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Alexa Alice Joubin deposited “Shakespeare Theatre Company’ s Macbeth and the Limits of Multiculturalism.” Early Modern Culture 13 (2018): 240-246 in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 7 years, 8 months agoThe STC Macbeth’s setting and predominantly multiethnic cast brought to mind Orson Welles’s landmark 1936 Macbeth which was set in Haiti and featured an all-black cast. In both cases, the ethnicity and race of the cast matched that of the characters and cultures in the adaptation’s respective universe. Tommy’s production engaged in two models…[Read more]
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Alexa Alice Joubin deposited “Shakespeare Theatre Company’ s Macbeth and the Limits of Multiculturalism.” Early Modern Culture 13 (2018): 240-246 in the group
GS Drama and Performance on MLA Commons 7 years, 8 months agoThe STC Macbeth’s setting and predominantly multiethnic cast brought to mind Orson Welles’s landmark 1936 Macbeth which was set in Haiti and featured an all-black cast. In both cases, the ethnicity and race of the cast matched that of the characters and cultures in the adaptation’s respective universe. Tommy’s production engaged in two models…[Read more]
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Alexa Alice Joubin deposited “Shakespeare Theatre Company’ s Macbeth and the Limits of Multiculturalism.” Early Modern Culture 13 (2018): 240-246 in the group
Global Shakespeares on MLA Commons 7 years, 8 months agoThe STC Macbeth’s setting and predominantly multiethnic cast brought to mind Orson Welles’s landmark 1936 Macbeth which was set in Haiti and featured an all-black cast. In both cases, the ethnicity and race of the cast matched that of the characters and cultures in the adaptation’s respective universe. Tommy’s production engaged in two models…[Read more]
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Alexa Alice Joubin deposited “Shakespeare Theatre Company’ s Macbeth and the Limits of Multiculturalism.” Early Modern Culture 13 (2018): 240-246 in the group
CLCS 20th- and 21st-Century on MLA Commons 7 years, 8 months agoThe STC Macbeth’s setting and predominantly multiethnic cast brought to mind Orson Welles’s landmark 1936 Macbeth which was set in Haiti and featured an all-black cast. In both cases, the ethnicity and race of the cast matched that of the characters and cultures in the adaptation’s respective universe. Tommy’s production engaged in two models…[Read more]
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Alexa Alice Joubin deposited “Shakespeare Theatre Company’ s Macbeth and the Limits of Multiculturalism.” Early Modern Culture 13 (2018): 240-246 on Humanities Commons 7 years, 8 months ago
The STC Macbeth’s setting and predominantly multiethnic cast brought to mind Orson Welles’s landmark 1936 Macbeth which was set in Haiti and featured an all-black cast. In both cases, the ethnicity and race of the cast matched that of the characters and cultures in the adaptation’s respective universe. Tommy’s production engaged in two models…[Read more]
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Alexa Alice Joubin's profile was updated on Humanities Commons 7 years, 8 months ago
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Cristina León Alfar's profile was updated on MLA Commons 7 years, 9 months ago
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Alexa Alice Joubin's profile was updated on MLA Commons 7 years, 11 months ago
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Alexa Alice Joubin's profile was updated on MLA Commons 7 years, 11 months ago
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Cristina León Alfar's profile was updated on Humanities Commons 7 years, 11 months ago
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Luna Najera posted an update in the group
LLC 16th- and 17th-Century Spanish and Iberian Poetry and Prose on MLA Commons 7 years, 11 months agoCall for Papers: MLA 2019
The Forum on 16th- and 17th-Century Spanish and Iberian Poetry and Prose invites you to submit abstracts on the subject of sexual violence and coercion in the Hispanic Monarchy.
Session title: Early Modern #metoo
Description: Early modern Spanish prose and poetry reveal the operations of patriarchy very clearly; even…[Read more] -
Alexa Alice Joubin deposited “Global Shakespeare Criticism beyond the Nation State.” Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440 in the group
TC Translation Studies on MLA Commons 7 years, 12 months agoTo move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]
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Alexa Alice Joubin deposited “Global Shakespeare Criticism beyond the Nation State.” Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440 in the group
LLC Shakespeare on MLA Commons 7 years, 12 months agoTo move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]
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Alexa Alice Joubin deposited “Global Shakespeare Criticism beyond the Nation State.” Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440 in the group
LLC East Asian on MLA Commons 7 years, 12 months agoTo move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]
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Alexa Alice Joubin deposited “Global Shakespeare Criticism beyond the Nation State.” Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440 in the group
GS Drama and Performance on MLA Commons 7 years, 12 months agoTo move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]
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Alexa Alice Joubin deposited “Global Shakespeare Criticism beyond the Nation State.” Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440 in the group
Global Shakespeares on MLA Commons 7 years, 12 months agoTo move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]
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