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Kendra Leonard deposited Music for Richard III: Cinematic Scoring for the Early Modern Monstrous on MLA Commons 10 years ago
On composer William Walton’s use of unusual sonorities to mark Richard III’s physical and mental states
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Kendra Leonard deposited The Use of Early Modern Music in Film Scoring for Elizabeth I on MLA Commons 10 years ago
The various ways Elizabeth is accompanied by music reveal film-makers’ beliefs about and attitudes towards the queen.
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The use of Western and Eastern musics in this adaptation of Twelfth Night
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Kendra Leonard deposited The Lady Vanishes: Vocality and Agency in Cinematic Ophelias on MLA Commons 10 years ago
Ophelia’s music, voice, and agency in selected cinematic adaptations of Hamlet
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Kendra Leonard deposited Rosalind’s Musical Identities in Branagh’s and Doyle’s As You Like It on MLA Commons 10 years ago
Analysis of the score for Branagh’s HBO As You Like It
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Explores the 2006 Odin Teatret production Ur-Hamlet and the connections it makes between music, race, and language.
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Kendra Leonard deposited “From ‘Angel of Music’ to ‘that Monster’: Music for the Human Uncanny in The Phantom of the Opera (1925/1929) on MLA Commons 10 years ago
Examines the music for the 1925/1929 Phantom of the Opera and the ways in which various composers use music to signify the Phantom’s disability.
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Kendra Leonard's profile was updated on MLA Commons 10 years ago
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Kendra Leonard became a registered member on MLA Commons 10 years ago
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Joanne Bernardi's profile was updated on MLA Commons 10 years, 7 months ago
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Joanne Bernardi changed their profile picture on MLA Commons 10 years, 7 months ago
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