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Ben Newbound deposited The arrangement of tablets on the photographic plates of Scripta Minoa II in the group
History of Art on Humanities Commons 5 years, 12 months agoIllustration of various features in the arrangement of Linear B tablets in the photo plates of Scripta Minoa II, and a proposed rationale in terms of underlying art.
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María-Teresa García Ballesteros deposited La colección Fernández Rivero de fotografía antigua in the group
History of Art on Humanities Commons 6 years agoThe Fernández Rivero Collection of old photography is a collection of original photographic objects of more than 45,000 pieces of different types. The CFRivero has been formed with a historicist approach so that it could cover museum and teaching purposes. About two thirds of his pieces are from the 19th century, of which most could be described…[Read more]
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Narasimhananda Swami deposited Review Looking Within Shonaleeka Kaul by Narasimhananda Prabuddha Bharata December 2019. in the group
Hinduisms on Humanities Commons 6 years, 1 month agoKashmir weaves a rich tapestry of geographical, cultural, and spiritual heritage. Kashmir Shaivism is the crowning jewel of this spiritual tradition, of which Lal Ded is a brilliant gem, being one of the earliest women gurus of the valley. Shonaleeka Kaul translates 101 teachings of Ded and arranges them in the four chapters of ‘Life of I…[Read more]
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María-Teresa García Ballesteros deposited Los Hermanos Debas: fotógrafos de corte en las monarquías alfonsinas in the group
History of Art on Humanities Commons 6 years, 1 month agoThe brothers Fernando and Edgardo Debas arrived in Madrid in 1872, coming from France, and soon became the main court photographers of Alfonso XII, above Laurent, who was then in full swing of his activity. The article reveals the keys to this situation as well as the details of his previous activities in France, the circumstances of his arrival…[Read more]
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María-Teresa García Ballesteros deposited El álbum de la Exposición Vinícola de 1877: Laurent, Debás y Esperon. in the group
History of Art on Humanities Commons 6 years, 1 month agoAt the beginning are described first reports made in Spain on major exhibitions, since the great exhibition of London in 1851. Below is a brief review about the photographers Laurent, Debás and Esperon, who were the authors of the photo album made in 1877 about the «Exposición Vinícola» in Madrid. Finally, the article focuses on the desc…[Read more]
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Glen M Golub deposited Neanderthal for Sapiens in the group
History of Art on Humanities Commons 6 years, 1 month agoThis commentary takes advantage of the provenance established by Hoffman, et al.2018 to explore exclusionary symbol sets in Art, Astrology, and Myth within La Pasiega Gallery C in Spain. Using the One Godz paradigm plus the added parameter of U-TH dating this commentary ascribes meaning to two proximate rock art panels, one homo sapien and the…[Read more]
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María Teresa García Ballesteros deposited Luis Masson, uno de los grandes en los inicios de la fotografía en España in the group
History of Art on Humanities Commons 6 years, 2 months agoThe discovery of the importance of photographer Luis Leon Masson and the observation that, nevertheless, has been almost ignored in all the temporal space in which the Spanish photohistory has been developing in the last thirty years, has led us to ask ourselves about the circumstances that have concurred so that this character, who was able to…[Read more]
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María Teresa García Ballesteros deposited Spanish Stereoscopic Commercial Photography in the 20th Century: “El Turismo Práctico” and “Rellev” in the group
History of Art on Humanities Commons 6 years, 2 months agoThroughout the twentieth century, the two major projects carried out in Spain to commercialize ste- reoscopic photography were those of the Barcelona publishing house Alberto Martín and the photo- grapher José Codina Torrás, both projects with an obvious tourist orientation. During the decade of 1910, the publishing house Alberto Martín lau…[Read more]
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María Teresa García Ballesteros deposited La fotografía estereoscópica en Canarias durante el siglo XIX in the group
History of Art on Humanities Commons 6 years, 2 months agoStereoscopic photography begins in the Canary Islands at the end of the 1850s, not only by photographers and news from Peninsular Spain but also through the important English colony. The names of Piazzi Smyth and Jessica Duncan, of photographers such as Luis Marín del Corral, Manuel Sapera, Rafael and Bartolomé Belza or Juan González Méndez and…[Read more]
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Raphael Grazziano deposited Aspectos do debate entre realismo socialista e concretismo: a obra de vilanova artigas in the group
History of Art on Humanities Commons 6 years, 2 months agoThis monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the…[Read more]
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Koca Mehmet Kentel deposited Hafıza-i Beşer: Osmanlı Yazmalarından Hikâyeler | Memories of Humankind: Stories from the Ottoman Manuscripts in the group
History of Art on Humanities Commons 6 years, 3 months agoThe opening text for the exhibition Hafıza-i Beşer: Osmanlı Yazmalarından Hikâyeler | Memories of Humankind: Stories from the Ottoman Manuscripts, organized by the Istanbul Research Institute, open between October 18, 2019 – July 25, 2020.
