Nuno Meireles
,@nm3
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Alexa Alice Joubin deposited “Global Shakespeare Criticism beyond the Nation State.” Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440 in the group
TC Translation Studies on MLA Commons 7 years, 12 months agoTo move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]
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Alexa Alice Joubin deposited “Global Shakespeare Criticism beyond the Nation State.” Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440 in the group
LLC Shakespeare on MLA Commons 7 years, 12 months agoTo move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]
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Alexa Alice Joubin deposited “Global Shakespeare Criticism beyond the Nation State.” Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440 in the group
LLC East Asian on MLA Commons 7 years, 12 months agoTo move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]
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Alexa Alice Joubin deposited “Global Shakespeare Criticism beyond the Nation State.” Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440 in the group
GS Drama and Performance on MLA Commons 7 years, 12 months agoTo move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]
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Alexa Alice Joubin deposited “Global Shakespeare Criticism beyond the Nation State.” Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440 in the group
Global Shakespeares on MLA Commons 7 years, 12 months agoTo move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]
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Alexa Alice Joubin deposited “Global Shakespeare Criticism beyond the Nation State.” Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440 on MLA Commons 7 years, 12 months ago
To move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]
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Alexa Alice Joubin deposited “Review of The Taming of the Shrew.” Shakespeare Bulletin 35.4 (2017): 700-703 in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 8 years, 1 month agoCan we entertain the idea that The Taming of the Shrew can be performed and received as comedy in the post-Women’s March US? If so, would the laughter be empathetic and solidary rather than callous? The answer lies in physical theater which is uniquely poised to activate elements of farce in the play. Shrew is one of the Shakespearean comedies t…[Read more]
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Alexa Alice Joubin deposited “Review of The Taming of the Shrew.” Shakespeare Bulletin 35.4 (2017): 700-703 in the group
GS Drama and Performance on MLA Commons 8 years, 1 month agoCan we entertain the idea that The Taming of the Shrew can be performed and received as comedy in the post-Women’s March US? If so, would the laughter be empathetic and solidary rather than callous? The answer lies in physical theater which is uniquely poised to activate elements of farce in the play. Shrew is one of the Shakespearean comedies t…[Read more]
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Alexa Alice Joubin deposited “Review of The Taming of the Shrew.” Shakespeare Bulletin 35.4 (2017): 700-703 in the group
Global Shakespeares on MLA Commons 8 years, 1 month agoCan we entertain the idea that The Taming of the Shrew can be performed and received as comedy in the post-Women’s March US? If so, would the laughter be empathetic and solidary rather than callous? The answer lies in physical theater which is uniquely poised to activate elements of farce in the play. Shrew is one of the Shakespearean comedies t…[Read more]
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Alexa Alice Joubin deposited “Review of The Taming of the Shrew.” Shakespeare Bulletin 35.4 (2017): 700-703 in the group
CLCS 20th- and 21st-Century on MLA Commons 8 years, 1 month agoCan we entertain the idea that The Taming of the Shrew can be performed and received as comedy in the post-Women’s March US? If so, would the laughter be empathetic and solidary rather than callous? The answer lies in physical theater which is uniquely poised to activate elements of farce in the play. Shrew is one of the Shakespearean comedies t…[Read more]
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Alexa Alice Joubin created the event The Ethics of Progressive Shakespeare (session # 54) in the groups 2018 MLA Convention, Global Shakespeares, LLC Shakespeare. on MLA Commons 8 years, 1 month ago
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Alexa Alice Joubin deposited “Review of The Taming of the Shrew.” Shakespeare Bulletin 35.4 (2017): 700-703 on MLA Commons 8 years, 1 month ago
Can we entertain the idea that The Taming of the Shrew can be performed and received as comedy in the post-Women’s March US? If so, would the laughter be empathetic and solidary rather than callous? The answer lies in physical theater which is uniquely poised to activate elements of farce in the play. Shrew is one of the Shakespearean comedies t…[Read more]
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Elena Garcia-Martin deposited “Gender, Race and Interculturalism in TNT-El Vacie’s Romani Fuenteovejuna.” in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 8 years, 1 month agoThis paper addresses the performance of Lope de Vega’s Fuenteovejuna undertaken by TNT-El Vacie (Territorio de Nuevos Tiempos), a theater company from Seville, Spain. I Consider how Antonio Álamo’s adaptation, Pepa Gamboa’s direction, and the staging of El Vacie, a company comprised exclusively of non-professional Roma women, constitutes a site o…[Read more]
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Elena Garcia-Martin deposited “Gender, Race and Interculturalism in TNT-El Vacie’s Romani Fuenteovejuna.” in the group
Iberian Theater and Performance Network (ITPN) on MLA Commons 8 years, 1 month agoThis paper addresses the performance of Lope de Vega’s Fuenteovejuna undertaken by TNT-El Vacie (Territorio de Nuevos Tiempos), a theater company from Seville, Spain. I Consider how Antonio Álamo’s adaptation, Pepa Gamboa’s direction, and the staging of El Vacie, a company comprised exclusively of non-professional Roma women, constitutes a site o…[Read more]
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Elena Garcia-Martin deposited “Gender, Race and Interculturalism in TNT-El Vacie’s Romani Fuenteovejuna.” in the group
GS Drama and Performance on MLA Commons 8 years, 1 month agoThis paper addresses the performance of Lope de Vega’s Fuenteovejuna undertaken by TNT-El Vacie (Territorio de Nuevos Tiempos), a theater company from Seville, Spain. I Consider how Antonio Álamo’s adaptation, Pepa Gamboa’s direction, and the staging of El Vacie, a company comprised exclusively of non-professional Roma women, constitutes a site o…[Read more]
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Alexa Alice Joubin deposited Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue in the group
MS Screen Arts and Culture on MLA Commons 8 years, 2 months agoShakespeare is a local force to be reckoned with in the global marketplace and in digital and analog archives of collective memory. With the 450th anniversary of Shakespeare’s birth in 2014 and quatercentenary in 2016, there are several high-profile instances of global Shakespeare being tapped for its market value. The exchange value of…[Read more]
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