In this article we trace the history of Urban Renewal in Lansing through a collaborative research project involving undergraduate students and the course instructor. Looking in fine-grain detail at the block and individual house level, the project reveals the patchwork of discrimination that African Americans faced in accessing housing in the…[Read more]

A short story about the pitfals of a new law, the General Act for the Dismantling of Normalising Power and Structures of Privilege, and, more philosophically, about the problems of institutionalizing progressive politics through law. Published in The Cabinat of Imaginary Laws, by Peter Goodrich and Thanos Zartaloudis: Returning to the map of the…[Read more]

De Moretussen wisten wat feesten was. Met hun tafels en buiken bourgondisch bol maakten ze er een waar schouwspel van. Ter gelegenheid van het huwelijk van Balthasar II Moretus (1615–1674) met de achttienjarige Anna Goos (1627–1691) kwamen de drukpersen zowaar tot leven! Onder impuls van de Antwerpse jezuïet Jacob de Cater droeg elke drukpers van…[Read more]

Gender roles in Shakespeare’s plays take on new meanings when they are embodied by Asian actors. Learning more about Asian approaches to performance not only enriches our worldview but also makes Asian cultures less abstract and Asian people more relatable as fellow human beings. Reflecting the idea that strength and empowerment can take many f…[Read more]

Heinsius jarig! Dat vieren we met wijn.

Daniel Heinsius (Heins – Δανιὴλ Εἱνσιάδης, 1580–1655) zag het levenslicht te Gent op 9 juni 1580, vandaag exact 441 jaar geleden. Omwille van hun protestantse geloof moesten zijn ouders echter al vroeg uitwijken naar Engeland; ze keerden na een tijdje terug naar de Lage Landen en vestigden zich in he…[Read more]

The current article explores the image of success in the contemporary business environment, embedded in organizational settings as the “exponential organizations”. The essence of exponential human resource management is outlined based on critical review of the continuum of revolutions (evolution) in this functional sphere in business org…[Read more]

This is a PDF I made to aid in navigating the 1521 Baldus based on the 2 vol edition by Attilio Portioli (1882-9)

This is a PDF I made to aid in navigating the 1521 Baldus based on the 2 vol edition by Attilio Portioli (1882-9)

Here are four different versions of a traumatic scene from the life and times of Baldus, starting with the woodcut print of Folengo’s 1521 Macaronic Works

Here are four different versions of a traumatic scene from the life and times of Baldus, starting with the woodcut print of Folengo’s 1521 Macaronic Works

Scanned images of woodcut prints from subsequent editions of Folengo’s 1521 Macaronic Works

Scanned images of woodcut prints from subsequent editions of Folengo’s 1521 Macaronic Works

51 full-page woodcut prints illustrate Folengo’s 1521 epic poem Baldus

51 full-page woodcut prints illustrate Folengo’s 1521 epic poem Baldus

The greatly augmented and extremely popular 1521 ediion of Folengo’s Macaronic Works features many extras: angry letters, highly laudatory letters, an accusation of text theft, a revealing dialogue and more

The greatly augmented and extremely popular 1521 ediion of Folengo’s Macaronic Works features many extras: angry letters, highly laudatory letters, an accusation of text theft, a revealing dialogue and more

A letter from Folengo’s pseudonym-personality, Merlin, to the printer Paganini, claiming that he does not want to relinquish his own copy for publication; a response from Paganini telling him that he got a copy of the text from Federico Gonzaga (accompanied by the letter Gonzaga sent to Paganini, 1520); a letter to the reader from Paganini, and a…[Read more]

A letter from Folengo’s pseudonym-personality, Merlin, to the printer Paganini, claiming that he does not want to relinquish his own copy for publication; a response from Paganini telling him that he got a copy of the text from Federico Gonzaga (accompanied by the letter Gonzaga sent to Paganini, 1520); a letter to the reader from Paganini, and a…[Read more]