Drawing on Michel Foucault’s concept of the heterotopia, this essay argues that modernism was a heterotopic movement, in which the creation of alternative social environments (such as Gertrude Stein’s atelier or the writers’ colony), and the imagination of alternative forms of social life in literature, were mutually informing, and inext…[Read more]

Thornton Wilder’s Our Town (1938) has found unusual currency of late. In 2011, the play lent its name to a major funding program launched by the National Endowment for the Arts; in 2017, it appeared in the center of a popular podcast and was revived by a British theater company in the wake of a terrorist attack. These productions recognize what t…[Read more]

Abstract
This paper argues that Ah!lam Mustaghanami’s novel Dhakirat al-jasad (Memories of the Flesh)
enacts a break with Algeria’s Francophone literary past, multiply staging its affiliation with the
Arabic language. !e novel positions itself as part of an Algerian linguistic drama that, once
translated into French as Mémoires de la chai…[Read more]

In 1950, the United States Central Intelligence Agency created the Congress for Cultural Free- dom, with its main offices in Paris, lhe CCF was designed as a cultural front in the Cold War in response to the Soviet Cominform, and founded and funded a worldwide network of literary journals (as well as conferences, concerts, art exhibits and other…[Read more]

My latest book publication, due from U of Tennessee P in 2020.

My latest book publication, due from U of Tennessee P in 2020.

Introduction to four poems written by Langston Hughes during the Spanish Civil War, published in the Little-Known Documents section of PMLA.

The introduction alongside the text of the four poems can be found on the PMLA’s site: https://doi.org/10.1632/pmla.2019.134.3.562.

Introduction to four poems written by Langston Hughes during the Spanish Civil War, published in the Little-Known Documents section of PMLA.

The introduction alongside the text of the four poems can be found on the PMLA’s site: https://doi.org/10.1632/pmla.2019.134.3.562.

Late 19th-century Beirut and Cairo were capitals of Arabic literary production and press
activity. A period, oft deemed a nahḍah, that witnessed the advent of the novel form or
riwāyah in Arabic, this was also the moment of intensified French and British imperial
involvement in the region, and the concomitant industrialization of Beirut’s silk…[Read more]

This article seeks to explore into the impact of 9/11 tragedy on the private lives of ordinary people and individuals and into the associated theme of identity crisis, as reflected in four important post-9/11 poems – “Someone Says They Looked Like Cartwheeling Birds” by Lyn Lifshin, “Making Love After September 11, 2001” by Aliki Barnstone…[Read more]

Abstract.
In this paper, I read Leı ¨la Sebbar’s staging in her novel She´razzed: 17 ans,brune, frise´ e, les yeux verts of the resistance by children of North African and other immigrants in the early 1980s to the French state’s cartographic modes and documentsof control. The paper will consider the many uses to which the map was put by theFren…[Read more]

Abstract
This paper argues that Ahlām Mustaghānamī’s novel Dhākirat al-jasad (Memories of the Flesh) enacts a break with Algeria’s Francophone literary past, multiply staging its affiliation with the Arabic language. e novel positions itself as part of an Algerian linguistic drama that, once translated into French as Mémoires de la chair , is p…[Read more]

Published in Cairo in 1892, the first issue of Jurji Zaydan’s Arabic journal al-Hilal contained a history of the Arabic press, including a list of the journals published in Beirut in the 1870s and 1880s, when Zaydan was a young waiter and finally a Syrian Protestant College medical student and leader of the 1882 protest. Listed too are the Arabi…[Read more]