This is the accepted manuscript version of my review of the edited volume Golden Middle Ages in Europe for History journal. Some wording may differ from the final published version. Please refer to the journal website.

The book demonstrates the invalidity of existing assumptions about the administrative nature of Linear B (“Mycenaean Greek”) and related objects, proposes an alternative revolving around cult art, and explores similar evidence relating to scripts and art from the same and other regions and periods.

This study investigates the distribution of resumptive pronouns in subject-headed relative clauses in Colonial Valley Zapotec..

(Revised version) Submitted to B. Elan Dresher and Harry van der Hulst (eds.), The Oxford History of Phonology

Analizamos en este artículo las maneras en que la escritura experimental de Beckett subvierte el uso estándar de la persona pronominal, transformando al pronombre de primera persona y sus avatares en el protagonista de una línea argumental. Se expone así de modo gráfico cómo el valor estándar de un elemento lingüístico a nivel de sistema gramatic…[Read more]

Received opinion based on scanty evidence and skimpy arguments holds that race and racism operate in important ways in Othello and Othello’s jealousy. Few specifically race-referential words and only one specifically racist image occur in the play, almost all in the first four scenes.

Brabantio’s, Roderigo’s, and Iago’s views are mistake…[Read more]

Notes on the book Hermeneutics: Interpretation Theory in Schleiermacher, Dilthey, Heidegger, and Gadamer—a book by Richard E. Palmer (Evanston: Nortwestern UP, 1969). Part I: On the Definition, Scope, and Significance of Hermeneutics; Part II: Four Major Theorists (Schleiermacher, Dilthey, Heidegger and Gadamer); Part III: A Hermeneutical M…[Read more]

‘Narrative Theory’ is an online introduction to classical structuralist narratological analysis. The sixth section deals with the structural positioning of narrators with respect to the narrative act and the fictional world(s) contained by the narrative. Contents: 1. Author, narrator, and narrative person; 2. Kinds of narrative positions; 3.…[Read more]

This bibliography is divided into three parts. The first two parts encompass medieval romances first available in English before 1558. Part I includes romances by unknown or little-known authors or translators which others, as noted, regard as romances. Part II includes romances by those who are well known: Caxton, Chaucer, Gower, Henryson,…[Read more]

A prose rendering of the earliest English medieval romance, adapted into chapters, annotated throughout, with an introduction.

Uses the survival of the English chivalric romance tradition throughout Shakespeare’s professional lifetime and his exploitation of that tradition especially in his major tragedies to challenge the commonplace distinction between the medieval and the renaissance on the one hand, and to suggest that his openness to that medieval tradition showed…[Read more]

Analyzes Spenser’s Red-Cross Knight and Shakespeare’s Edgar as chivalric knights in the tradition of English chivalric romance, and compares these writers’ attitudes toward the knights and the chivalry which they represent. Finds that, contrary to common interpretation, Spenser is the more modern, Shakespeare the more medieval, in their regar…[Read more]

0. Preliminaries provide the usual guides to contents and graphics, and an unusual statement of acknowledgments. It also provides a preface which explains my approach to prevent possible misapprehensions because of its debt to, but also its departure from, source and influence studies. It addresses various critical issues: genre because of…[Read more]

Chapter 2: The Survival of English Chivalric Romances provides an account of the documentary evidence of manuscripts, entries, printings, and adaptations which detail the survival of English chivalric romances. The discussion considers other cultural artifacts and related literary kinds which include materials from the tradition of these romances…[Read more]

The aim of this contribution is to review some of the major areas of current research on the Arabic Bible, along with the factors and trends contributing to them. Also we present some of the tools that are currently under development in the Biblia Arabica team, Munich.

We provide here a very condensed survey of the transmission of traditions,…[Read more]

This textual crux all modern editors unanimously and silently emend, from the Folio “he”, their copy text, to the Quarto “you.” Although they find F so nonsensical as to deserve no comment, Shakespeare, his company, and his audience found it not only sensible in a play involving jealousy, but also powerful. The difference between then and now…[Read more]

Surveys the contemporary and modern designations of the genre of Shakespeare’s Troilus and Cressida. Considers the gothic, not the humanistic, character of chivalric romance and the range of chivalric romances both idealistic and satirical. Accepting the medieval treatment of The Iliad as chivalric in nature, views Shakespeare’s play as a com…[Read more]

This is a book review (pre-print) of the 2013 CIPL edited volume on scriptoria.