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Charles Peck Jr deposited Art and Spirituality: Paul Klee – synthesizing the “inner vision” with “outside experience.” Philosopher Langer highlighted the origins of spirituality; Carl Jung focused on the social or collective psyche as and influence & Carole Cusack – spiritual-reli in the group
History of Art on Humanities Commons 2 years agoPaul Klee, a German artist, highlighted the eternal struggle of human beings to synthesize the “inner vision” with “outside experience.” “I saw the angel in the marble and carved until I set him free.”-Michelangelo “Beauty is the illumination of the soul!”-Poet-Theologian O’Donohue, Art & the Unconscious Psyche-Psychic Life Carl Jung…[Read more]
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Charles Peck Jr deposited Is art ideology? Prehistoric art,, shamanism, cave paintings & music from 30 to 40,000 years ago, “Spirituality is a natural human predisposition. It is more primal than institutional religion…” – K Adams, B Hyde = TRUE – flutes from 35,000 years ago d in the group
History of Art on Humanities Commons 2 years, 1 month agoKaren Armstrong, In her book, The Case For God, opens with the discussion of the 300 plus caves in Southern France and Northern Spain which have amazingly artistic ‘prehistoric’ cave paintings of prehistoric animals many of whom are now extinct, some dating to 30,000 years ago. “In all there are about six hundred frescoes and fifteen hundred engra…[Read more]
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Ian Willis deposited Camden Teamsters Memorial, when the horse was king on the Yerranderie Road in the group
Urban Studies on Humanities Commons 2 years, 1 month agoThis blog post tells the story behind the Camden Teamsters Memorial in John Street, Camden, NSW.
The memorial is a tribute to the teamsters, bullockies and carriage drivers who travelled the Yerranderie Road between the mining town of Yerranderie and Camden through the Burragorang Valley.
The memorial has a rear wheel from a flat-top wagon, a…[Read more] -
Ian Willis deposited Camden Teamsters Memorial, when the horse was king on the Yerranderie Road in the group
Place Studies on Humanities Commons 2 years, 1 month agoThis blog post tells the story behind the Camden Teamsters Memorial in John Street, Camden, NSW.
The memorial is a tribute to the teamsters, bullockies and carriage drivers who travelled the Yerranderie Road between the mining town of Yerranderie and Camden through the Burragorang Valley.
The memorial has a rear wheel from a flat-top wagon, a…[Read more] -
Titus Stahl deposited Social Structure and Epistemic Privilege. Reconstructing Lukács’s Standpoint Theory in the group
Frankfurt School Critical Theory on Humanities Commons 2 years, 1 month agoLukács is widely recognized as being the first critical theorist to have explicitly developed the idea of a “standpoint theory”. According to such a theory, members of oppressed groups enjoy an epistemic privilege regarding the nature of their oppression. However, there is no agreement regarding what precise argument Lukács offers for his claim…[Read more]
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José Angel GARCÍA LANDA replied to the topic Women, Gender, & Film in the discussion
Film Studies on Humanities Commons 2 years, 1 month agoLove for Share: Historias de mujeres y de Sumisión: https://personal.unizar.es/garciala/publicaciones/loveforshare.pdf
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Alicia Colson deposited NFTs, AI, Ethics, and Indigenous Peoples. in the group
Digital Art History on Humanities Commons 2 years, 1 month agoThe article is published in the official Journal of The Institute of Science and Technology (ISSN 2040-1868)
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Alicia Colson deposited Do not make snap decisions about what you are seeing: how digital analysis of the images from the Canadian Shield highlights the difficulties in classifying shapes in the group
Digital Art History on Humanities Commons 2 years, 1 month agoThe act of classification has the widest implications for scholarship. Whatever the format, it involves the totality of our being. The use of our eyes indicates that decisions about whatever it is that we observe have already been made. Yet the interaction between the mechanical act of seeing and the mind or memory has rarely been registered. An…[Read more]
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Alicia Colson deposited AI generated images, photography and visual documentary evidence as sources: Thoughts on Boris Eldagsen’s Image, well ‘photograph’. in the group
Digital Art History on Humanities Commons 2 years, 1 month agoSome thoughts on Boris Eldagsen’s Image, well ‘photograph’, an AI generated image.
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Alicia Colson deposited WHAT DO THESE SYMBOLS MEAN? A CRITICAL REVIEW OF THE IMAGES FOUND ON THE ROCKS OF THE CANADIAN SHIELD WITH SPECIFIC REFERENCE TO THE PICTOGRAPHS OF THE LAKE OF THE WOODS in the group
Digital Art History on Humanities Commons 2 years, 1 month agoReview of the literature on pictograph sites in the Canadian Shield with specific reference to those found in the Lake of the Woods, in north-western Ontario, Canada.
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Ian Willis deposited Camden Material and Colour Guide, a heritage building guide in the group
Urban Studies on Humanities Commons 2 years, 1 month agoThis blog post gives an overview of the Camden Material and Colour Guide. The guide provides property owners of heritage buildings in the Camden Heritage Conservation Area with tips and hints on restoration and conservation of their houses. The guide provides colour schemes on building exteriors and interiors by housing styles between 1840 and…[Read more]
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Ian Willis deposited Camden Material and Colour Guide, a heritage building guide in the group
Place Studies on Humanities Commons 2 years, 1 month agoThis blog post gives an overview of the Camden Material and Colour Guide. The guide provides property owners of heritage buildings in the Camden Heritage Conservation Area with tips and hints on restoration and conservation of their houses. The guide provides colour schemes on building exteriors and interiors by housing styles between 1840 and…[Read more]
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Lloyd Graham deposited Eyes wide open: A recurring ocular motif in and beyond Syracuse, Sicily in the group
History of Art on Humanities Commons 2 years, 1 month agoSicily – and especially Syracuse – seems to have had an ongoing preoccupation with paired eyes as an apotropaic or magico-religious symbol. This brief paper explores some signature pieces and speculates that the excised eyes of Santa Lucia, patron saint of Syracuse, may be but a recent embodiment of a propensity that dates back to the Neolithic era.
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