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Paola Ugolini's profile was updated on MLA Commons 5 years, 3 months ago
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Paola Ugolini deposited «Voi del vostro honor habiate cura». Note sul sonetto 94 di Gaspara Stampa in the group
LLC Medieval and Renaissance Italian on MLA Commons 5 years, 8 months agoPrendendo spunto dal sonetto 94 delle Rime di Gaspara Stampa, il mio saggio si propone di analizzare l’atteggiamento di sottomissione nei confronti dell’amato da parte della poetessa, contrastandolo con i momenti in cui Stampa ricatta l’amato, minacciando di offuscarne la gloria grazie al proprio ruolo di autrice. A partire da queste dichi…[Read more]
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Paola Ugolini deposited Self-Portraits of a Truthful Liar: Satire, Truth-Telling, and Courtliness in Ludovico Ariosto’s Satire and Orlando Furioso in the group
LLC Medieval and Renaissance Italian on MLA Commons 5 years, 8 months agoComposed during the most difficult years of Ludovico Ariosto’s relationship with the Este court, the Satire are known for presenting a picture of their author as a simple, quiet-loving man, and also as a man who can speak only the truth. However, the self-portrait offered by the Satire of the author as a man incapable of lying stands in direct c…[Read more]
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Paola Ugolini deposited «Voi del vostro honor habiate cura». Note sul sonetto 94 di Gaspara Stampa on Humanities Commons 5 years, 8 months ago
Prendendo spunto dal sonetto 94 delle Rime di Gaspara Stampa, il mio saggio si propone di analizzare l’atteggiamento di sottomissione nei confronti dell’amato da parte della poetessa, contrastandolo con i momenti in cui Stampa ricatta l’amato, minacciando di offuscarne la gloria grazie al proprio ruolo di autrice. A partire da queste dichi…[Read more]
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Paola Ugolini deposited Self-Portraits of a Truthful Liar: Satire, Truth-Telling, and Courtliness in Ludovico Ariosto’s Satire and Orlando Furioso on Humanities Commons 5 years, 8 months ago
Composed during the most difficult years of Ludovico Ariosto’s relationship with the Este court, the Satire are known for presenting a picture of their author as a simple, quiet-loving man, and also as a man who can speak only the truth. However, the self-portrait offered by the Satire of the author as a man incapable of lying stands in direct c…[Read more]
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Paola Ugolini deposited Veronica Gambara. Complete Poems: A Bilingual Edition. on Humanities Commons 8 years, 12 months ago
Critical introduction by Molly M. Martin. Edited and translated by Molly M. Martin and Paola Ugolini. The Other Voice in Early Modern Europe. Toronto: Centre for Reformation and Renaissance Studies, 2014
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Paola Ugolini deposited “Paradox,” in Encyclopedia of Renaissance Philosophy, ed. by Marco Sgarbi (Berlin: Springer) on Humanities Commons 8 years, 12 months ago
This entry explores paradoxes from their origin in classical antiquity to their dissemination in the Renaissance, defining the nature of paradoxes and attempting to explain the reason for their success in the Renaissance.
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Paola Ugolini deposited “Satire” in Encyclopedia of Renaissance Philosophy, ed. by Marco Sgarbi (Berlin: Springer) on Humanities Commons 8 years, 12 months ago
Satire, in both prose and verse, was a relevant form of expression in the Renaissance. The development of Renaissance satire was influenced by the new vogue for the classics that brought back to fame satirists such as Horace and Juvenal. During the Renaissance satiric works were written in neo-Latin and in the vernaculars, and both in prose and in…[Read more]
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Paola Ugolini deposited L’adulterio e la rappresentazione della donna nelle Novelle di Matteo Bandello on Humanities Commons 8 years, 12 months ago
L’articolo analizza la rappresentazione della donna nel Rinascimento attraverso le Novelle di Matteo Bandello che trattano del tema dell’adulterio.
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Paola Ugolini deposited Paradoxical Virtues: Intellectuals between the Court and the Academy in Agostino Mascardi’s Che la Corte è vera scuola non solamente della prudenza, ma delle virtù morali (1624)* on Humanities Commons 8 years, 12 months ago
Abstract: This article analyzes the oration Che la Corte è vera scuola non solamente della prudenza, ma delle virtù morali (1624), delivered at the Accademia degli Umoristi by Agostino Mascardi, a courtier, professor of rhetoric, and renowned member of academies. Mascardi’s oration has traditionally been read as a commendation of the court, and…[Read more]
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Paola Ugolini deposited “The Satirist’s Purgatory: ‘Il Purgatorio delle Cortigiane’ and the Writer’s Discontent,” Italian Studies, Vol. 64 No. 1, Spring 2009, 1–19 on Humanities Commons 8 years, 12 months ago
The Purgatorio delle Cortigiane is an anti-courtesan satire known for having been performed during carnival festivities by its author, the painter Maestro Andrea, while he was disguised as a beggar. Renaissance courtesans were a common victim of satirical texts because their fast upward social mobility rendered them an easy target for the male…[Read more]