Статья является введением к трехтомной антологии русского модернизма.

The purpose of this graduate course is to examine key texts of the twentieth century that established the fundamental connection between language structures and practices on the one hand, and the formation of selfhood and subjectivity, on the other. In particular, the course will focus on theories that emphasize the role of formal elements in…[Read more]

The purpose of this graduate course is to examine key texts of the twentieth century that established the fundamental connection between language structures and practices on the one hand, and the formation of selfhood and subjectivity, on the other. In particular, the course will focus on theories that emphasize the role of formal elements in…[Read more]

The purpose of this graduate course is to examine key texts of the twentieth century that established the fundamental connection between language structures and practices on the one hand, and the formation of selfhood and subjectivity, on the other. In particular, the course will focus on theories that emphasize the role of formal elements in…[Read more]

The purpose of this graduate course is to examine key texts of the twentieth century that established the fundamental connection between language structures and practices on the one hand, and the formation of selfhood and subjectivity, on the other. In particular, the course will focus on theories that emphasize the role of formal elements in…[Read more]

The purpose of this graduate course is to examine key texts of the twentieth century that established the fundamental connection between language structures and practices on the one hand, and the formation of selfhood and subjectivity, on the other. In particular, the course will focus on theories that emphasize the role of formal elements in…[Read more]

In this essay, I follow debates about forms and sites of memorialization in post- Soviet Belarus. Begun during perestroika, the public discussions about Khatyn’ and Kuropaty eventually evolved into persistent attempts to realign the Soviet past along new narrative axes. Most prominently, this discursive reformatting of the socialist experience w…[Read more]

In this essay, I follow debates about forms and sites of memorialization in post- Soviet Belarus. Begun during perestroika, the public discussions about Khatyn’ and Kuropaty eventually evolved into persistent attempts to realign the Soviet past along new narrative axes. Most prominently, this discursive reformatting of the socialist experience w…[Read more]

In this essay, I follow debates about forms and sites of memorialization in post- Soviet Belarus. Begun during perestroika, the public discussions about Khatyn’ and Kuropaty eventually evolved into persistent attempts to realign the Soviet past along new narrative axes. Most prominently, this discursive reformatting of the socialist experience w…[Read more]

In this essay, I follow debates about forms and sites of memorialization in post- Soviet Belarus. Begun during perestroika, the public discussions about Khatyn’ and Kuropaty eventually evolved into persistent attempts to realign the Soviet past along new narrative axes. Most prominently, this discursive reformatting of the socialist experience w…[Read more]

In this essay, I follow debates about forms and sites of memorialization in post- Soviet Belarus. Begun during perestroika, the public discussions about Khatyn’ and Kuropaty eventually evolved into persistent attempts to realign the Soviet past along new narrative axes. Most prominently, this discursive reformatting of the socialist experience w…[Read more]

The chapter offers a close reading of two cinematic cases, Andrei Zviagintsev’s Elena (2011) and Govorukhin’s Voroshilov Sniper, in order to demonstrate in a reverse engineering move how publically executed punishments of the late 1990s were translated into quiet murders a decade later. This transition from ‘punishments outside the law’ to ‘crimes…[Read more]

The chapter offers a close reading of two cinematic cases, Andrei Zviagintsev’s Elena (2011) and Govorukhin’s Voroshilov Sniper, in order to demonstrate in a reverse engineering move how publically executed punishments of the late 1990s were translated into quiet murders a decade later. This transition from ‘punishments outside the law’ to ‘crimes…[Read more]