Dieser Text soll auf drei Ebenen Fragen an die Quellen tragen. Erstens will ich versuchen, exemplarisch
Entwicklungslinien zwischen der antiken Provinzstruktur und dem bairischen Dukat
– einer militärisch-politischen Organisation nach spätantikem Muster – bis in karolingische Zeit
herauszuarbeiten. Zweitens soll die Frage gestellt werden, wie u…[Read more]

Dieser Text soll auf drei Ebenen Fragen an die Quellen tragen. Erstens will ich versuchen, exemplarisch
Entwicklungslinien zwischen der antiken Provinzstruktur und dem bairischen Dukat
– einer militärisch-politischen Organisation nach spätantikem Muster – bis in karolingische Zeit
herauszuarbeiten. Zweitens soll die Frage gestellt werden, wie u…[Read more]

Dieser Text soll auf drei Ebenen Fragen an die Quellen tragen. Erstens will ich versuchen, exemplarisch
Entwicklungslinien zwischen der antiken Provinzstruktur und dem bairischen Dukat
– einer militärisch-politischen Organisation nach spätantikem Muster – bis in karolingische Zeit
herauszuarbeiten. Zweitens soll die Frage gestellt werden, wie u…[Read more]

Zusammenfassend lässt sich sagen, dass Ethnonyme
über einen sehr langen Zeitraum in Gebrauch
sein konnten. Im Falle der Veneder verschob sich
die Bedeutung. Sie galt nicht mehr nur für eine bestimmte
Gruppe, sondern bezog sich auf die Gesamtheit
der Fremden, die im Wahrnehmungsbereich der
eigenen Sprachgemeinschaft lagen. So wie man de…[Read more]

Zusammenfassend lässt sich sagen, dass Ethnonyme
über einen sehr langen Zeitraum in Gebrauch
sein konnten. Im Falle der Veneder verschob sich
die Bedeutung. Sie galt nicht mehr nur für eine bestimmte
Gruppe, sondern bezog sich auf die Gesamtheit
der Fremden, die im Wahrnehmungsbereich der
eigenen Sprachgemeinschaft lagen. So wie man de…[Read more]

This chapter examines the ways in which the Linear B ‘extra’ signs – syllabograms which can in certain circumstances replace the ‘core’ signs of the Linear B syllabary – are often used as evidence for the process by which this writing system was created from its parent writing system, Linear A, and thus, by extension, for reconstructing aspects of…[Read more]

This chapter examines the ways in which the Linear B ‘extra’ signs – syllabograms which can in certain circumstances replace the ‘core’ signs of the Linear B syllabary – are often used as evidence for the process by which this writing system was created from its parent writing system, Linear A, and thus, by extension, for reconstructing aspects of…[Read more]

Transport stirrup jars – so-called because of the shape formed by their handles and false neck – are a common type of Mycenaean pottery: used to transport and store liquid commodities, usually assumed to be olive oil, they are found throughout the central and eastern Mediterranean. A small sub-group of these carry painted inscriptions in the Lin…[Read more]

Review of the most recent edition of Linear B inscriptions painted onto transport stirrup jars.

It is often claimed that the mortuary traditions that appeared in lowland Britain in the fifth century AD are an expression of new forms of ethnic identity, based on the putative memorialisation of a ‘Germanic’ heritage. This article considers the empirical basis for this assertion and evaluates it in the light of previously proposed ethnic con…[Read more]

This essay is an examination of Udjahorresnet’s Persian identity. Best known from the inscription on his naophorous statue now in the Vatican, Udjahorresnet was a high-ranking courtier in Egypt under the Saite pharaohs Amasis and Psamtik III, and subsequently under the Persian kings Cambyses and Darius. While his statue’s form, function and ins…[Read more]

This chapter explains the process by which the Linear B writing system was deciphered and shown to record a form of the Greek language, discussing the contributions of Emmett L Bennett, Alice E. Kober, Michael Ventris, and John Chadwick.

More than 60 years after Michael Ventris’ decipherment of Linear B, 14 of its syllabic signs remain ‘undeciphered’: despite many proposals to assign sound-values to these signs, none has yet been officially accepted. This paper is based on part of a study investigating new approaches to these undeciphered signs: as signs which cannot yet be read…[Read more]

This article re-examines the evidence for the value of the Linear B sign pu2, in particular its appearance in the term da-pu2-ri-to- ‘labyrinth’, and demonstrates that it stands specifically for the value /phu/ (contrary to the usual assumption that it represents both /phu/ and /bu/). It then discusses the further implications of this con…[Read more]

This is the accepted version of the paper; the published version is available at doi.org/10.1075/wll.00025.jud (or by contacting me). This paper investigates the issue of orthographic variation in the Linear B writing system in order to explore ways in which studying a writing system’s orthographic conventions may shed light on the history of i…[Read more]

Focusing on the use and abuse in the study of Byzantine archaeology and Urbanism of the idea of the “Invisible Cities” as introduced in literature by Italo Calvino, this article attempts to set a framework for understanding Byzantine cities within clear and scientifically defined analytical categories as part of a modernist agenda. At the same tim…[Read more]

The International Style is a theoretical model used to describe various objects from the Eastern Mediterranean Late Bronze Age that exhibit hybrid diagnostic features (iconography, media, form). Resulting in the inability for archaeologists over the past 150 years to identify cultural source. This paper is a reprint of the chapter on colour…[Read more]

This is the paper I gave at the Public Archaeology Twitter Conference 5 (2020). The conference theme was public archaeology in lockdown. The paper is about my digital landscape archaeology intervention called #DailySarsen which began on 6 April 2020 during the Covid-19 emergency. It focusses on one specific sarsen stone in Wiltshire (UK) and takes…[Read more]

Das Bild von Wissenschaftlerinnen und Wissenschaftlern ist heute recht ambivalent und schwankt zwischen Heldinnen/Helden und Mad Scientists, nicht selten abhängig von der wissenschaftlichen Disziplin. Ausgehend von zwei Amateurarchäologen – Heinrich Schliemann und Ernst Boetticher –, die zudem aufgrund unterschiedlicher Deutungen einer archä…[Read more]

Historical and archaeological topics have been very popular for many years. This is witnessed by a variety of events and developments, as for example by time travel formats on television as well as by such performances at historic sites or at open-air museums. These historical performances and affective adoptions – bodily and sensual experiences t…[Read more]