Swami Vivekananda lives even today through his words that shake the reader to one’s very foundations. He is fulfilling his prophecy: ‘It may be that I shall find it good to get outside of my body—to cast it off like a disused garment. But I shall not cease to work! I shall inspire men everywhere, until the world shall know that it is one with…[Read more]

This article discusses the implications of the symbology of Kali from a different and fresh perspective and positions the worship of Kali in the bigger picture of the divinisation of everything in Sanatana Dharma. It also discusses the needless marginalisation of so-called ‘ugly’ and ‘terrible’ and how these prejudices have to be overcome to…[Read more]

A brief survey of the pioneers of Malayalam literature.

This paper explores how one can go beyond social and other distinctions by the praxis of Advaita Vedanta

Explores the Indian perspectives on coping with Aging.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Hindu Vishva hinduvishwa malayalam cultural magazine 2016 October 17 – November 16 Issue

This article discusses the implications of the symbology of Kali from a different and fresh perspective and positions the worship of Kali in the bigger picture of the divinisation of everything in Sanatana Dharma. It also discusses the needless marginalisation of so-called ‘ugly’ and ‘terrible’ and how these prejudices have to be overcome to…[Read more]

Hindu Vishva hinduvishwa malayalam cultural magazine 2016 September 17 – October 16 Issue

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The coffered ceiling of Nossa Senhora dos Réis de Lamalonga church is one of the largest and most important nucleus of painting in the northeastern region of Portugal. Given the ambitious programme of interceding saints it appears that the work was largelly triggered by the human tragedy in Lisbon earthquake of 1 November 1755. Joaquim Manuel da…[Read more]

The different sensations resulted from Vieira Lusitano garnish and ungarnish drawings observation, registered in a few museums in our country, led us to consider other reasons beyond the painter intentions to promote this creative step in art itself. Painters ennoblement was more dependent in social origins rather in artistic merits, besides they…[Read more]

First known and signed work of Francisco Xavier Lobo, translator, playwright, poet and painter from Lisbon during the eighteenth century for the collegial-church of Espírito Santo (Castelo de Vide), heavily marked by decency concerns as response to a progressively more sensual painting.

Efforts had been made to portrait Francisco Pérez Bayer in his visit to Portugal in 1782, but with a «shadowing memory» result as we seen today at Évora Museum reserves and originally from D. Frei Manuel do Cenáculo’s pinacotheca. Portraits of edifying figures of society had been included in his collection reinforcing the position of this genr…[Read more]

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.