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Lloyd Graham deposited The Magic Symbol Repertoire of Talismanic Rings from East and West Africa on Humanities Commons 5 years, 5 months ago
In West Africa, Berber groups such as the Tuareg use inscribed silver jewelry – rings, pendants and plaques – as talismans. A ring with a curved or flat frontal area may be inscribed with a linear cipher or, if large, carry a “magic square” design. A survey of 132 Tuareg/Berber items revealed that the symbol repertoire appears to be drawn from ov…[Read more]
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Lloyd Graham deposited A comparison of the Seven Seals in Islamic esotericism and Jewish Kabbalah in the group
Islamicate Studies on Humanities Commons 5 years, 5 months agoIn Islamic mysticism and theurgy, the Seven Seals represent in graphic form the Greatest Name of God; in Jewish Kabbalah, the Seals bear individual Divine Names which collectively form a “Great Name.” We review and compare the primary interpretations and secondary associations for each Seal in Islam and Judaism, from which it is clear that the two…[Read more]
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Lloyd Graham deposited A comparison of the Seven Seals in Islamic esotericism and Jewish Kabbalah on Humanities Commons 5 years, 5 months ago
In Islamic mysticism and theurgy, the Seven Seals represent in graphic form the Greatest Name of God; in Jewish Kabbalah, the Seals bear individual Divine Names which collectively form a “Great Name.” We review and compare the primary interpretations and secondary associations for each Seal in Islam and Judaism, from which it is clear that the two…[Read more]
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Lloyd Graham deposited Perseus, Mars and the figurae magicae of PGM XXXVI on Humanities Commons 5 years, 5 months ago
Perseus’s decapitation of the Gorgon Medusa is suggested as a possible inspiration for the gruesome figurative drawings in PGM XXXVI. The same drawings prefigure an iconographic template later identified with Mars in the talismanic image magic of medieval and Renaissance Europe – one whose magical reputation persisted until very recently.
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Lloyd Graham's profile was updated on Humanities Commons 5 years, 5 months ago
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Lloyd Graham deposited Iconographic similarities between Permian “goddess plaques” (Ural region, 7-8th centuries CE) and Horus cippi (Egypt, 8th century BCE – 2nd century CE) in the group
Egyptology on Humanities Commons 5 years, 6 months agoThe iconography of the Horus cippus, an amulet popular in Egypt from the late Third Intermediate Period to Roman times (8th century BCE – 2nd century CE), is unexpectedly recapitulated in bronze “goddess plaques” of the 7-8th centuries CE made by Permian peoples – Finno-Ugric groups from the Ural region of northern Eurasia. The likely expla…[Read more]
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Lloyd Graham deposited Iconographic similarities between Permian “goddess plaques” (Ural region, 7-8th centuries CE) and Horus cippi (Egypt, 8th century BCE – 2nd century CE) in the group
Assyriologists on Humanities Commons 5 years, 6 months agoThe iconography of the Horus cippus, an amulet popular in Egypt from the late Third Intermediate Period to Roman times (8th century BCE – 2nd century CE), is unexpectedly recapitulated in bronze “goddess plaques” of the 7-8th centuries CE made by Permian peoples – Finno-Ugric groups from the Ural region of northern Eurasia. The likely expla…[Read more]
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Lloyd Graham deposited Iconographic similarities between Permian “goddess plaques” (Ural region, 7-8th centuries CE) and Horus cippi (Egypt, 8th century BCE – 2nd century CE) in the group
Ancient Near East on Humanities Commons 5 years, 6 months agoThe iconography of the Horus cippus, an amulet popular in Egypt from the late Third Intermediate Period to Roman times (8th century BCE – 2nd century CE), is unexpectedly recapitulated in bronze “goddess plaques” of the 7-8th centuries CE made by Permian peoples – Finno-Ugric groups from the Ural region of northern Eurasia. The likely expla…[Read more]
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Lloyd Graham deposited Iconographic similarities between Permian “goddess plaques” (Ural region, 7-8th centuries CE) and Horus cippi (Egypt, 8th century BCE – 2nd century CE) on Humanities Commons 5 years, 6 months ago
The iconography of the Horus cippus, an amulet popular in Egypt from the late Third Intermediate Period to Roman times (8th century BCE – 2nd century CE), is unexpectedly recapitulated in bronze “goddess plaques” of the 7-8th centuries CE made by Permian peoples – Finno-Ugric groups from the Ural region of northern Eurasia. The likely expla…[Read more]
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Lloyd Graham's profile was updated on Humanities Commons 5 years, 9 months ago
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Lloyd Graham deposited Three Saite-period shabtis of Wedjat-Hor, son of Ashsedjemes, with some idiosyncratic features in the group
Egyptology on Humanities Commons 6 years agoThis report describes for the first time the surviving (upper) portions of three 26th-Dynasty shabtis made for Wedjat-Hor, son of Ashsedjemes. Shabtis A and C are clearly from the same mould and inscribed by the same scribe; shabti B is the product of a different mould and scribe. Some orthographic idiosyncrasies are shared, whereas others are…[Read more]