Sergi Küratörü/Exhibition Curator
K. Mehmet KentelDanısmanlar/Advisors
M. Baha Tanman, Selim S.…[Read more] -
Narasimhananda Swami deposited Review Infinite Paths to Infinite Reality by Ayon Maharaj Reading Religion September 2019 in the group
Hinduisms on Humanities Commons 6 years, 3 months agoSri Ramakrishna (1836–1886) has been variously considered a mystic, a prophet, a devotee, and an early modern propounder of the harmony of religions. However, this spiritual luminary has seldom been considered a philosopher. Academic engagements with his life and precepts have been negligible. In Infinite Paths to Infinite Reality: Sri R…[Read more]
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Ben Newbound deposited Linear and cult art: addenda, corrigenda, concludenda in the group
History of Art on Humanities Commons 6 years, 3 months agoAs per its title
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Glen M Golub deposited How the Aleph-Bet Got Its Shape in the group
History of Art on Humanities Commons 6 years, 3 months agoThis thesis follows my earlier work on Aurignacian rock art by drawing a clear line between cave painting in the south of France and the holiest Hebrew script Ktav Ivrit or STA”M. This is an in depth study detailing relationships between Language, Mysticism and Kabbalah, as well as Religious Dogma that answers the question, “Why do all religions…[Read more]
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Glen M Golub deposited Strategies and Methods in Archeo Art History in the group
History of Art on Humanities Commons 6 years, 3 months agoThis is a series of brief paradigms that suggest ways of manipulating abstraction, such as Art Language Religion and Politics, for use with a Carlos Ginzburg Evidentiary Paradigm, or other multivariate analysis. The tables in this appendix accompany the Index of Deities and Demons and How the Aleph-Bet Got Its Shape.
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Maximilian Kaiser deposited Structure, Network, Discourse. Anatomy of an Artists Association in the group
History of Art on Humanities Commons 6 years, 3 months agoArticle for the exhibition catalogue “Hagenbund. A European network of modernism 1900 to 1938” (2014)
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Rodney Swan deposited Contrée: Picasso’s visual fragmented tailpieces emphasise the poetry of Robert Desnos. in the group
History of Art on Humanities Commons 6 years, 4 months agoCompleted in early 1944, Robert Desnos’s militant series of 25 poems in Contrée evokes memories of a lost peace and calls for the defeat of the German occupiers. Suggesting the desecration of the human body by the occupiers, Picasso cut his cubist–surrealist frontispiece etching of Dora Marr to produce severed heads and dismembered body part…[Read more]
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Rodney Swan deposited Henri Matisse’s Jazz: The Mystery of The Codomas in the group
History of Art on Humanities Commons 6 years, 5 months agoIn addition to the enigmatic The Codomas, Henri Matisse distinguished three other images with a name, Icarus, Monsieur Loyal and Pierrot’s Funeral for his landmark livre d’artiste Jazz. While the characters Loyal, Pierrot and Icarus were readily identifiable and the images could be interpreted within the context of the difficulties of the Ger…[Read more]
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Lukas Fuchsgruber deposited Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century in the group
History of Art on Humanities Commons 6 years, 5 months agoIn the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]
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Lukas Fuchsgruber deposited Museum Photo Archives and the History of the Art Market: A Digital Approach in the group
History of Art on Humanities Commons 6 years, 5 months agoDigital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]
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