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Kendra Leonard deposited Laura Rossi’s War Musics in the group
Film Studies on Humanities Commons 6 years, 11 months agoBritish composer Laura Rossi is perhaps best known for her work providing new scores for
silent films, including The Battle of the Somme (1915), The Battle of the Ancre (1917), and a
selection of very early cinematic adaptations of Shakespeare (1899-1911) that appeared as
Silent Shakespeare in 1998. Rossi is also the composer of scores for many…[Read more] -
Birk Weiberg deposited Maschinenbilder. Zur postsubjektiven Kamera in the group
Film Studies on Humanities Commons 6 years, 11 months agoA survey of different approaches to the concept of a subjective (or post-subjective) camera.
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Derek Johnston deposited Rural Returns: Journeys to the Past and the Pagan in Folk Horror in the group
Film Studies on Humanities Commons 7 years agoA central element of the core folk horror texts (The Wicker Man (1973), Blood on Satan’s Claw (1971), Witchfinder General (1968)) is the idea of rural communities as retaining pre-Christian practices and beliefs. When uncovered by a modern outsider who is returning to the countryside, these revelations disrupt their world view. Folk horror texts d…[Read more]
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Garrett Lynch deposited Exploring the networked image in ‘post’ art practices in the group
Contemporary Art on Humanities Commons 7 years, 1 month agoThis article presents and discusses a series of four networked artworks undertaken since 2013. The artworks are performative, created within the web over a duration of time, are visible to an audience throughout their creation and as such can be considered as durational networked performances. Different in subject matter they overlap considerably…[Read more]
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John Davey deposited The historical relationship of musical form and the moving image in the current context of the digitisation of media in the group
Film Studies on Humanities Commons 7 years, 1 month agoContemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the…[Read more]
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Sophie A. Lewis deposited A comradely politics of gestational work: Militant particularism, sympoetic scholarship and the limits of generosity in the group
Speculative and Science Fiction on Humanities Commons 7 years, 2 months agoIn response to the four commentaries on ‘Cyborg uterine geography’, in which I argued normatively for reorganizing gestation on the basis of comradeliness, I grapple with three overlapping conceptual areas highlighted: the ethical and political affordances of the term ‘generosity’ in relation to care and pregnancy; the methodological questio…[Read more]
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Caitlin Duffy started the topic CFP: Disrupting the Canon: High Culture, Low Brow, and the Space In Between in the discussion
Film Studies on Humanities Commons 7 years, 3 months ago<p style=”text-align: left;”>Stony Brook University
31st Annual English Graduate Conference
March 1st, 2019</p>
<p style=”text-align: left;”>
Disrupting the Canon: High Culture, Low Brow, and the Space In Between</p>
<p style=”text-align: left;”>
Keynote Speaker
Dr. Jonathan W. Gray
John Jay College of Criminal Justice</p>What is the difference…[Read more]
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Kendra Leonard deposited Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927 in the group
Film Studies on Humanities Commons 7 years, 3 months agoBetween 1908 and 1927, when sound film became standard, numerous American publications for both those involved in the film industry and the general public, such as Moving Picture World, Motion Picture News, and Exhibitors Herald, included regular columns by cinema conductors, composers, and arrangers like Samuel Berg, Ernst Luz, and Clarence Sinn…[Read more]
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Bregt Lameris deposited Film Museum Practice and Film Historiography in the group
Film Studies on Humanities Commons 7 years, 3 months ago“Film Museum Practice and Film Historiography is a meticulously researched work and a welcome addition to the already growing body of work related to film archiving practices. Lameris’ book is not only about engaging with the history of the Nederlands Filmmuseum but also about situating this case study within the larger context of film history a…[Read more]
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Kendra Leonard deposited Performing Spiritualism in the Silent Cinema in the group
Film Studies on Humanities Commons 7 years, 3 months agoThe silent film era, usually defined as 1895-1927, coincided with a revival of belief in spiritualism in America. Desperate to find meaning in the deaths of the Great War and the 1918 Spanish Flu epidemic, the bereaved sought contact with the dead and evidence of an afterlife. Given this fascination with spiritualism, it is not surprising that the…[Read more]
