CFP – AIWAC 2nd edition Rome 2022

Historically, tourism in Wales was invigorated by the reinvention of mountain scenery during the Romantic period when travellers gained new perspectives of the terrain from higher ground. It is also during this period that inns and guesthouses began keeping visitors’ books in which guests evaluated their surroundings and their hosts’ good ser…[Read more]

This study presents a reconstruction of the performance of the melancholic character in Golden Age theater. It argues that critics have overlooked the way this character type was acted on the original stage. Using Lope’s El Príncipe melancólico [The Melancholic Prince] as a case-study to speculate on the actor’s paralinguistic gestures and movem…[Read more]

The CNTC’s 2017 production of La dama duende presented the transition between the two main characters’ rooms in the third jornada using two illuminated windows at the rear wall of the stage. The comparison between this rendition and other modern productions reveals two problems in adaptation: the fidelity with the original and the und…[Read more]

Notes on the second half of Nicholas Ray’s ‘Tragedy and Otherness: Sophocles, Shakespeare, Psychoanalysis’—a reading of Shakespeare’s ‘Julius Caesar ‘, with some interesting dimensions for the student of retroprospective action. The relationship to the Freudian project is rather indirect, but the chapter stands on its own strength as an o…[Read more]

Essay on the poetry of Emily Dickinson and her impact upon literature. This essay celebrates her global reach from within societal spheres of gender. “Emily Dickinson transformed the genre of poetry from the academic salon styled idealism to the personal poignant voice of reality from the poet’s point of view.”

This paleographic comparison serves to support my argument in the following publication:

Van Rooy, Raf. Accepted. “Ippolita Maria Sforza, student and patroness of Greek in Milan (ca. 1465).” Renaissance Quarterly.

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