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Lloyd Graham deposited Three Saite-period shabtis of Wedjat-Hor, son of Ashsedjemes, with some idiosyncratic features on Humanities Commons 6 years ago
This report describes for the first time the surviving (upper) portions of three 26th-Dynasty shabtis made for Wedjat-Hor, son of Ashsedjemes. Shabtis A and C are clearly from the same mould and inscribed by the same scribe; shabti B is the product of a different mould and scribe. Some orthographic idiosyncrasies are shared, whereas others are…[Read more]
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Lloyd Graham deposited A Shabti of “Tjehebu the Great:” Tjainhebu (Ṯ3y-n-ḥbw) and Related Names from Middle Kingdom to Late Period in the group
Egyptology on Humanities Commons 6 years agoSection 1 of this paper describes a pottery shabti of the Third Intermediate Period and recounts the early stages of the project to understand the name of its owner. Sections 2-7 describe the outcome of the analysis. This covers both the name itself (its variants, orthographies and possible meanings) and a survey of those individuals who bore it…[Read more]
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Lloyd Graham deposited A Shabti of “Tjehebu the Great:” Tjainhebu (Ṯ3y-n-ḥbw) and Related Names from Middle Kingdom to Late Period on Humanities Commons 6 years ago
Section 1 of this paper describes a pottery shabti of the Third Intermediate Period and recounts the early stages of the project to understand the name of its owner. Sections 2-7 describe the outcome of the analysis. This covers both the name itself (its variants, orthographies and possible meanings) and a survey of those individuals who bore it…[Read more]
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Lloyd Graham deposited “Then a star fell:” Folk-memory of a celestial impact event in the ancient Egyptian Tale of the Shipwrecked Sailor? in the group
Egyptology on Humanities Commons 6 years, 1 month agoThe motif in the centre of the Egyptian Middle Kingdom Tale of the Shipwrecked Sailor (ca. 2000-1900 BCE) concerns a star that fell to earth and caused the extinction of a population of giant serpents on an enchanted island, whose location is traditionally ascribed to the Red Sea. These creatures could apparently breathe fire, but they themselves…[Read more]
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Lloyd Graham deposited “Then a star fell:” Folk-memory of a celestial impact event in the ancient Egyptian Tale of the Shipwrecked Sailor? in the group
Assyriologists on Humanities Commons 6 years, 1 month agoThe motif in the centre of the Egyptian Middle Kingdom Tale of the Shipwrecked Sailor (ca. 2000-1900 BCE) concerns a star that fell to earth and caused the extinction of a population of giant serpents on an enchanted island, whose location is traditionally ascribed to the Red Sea. These creatures could apparently breathe fire, but they themselves…[Read more]
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Lloyd Graham deposited “Then a star fell:” Folk-memory of a celestial impact event in the ancient Egyptian Tale of the Shipwrecked Sailor? in the group
Ancient Near East on Humanities Commons 6 years, 1 month agoThe motif in the centre of the Egyptian Middle Kingdom Tale of the Shipwrecked Sailor (ca. 2000-1900 BCE) concerns a star that fell to earth and caused the extinction of a population of giant serpents on an enchanted island, whose location is traditionally ascribed to the Red Sea. These creatures could apparently breathe fire, but they themselves…[Read more]
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Lloyd Graham deposited “Then a star fell:” Folk-memory of a celestial impact event in the ancient Egyptian Tale of the Shipwrecked Sailor? on Humanities Commons 6 years, 1 month ago
The motif in the centre of the Egyptian Middle Kingdom Tale of the Shipwrecked Sailor (ca. 2000-1900 BCE) concerns a star that fell to earth and caused the extinction of a population of giant serpents on an enchanted island, whose location is traditionally ascribed to the Red Sea. These creatures could apparently breathe fire, but they themselves…[Read more]
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Lloyd Graham deposited Mythogeography and hydromythology in the initial sections of Sumerian and Egyptian king-lists in the group
Egyptology on Humanities Commons 6 years, 1 month agoAncient pseudo-histories may contain kernels of geographic truth. In the Sumerian King List (SKL) the long and south-focused antediluvian era may reflect a combination of the Ubaid and Uruk periods, while the initial post-Flood period, which was short and ruled from the north, may reflect the Jemdet Nasr phase. The SKL’s subsequent return of k…[Read more]
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Lloyd Graham deposited Mythogeography and hydromythology in the initial sections of Sumerian and Egyptian king-lists in the group
Assyriologists on Humanities Commons 6 years, 1 month agoAncient pseudo-histories may contain kernels of geographic truth. In the Sumerian King List (SKL) the long and south-focused antediluvian era may reflect a combination of the Ubaid and Uruk periods, while the initial post-Flood period, which was short and ruled from the north, may reflect the Jemdet Nasr phase. The SKL’s subsequent return of k…[Read more]
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