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Adelheid Heftberger deposited Šestaja čast’ kadra”. Vosstanovlenie vertovskogo “Čelovek s kinoapparatom” / “The Sixth of the Frame”. Vertov’s “Man with a Movie Camera” restored. in the group
Film Studies on Humanities Commons 7 years, 3 months agoOutlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]
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Carl Gelderloos deposited Alien Evolution and Dialectical Materialism in Eastern European Science Fiction in the group
Speculative and Science Fiction on Humanities Commons 7 years, 3 months agoThis essay reads Ivan Efremov’s “Andromeda Nebula” (1957), Stanisław Lem’s “Solaris” (1961), and Angela and Karlheinz Steinmüller’s “Andymon” (1982) in order to explore the relationship between biological evolution and dialectical materialism, as it was negotiated through the trope of the alien in the context of the cultural politics of Eastern E…[Read more]
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Dušan Barok deposited Monoskop Exhibition Library in the group
Contemporary Art on Humanities Commons 7 years, 3 months agoThe Exhibition Library reimagines the medium of art exhibition as well as that of art catalogue. Catalogues carry exhibitions through time and space, figuring as tropes for imagining arrangements and the course of works and settings they describe. However, they rarely give us a clue about what really happened, since they are often made before the…[Read more]
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Michael Pesses deposited ‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road in the group
Film Studies on Humanities Commons 7 years, 4 months agoMad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]
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Kendra Leonard deposited Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride in the group
Film Studies on Humanities Commons 7 years, 5 months agoIn the 2005 film Corpse Bride, director Tim Burton and composer Danny Elfman collaborate using both musical and visual signifiers to create two very different realms that the main characters must traverse: the land of the living, and the land of the dead. The characterizations of these places appear in the reverse of what a viewer might expect.…[Read more]
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Kyle Frackman deposited Based on a True Story: Tracking What is Queer about German Queer Documentary in the group
Film Studies on Humanities Commons 7 years, 5 months ago“Unter Männern” weaves together three threads of, first, historically relevant memory recited by its chosen protagonists; second, some personal history on the part of the primary filmmaker (i.e., director Ringo Rösener); and, third, between and among them, filmic artifacts or evidence of life in the GDR. This documentary presents the a…[Read more]
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Joe Hoffman deposited Boundaries of the Future in Two William Gibson Novels in the group
Speculative and Science Fiction on Humanities Commons 7 years, 5 months agoActuality is a border between the world that is and the future worlds that could be. Science- fiction stories look across the border, into the frontiers of ‘the future’. William Gibson did his part in the 1980s to invent cyberpunk fiction as a slick, stylish view into a bleak dystopian future, but by the turn of the century, much of what he’d…[Read more]
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Kyle Frackman deposited Sex and Socialism in East German Cinema in the group
Film Studies on Humanities Commons 7 years, 6 months agoThis chapter introduces the volume on East German film. The chapter and the volume it introduces surveys a range of depictions of gender and sexuality in East German film and television, from stereotypical and ideologically compliant understandings of femininity and homosexuality to more ambivalent constructions of androgyny, gendered agency, and…[Read more]
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Garrett Lynch deposited Auction action – commission an artwork in the group
Contemporary Art on Humanities Commons 7 years, 6 months agoAuction action – commission an artwork, listed on eBay as ART, LIMITED EDITION, PRINT | Auction action – commission an artwork #exstrange, were transformative actions that occurred within the context of the networked performance Transformations: Actions to Matter / Matter to Actions. Transformative actions within Transformations attempt to sou…[Read more]
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Javier Arturo Velásquez Ruiz deposited Asimov lleva el universo holmesiano hacia la órbita de la ciencia ficción in the group
Speculative and Science Fiction on Humanities Commons 7 years, 6 months agoThe link between asimovian universe and Sherlock Holmes
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