This essay shares the author’s ideas, alluding to depth psychology, philosophy, and comparative culture, particularly East-West differences in the basic worldviews people can have, such as I-Thou, Us vs. Them or We-They, I-Nature or I-Universe, with Asian people tending to live more collectively in a social reality. The essay includes Zen insights…[Read more]

This publication is part of the project “Ricontrans – Visual Culture, Piety and Propaganda. Transfer and Reception of Russian Religious Art in the Balkans and the Eastern Mediterranean (16th to Early 20th Century)”, funded from the European Research Council (erc) under the European Union’s Horizon 2020 research and innovation programme (grant…[Read more]

Although a plethora of ancient South Asian sources refer to situations that would be considered crises by modern standards, the early Sanskrit vocabulary lacks a word that we could understand as a distinct equivalent of the term “crisis” and its Greek and Latin predecessors. Nevertheless, the descriptions and discussions of personal and col…[Read more]

The incidence of diseases in the Gold Coast (now Ghana) shaped encounters between colonial officials and indigenous people, yet this subject has merited minimum attention in the Ghanaian historiography. This paper examines the colonial healthcare interventions to combat the outbreak of cerebrospinal meningitis (CSM) in Asante and
how the presence…[Read more]

This study highlights the transitions that indigenous medicine and indigenous medical practices have undergone in Asante. It uses a qualitative approach anchored on both primary and secondary sources. The primary data sources include interviews and documentary data derived from reports in historical archives. Anchored on rational choice contingent…[Read more]

A high percentage of theatrical prints and manuscripts from the aurisecular period have never been transcribed in an analogical or, of course, digital format. It is therefore impossible to use these documents to carry out searches of our interest or for the valuable computer analyses (stylometry, topic modelling, sentiment analysis, etc.) that…[Read more]

TEXORO: Textos del Siglo de Oro es una herramienta desarrollada por Álvaro Cuéllar y Germán Vega que permite realizar búsquedas en un amplio corpus de teatro del Siglo de Oro. Es nuestra intención que un futuro crezca ofreciendo otros tipos de textos fuera del ámbito teatral.

El proyecto ETSO: Estilometría aplicada al Teatro del Siglo de Oro surge del interés del investigador Álvaro Cuéllar y del catedrático Germán Vega García-Luengos en aplicar las nuevas herramientas informáticas a los numerosos problemas de autoría que presenta el teatro del Siglo de Oro español. Este portal trata de ofrecer análisis que puedan arr…[Read more]

Finding the accurate date of texts is one of the most puzzling challenges in the study of Spanish aurisecular theater. Stylometry, the computer technique centered on the comparison of texts based on their writing, which has been successfully used in recent years to solve authorship questions, can also serve to shed light on this issue. In this…[Read more]

Claramonte is one of the playwrights who has had the most unusual fate in our theatrical heritage. Reviled by early scholars as a plagiarist, recaster and, ultimately, a second-order author, in recent decades he has reemerged as a possible author of capital works of our theatre. Using stylometric techniques that have been proven to be effective…[Read more]

This article proposes the inclusion in Lope’s repertoire of La francesa Laura, a comedia preserved in an anonymous manuscript of the BNE, never before related to the playwright. The investigation started thanks to the results of the process in the Transkribus and ETSO platforms, which pointed out the close relationship of the lexicon with the…[Read more]

La datación supone una de las cuestiones con más interrogantes en el estudio del teatro aurisecular español. La estilometría, técnica informática basada en la comparación de textos en función de sus usos escriturales y que está utilizándose con aparente acierto en los últimos años para arrojar luz sobre el problema de la autoría, puede servir…[Read more]

Claramonte es uno de los dramaturgos que más extraña suerte ha corrido de nuestro patrimonio teatral. Vilipendiado por los primeros estudiosos como plagiario, refundidor y, en definitiva, autor de segundo orden, en las últimas décadas ha resurgido como posible responsable de obras capitales de nuestro teatro. A través del empleo de técnicas estil…[Read more]