-
Juuso Tervo deposited Education in the Present Tense in the group
Contemporary Art on Humanities Commons 8 years, 3 months agoAdding to the long list of “post” conditions, the term “post-internet” offers a fairly recent attempt to characterize a certain social, political, historical, and material condition that artists, curators, educators, and critics are currently working with. For some, it provides a language to articulate the complex entwinements between online…[Read more]
-
Juuso Tervo deposited Education in the Present Tense in the group
Art’s Impact on Society on Humanities Commons 8 years, 3 months agoAdding to the long list of “post” conditions, the term “post-internet” offers a fairly recent attempt to characterize a certain social, political, historical, and material condition that artists, curators, educators, and critics are currently working with. For some, it provides a language to articulate the complex entwinements between online…[Read more]
-
Juuso Tervo deposited Between Nonhuman Spirits and Posthuman Futures of Art Education in the group
Art’s Impact on Society on Humanities Commons 8 years, 3 months agoAs art educators, we have accustomed fight for our survival in educational systems where often our job isn’t valued or resourced or both. We know (or, at least, we are taught to know) that we are needed in this world, perhaps now more than ever. However, it is also important to critically investigate how is this need for art and education c…[Read more]
-
Juuso Tervo deposited Death is all things we see awake; all we see asleep is sleep in the group
Contemporary Art on Humanities Commons 8 years, 3 months agoThis talk offers a collection of vignettes that position the relation between life and death as a central but unsolvable question for theorization in art and politics. Indeed, what to think of death in times when, yet again, the end of the world as we know it seems to be near?
-
Juuso Tervo deposited Death is all things we see awake; all we see asleep is sleep in the group
Art’s Impact on Society on Humanities Commons 8 years, 3 months agoThis talk offers a collection of vignettes that position the relation between life and death as a central but unsolvable question for theorization in art and politics. Indeed, what to think of death in times when, yet again, the end of the world as we know it seems to be near?
-
Adelheid Heftberger deposited Film archives and digital humanities – an impossible match? New job descriptions and the challenges of the digital era in the group
Film Studies on Humanities Commons 8 years, 3 months agoThis article seeks to prompt a re-evaluation of the fi lm archive’s role within the current digital humanities debate as a logical, yet underrated, partner. The article invokes Jeffrey Schnapp’s and Todd Presner’s plea from 2009 for digital humanities to create as its core aim a more democratic view of knowledge-producing institutions by i…[Read more]
-
Adelheid Heftberger deposited Die Verschmelzung von Wissenschaft und Filmchronik“. Das Potential der reduktionslosen Visualisierung von „Das elfte Jahr“ und „Der Mann mit der Kamera“ von Dziga Vertov in the group
Film Studies on Humanities Commons 8 years, 3 months agoOn the potential of data visualization for Film studies and Film history.
-
Adelheid Heftberger deposited Zerschnittene Bilder. Die drei Fassungen von Dziga Vertovs Tri pesni o Lenine (1934/35, 1938 und 1970) in the group
Film Studies on Humanities Commons 8 years, 3 months agoOn the versions of Dziga Vertovs film “Three Songs on Lenin”.
-
Adelheid Heftberger deposited Do Computers Dream of Cinema? Film Data for Computer Analysis and Visualisation in the group
Film Studies on Humanities Commons 8 years, 3 months agoOn the potential of data visualization for Film studies and Film history.
-
Adelheid Heftberger deposited Man with a Movie Camera under the Lens of Cinemetrics in the group
Film Studies on Humanities Commons 8 years, 3 months agoArticle about Dziga Vertovs most famous film from 1929 with a focus on it’s surviving prints and structure. Investigation was carried out within the research project Digital Formalism (2007-2010) in Vienna.
-
Adelheid Heftberger deposited Wer bringt das Filmerbe zu den Nutzern? Potentielle Synergien in der Erschließung und Vermittlung von Filmwerken zwischen Bibliotheken und Filmarchiven in the group
Film Studies on Humanities Commons 8 years, 3 months agoIm digitalen Zeitalter verschwimmen die institutionellen Grenzen innerhalb der Kulturlandschaft. Umso gewinnbringender wäre es, innerhalb der Kultureinrichtungen gemeinsame Handlungsfelder zu definieren und von etablierten Prozessen und vorhandenen Infrastrukturen zu profitieren. Worin bestehen die zentralen Probleme der bisher erst zaghaften…[Read more]
-
Irina Schulzki deposited Vom Bathos: Woody Allen’s Film “Love and Death” in the group
Film Studies on Humanities Commons 8 years, 3 months agoIn: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.
-
Irina Schulzki deposited Vom Bathos: Woody Allen’s Film “Love and Death” in the group
Film Studies on Humanities Commons 8 years, 3 months agoIn: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.
-
Irina Schulzki deposited Vom Bathos: Woody Allen’s Film “Love and Death” in the group
Film Studies on Humanities Commons 8 years, 3 months agoIn: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.
-
Jaleen Grove deposited Towards Illustration Theory: Harold Rosenberg, Robert Weaver, and the ‘Action Illustrator’? in the group
Art’s Impact on Society on Humanities Commons 8 years, 3 months agoContemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.
-
Jaleen Grove deposited Towards Illustration Theory: Harold Rosenberg, Robert Weaver, and the ‘Action Illustrator’? in the group
Art’s Impact on Society on Humanities Commons 8 years, 3 months agoContemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.
-
Jaleen Grove deposited Towards Illustration Theory: Harold Rosenberg, Robert Weaver, and the ‘Action Illustrator’? in the group
Art’s Impact on Society on Humanities Commons 8 years, 3 months agoContemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.
-
Natascha Drubek deposited Вещь в немом кино / Vešč’ v nemom kino. Bauėr, Kulešov i Barnet [The Thing in Silent Cinema. Bauer, Kuleshov, Barnet] in the group
Film Studies on Humanities Commons 8 years, 3 months agoОт задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more] -
Natascha Drubek deposited Вещь в немом кино / Vešč’ v nemom kino. Bauėr, Kulešov i Barnet [The Thing in Silent Cinema. Bauer, Kuleshov, Barnet] in the group
Film Studies on Humanities Commons 8 years, 3 months agoОт задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more] -
Natascha Drubek deposited Вещь в немом кино / Vešč’ v nemom kino. Bauėr, Kulešov i Barnet [The Thing in Silent Cinema. Bauer, Kuleshov, Barnet] in the group
Film Studies on Humanities Commons 8 years, 3 months agoОт задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more] - Load More
Open access, open source, open to all
