A reflection on what notions of angels suggest about how late ancient people knew the world and its inhabitants.

A reflection on what notions of angels suggest about how late ancient people knew the world and its inhabitants.

In this paper I argue that Philo’s Embassy to Gaius makes use of the literary paradigm
of theatricality, a strategy of representation marked by the portrayal of multiple
and competing discourses amongst those in unequal relations of power, as
well as an emphasis on the arts of acting and discernment. Th e Embassy marks an
appearance of the t…[Read more]

In this paper I argue that Philo’s Embassy to Gaius makes use of the literary paradigm
of theatricality, a strategy of representation marked by the portrayal of multiple
and competing discourses amongst those in unequal relations of power, as
well as an emphasis on the arts of acting and discernment. Th e Embassy marks an
appearance of the t…[Read more]

Scholarly reflections on the concept of the will as it is articulated in late ancient texts have centered on the male individual and the difficulties he faces as he tries to train or direct his intentions. By contrast, in this article we seek to explore late ancient concepts and negotiations of the will by considering a cluster of ancient Jewish…[Read more]

Scholarly reflections on the concept of the will as it is articulated in late ancient texts have centered on the male individual and the difficulties he faces as he tries to train or direct his intentions. By contrast, in this article we seek to explore late ancient concepts and negotiations of the will by considering a cluster of ancient Jewish…[Read more]

Scholarly reflections on the concept of the will as it is articulated in late ancient texts have centered on the male individual and the difficulties he faces as he tries to train or direct his intentions. By contrast, in this article we seek to explore late ancient concepts and negotiations of the will by considering a cluster of ancient Jewish…[Read more]

A book review of _Symbol and Icon: Dionysius the Areopagite and the Iconoclastic Crisis_ (Wipf & Stock, 2010), which extensively catalogs the severe lack of proper attribution of other scholars’ work in the book.

The altar screen mosaic icons were ordered and installed on a new reconstructed altar screen in the Žiča Monastery in 1993. The sketches made by a painter, Mladen Srbinović were approved by a committee consisting of eminent experts. Furthermore , The Serbian Patriarch Paul gave his blessing to the icons. However, soon after they were put up, th…[Read more]