English abstract: ‘Trolösa’ (‘Faithless’) is a film by Ingmar Bergman and Liv Ullmann which replicates their extramarital affairs and dramatizes personal identity drawn into the vortex of infidelity—a film which extracts from the experience of adultery all the possibilities of metaphysical anxiety, personal drama, and traumatic retrospection. (A…[Read more]

This is a book review of Stefanie Knauss, “Religion and Film: Representation, Experience, Meaning” (Brill, 2020).

GB Folengo Commentry on Psalm 51, translated into English with brief annotations

This paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the so-colled ”Little Paris”. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what typ…[Read more]

The focus of this issue is on environmental aesthetics, with the aim of exploring the various aspects of aesthetic appreciation. Environmental Aesthetics: Socio-Territorial Conflicts throughout Media is part of a session that I organized at the IV International ISA Forum, Porto Alegre, held on February 23–27, 2021, for the Research Committee on S…[Read more]

overview on the history of the card game “Höllfahren” or “in die Höll”

Spanish Abstract: ´Peeping Tom´ (dir. Michael Powell, 1960), un clásico del cine de culto, nos sumerge en una intensa experiencia metafílmica. A base de acumulación mediática, repetición, inserción semiótico-perceptual, marcos dentro de marcos, y reflexividad casi hasta el infinito, saca la película un partido extraordinario a la semiótica…[Read more]

‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]

This paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the Little Paris. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what type of role…[Read more]

This paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the so-colled ”Little Paris”. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what typ…[Read more]

The newly formed Greater Romania engaged in a process of modernization, with Bucharest as its flagship metropolis, striving to be recognized internationally and reach economic stability. Women’s fashion became a marker in substantiating Romania’s self-assertion as a modern state, with great emphasis on creating a viable textile industry. This occ…[Read more]

This paper proposes a journey between Bucharest viewed as Little Paris and the original Paris, to determine the way in which the two capitals communicated with each other, whether it was based on dynamic interactions, beyond a simplistic Parisian dialogue. I will interpret Little Paris as an identity construction, clearly mirrored in the universe…[Read more]

My paper will use gender studies and theories about nation and nationhood in order to explain the argument that beauty queens are viewed by the pageant organizers and aficionados as ambassadors not only of local, regional and national beauty, but also representatives of their cultures and nations. Therefore, they not only function as objects for…[Read more]

In a groundbreaking endeavour to triangulate three important traditions of our collective cultural heritage, the Arkeologisk Museum of the University of Stavanger presents Eden and Everything After, a conceptual exhibition organised around notions of the loss of – and slim hope of reconnection with – the lost paradise. Mirroring the boldly exp…[Read more]

In the period 1929-1936, Romania evolved from a traditional agricultural society to a modern, cosmopolitan and consumerist society. Bucharest, its capital,synthesized these transformations. The ideal of beauty – as reflected in fashion – was subject to the same processes of modernization and commodification. Beauty contests showed how the cha…[Read more]

Interwar Romania was a space of social-cultural contrasts which it wholeheartedly embraced. Bucharest, as the capital, was the perfect mirror of Romanian society, a liminal space, geographically and culturally. Women’s fashion and beauty in interwar middle-class Bucharest, offers a wide array of unexplored research questions which are addressed i…[Read more]

Studiul de față decodifică influența Hollywood-ului asupra femeilor consumatoare de modă în cazul particular al Gretei Garbo și identificarea impactului său concret după cum a fost reprezentată în presa interbelică. Aprofundarea acestor aspecte ale modei interbelice, folosind metodele inerent interdisciplinare ale studiilor de modă, oferă o imag…[Read more]

English abstract: ‘Verses of Love’, an Islamic film on the extended couple, features a melodramatic plot in which love triumphs after many difficulties, and the virtuous protagonists Fahri and Aisha are happy in their marriage, having shown the value of their Islamic faith amidst the trials of life—accepting these with sumbission, which is the s…[Read more]

Spanish abstract: La película ‘Contagio’ (dir. Steven Soderbergh, 2011) pertenece al género ‘catástrofe – multiprotagonista’, aquí potenciado por varias circunstancias. La catástrofe es mundial y creíble, una epidemia de una gripe mortífera, como la Peste Negra, o como la Peste Escarlata de Jack London. Y la catástrofe se difunde por las relacione…[Read more]