In this essay, I follow debates about forms and sites of memorialization in post- Soviet Belarus. Begun during perestroika, the public discussions about Khatyn’ and Kuropaty eventually evolved into persistent attempts to realign the Soviet past along new narrative axes. Most prominently, this discursive reformatting of the socialist experience w…[Read more]

In this essay, I follow debates about forms and sites of memorialization in post- Soviet Belarus. Begun during perestroika, the public discussions about Khatyn’ and Kuropaty eventually evolved into persistent attempts to realign the Soviet past along new narrative axes. Most prominently, this discursive reformatting of the socialist experience w…[Read more]

A video essay about title sequences from films by Alfred Hitchcock and David Fincher. An exploration of motion graphic design from analog to digital.

This primer in “cognitive cultural studies” explores the cultural fantasy of perfect access to mind through body. It shows that different genres and media—movies, novels, classic Chinese operas, medieval ribald tales, musicals, paintings, documentaries, stand-up comedy, and photography—have different strategies for making us think that we have ju…[Read more]

In lieu of an abstract, here is the beginning of the chapter:

Ungleichzeitigkeit and global modernisms

Over the last twenty-five years, the modernist canon has been significantly revised as theoretical and empirical interventions have emphasised its transnational and globalised patterns of connection through a range of disciplinary…[Read more]

This article explores what Gershom Scholem has called Herbert Marcuse’s “unacknowledged ties to [his] Jewish heritage.” At the core of Marcuse’s vision of transformed, non-repressive social relations, I argue, is a struggle over time, which rests upon a distinctly Jewish approach to the twin questions of remembrance and redemption. One example…[Read more]

In lieu of an abstract, here is the beginning of the article: In a recent discussion of modernism, Peter Osborne argues that the terms “modern,” “modernity,” and “modernization” need to be understood through their shared philosophical status as temporal constructions. The emergence of the modern within Western philosophy is predicated on a subjec…[Read more]

In lieu of an abstract, here is the beginning of the article:

After the fall of the Berlin Wall and the subsequent collapse of communism in the former Soviet bloc, the concept of utopia was blighted with the stigma of Stalinist totalitarianism. Khrushchev’s denunciation of Stalin’s despotism at the 20th Congress of the Communist Party in 195…[Read more]

The chapter offers a close reading of two cinematic cases, Andrei Zviagintsev’s Elena (2011) and Govorukhin’s Voroshilov Sniper, in order to demonstrate in a reverse engineering move how publically executed punishments of the late 1990s were translated into quiet murders a decade later. This transition from ‘punishments outside the law’ to ‘crimes…[Read more]

The chapter offers a close reading of two cinematic cases, Andrei Zviagintsev’s Elena (2011) and Govorukhin’s Voroshilov Sniper, in order to demonstrate in a reverse engineering move how publically executed punishments of the late 1990s were translated into quiet murders a decade later. This transition from ‘punishments outside the law’ to ‘crimes…[Read more]

This article maps the emergence and prevalence of the white heterosexual male psychopath in modern American commercial television through an analysis of the final three episodes of Breaking Bad (2009-2013).

This essay argues that greater attention to the significance of the material culture of print, especially in early African American print culture, shows how technologies of racialization emerge in conjunction with technologies of printed words and images. The stereotype is perhaps the most familiar case. In one sense it offers quick reproduction…[Read more]

This article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]