts Don’t Burn in the group
Poetics and Poetry on Humanities Commons 2 years, 4 months agoIn 2023, a new museum opened in Tbilisi, at the Writer’s House of Georgia that previously house the Soviet Writers’ Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l…[Read more]
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Rebecca Ruth Gould deposited Manuscripts Don’t Burn in the group
Place Studies on Humanities Commons 2 years, 4 months agoIn 2023, a new museum opened in Tbilisi, at the Writer’s House of Georgia that previously house the Soviet Writers’ Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l…[Read more]
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Rebecca Ruth Gould deposited Manuscripts Don’t Burn in the group
Cultural Studies on Humanities Commons 2 years, 4 months agoIn 2023, a new museum opened in Tbilisi, at the Writer’s House of Georgia that previously house the Soviet Writers’ Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l…[Read more]
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Rebecca Ruth Gould deposited Manuscripts Don’t Burn in the group
Archives on Humanities Commons 2 years, 4 months agoIn 2023, a new museum opened in Tbilisi, at the Writer’s House of Georgia that previously house the Soviet Writers’ Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l…[Read more]
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Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics in the group
Persian and Persianate Studies on Humanities Commons 2 years, 4 months agoLine breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]
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Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics in the group
Literary Translation on Humanities Commons 2 years, 4 months agoLine breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]
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Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics in the group
Literary theory on Humanities Commons 2 years, 4 months agoLine breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]
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Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics in the group
Global Literary Theory on Humanities Commons 2 years, 4 months agoLine breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]
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Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics in the group
Comparison on Humanities Commons 2 years, 4 months agoLine breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]
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Rebecca Ruth Gould's profile was updated on Humanities Commons 2 years, 4 months ago
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A new museum has opened in Tbilisi at the Writer’s House of Georgia: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet literary and political history.
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Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics on Humanities Commons 2 years, 4 months ago
Line breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]
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Muhammad Naeem deposited Nineteenth Century’s Urdu World and Colonialism in the group
Settler Colonialism on Humanities Commons 2 years, 5 months agoThe article takes account of the colonial archives and analyses the strategies of colonizers, which brought about not only the new forms of knowledge in India but also restructured the society and statecraft here. I argue that the colonial administration developed the public instruction department to impart a new character to the natives and used…[Read more]
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Muhammad Naeem deposited Nineteenth Century’s Urdu World and Colonialism in the group
Literary theory on Humanities Commons 2 years, 5 months agoThe article takes account of the colonial archives and analyses the strategies of colonizers, which brought about not only the new forms of knowledge in India but also restructured the society and statecraft here. I argue that the colonial administration developed the public instruction department to impart a new character to the natives and used…[Read more]
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Muhammad Naeem deposited Nineteenth Century’s Urdu World and Colonialism in the group
Cultural Studies on Humanities Commons 2 years, 5 months agoThe article takes account of the colonial archives and analyses the strategies of colonizers, which brought about not only the new forms of knowledge in India but also restructured the society and statecraft here. I argue that the colonial administration developed the public instruction department to impart a new character to the natives and used…[Read more]
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Muhammad Naeem deposited Nineteenth Century’s Urdu World and Colonialism on Humanities Commons 2 years, 5 months ago
The article takes account of the colonial archives and analyses the strategies of colonizers, which brought about not only the new forms of knowledge in India but also restructured the society and statecraft here. I argue that the colonial administration developed the public instruction department to impart a new character to the natives and used…[Read more]
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