Oksana Nesterenko
,@onesterenko
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Gavin Lee commented on the doc Mari Esabel Valverde in the group
Global Musical Modernisms on Humanities Commons 3 years, 9 months agotest
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Markian Dobczansky's profile was updated on Humanities Commons 3 years, 10 months ago
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Gavin Lee deposited Postcolonial Bifurcation: On John Sharpley’s Emptiness. in the group
American Musicological Society – Global East Asian Music Research (Study Group) on Humanities Commons 3 years, 10 months agotheory of Deleuzian bifurcation
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Gavin Lee deposited Postcolonial Bifurcation: On John Sharpley’s Emptiness. on Humanities Commons 3 years, 10 months ago
theory of Deleuzian bifurcation
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Alexandra Kieffer's profile was updated on Humanities Commons 3 years, 11 months ago
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Daniele Shlomit Sofer's profile was updated on Humanities Commons 3 years, 11 months ago
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Erika Supria Honisch's profile was updated on Humanities Commons 4 years ago
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Gavin Lee started the topic test in the discussion
American Musicological Society – Global East Asian Music Research (Study Group) on Humanities Commons 4 years, 1 month agotest
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Lisa Kirschenbaum's profile was updated on Humanities Commons 4 years, 1 month ago
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Noriko Manabe's profile was updated on Humanities Commons 4 years, 4 months ago
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Daniele Shlomit Sofer's profile was updated on Humanities Commons 4 years, 4 months ago
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Erika Supria Honisch's profile was updated on Humanities Commons 4 years, 6 months ago
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Daniele Shlomit Sofer's profile was updated on Humanities Commons 4 years, 6 months ago
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Markian Prokopovych's profile was updated on Humanities Commons 4 years, 6 months ago
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Mariusz Kozak deposited Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work? in the group
Society for Music Theory (SMT) on Humanities Commons 4 years, 7 months agoReich’s Violin Phase has been mired in questions of time since its inception. In this article I present a theory of time in process music based on the notion of kinesthetic knowledge, and the synthesis of musical temporality through the generative (chronopoietic) and transformational (chronopraxial) acts of the body. I illustrate this theory w…[Read more]
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Mariusz Kozak deposited Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work? in the group
Performance Studies on Humanities Commons 4 years, 7 months agoReich’s Violin Phase has been mired in questions of time since its inception. In this article I present a theory of time in process music based on the notion of kinesthetic knowledge, and the synthesis of musical temporality through the generative (chronopoietic) and transformational (chronopraxial) acts of the body. I illustrate this theory w…[Read more]
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Mariusz Kozak's profile was updated on Humanities Commons 4 years, 7 months ago
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Mariusz Kozak deposited Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work? on Humanities Commons 4 years, 7 months ago
Reich’s Violin Phase has been mired in questions of time since its inception. In this article I present a theory of time in process music based on the notion of kinesthetic knowledge, and the synthesis of musical temporality through the generative (chronopoietic) and transformational (chronopraxial) acts of the body. I illustrate this theory w…[Read more]
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Erika Supria Honisch's profile was updated on Humanities Commons 4 years, 7 months ago
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Erika Supria Honisch's profile was updated on Humanities Commons 4 years, 7 months ago
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