This paper will explore the use of the English landscape as a source of sublime horror, particularly through a shift in perception from idyllic to ominous. Where Peter Hutchings has indicated the importance of the ‘uncanny landscape’ as a fairly stable location for wrestling with modernity, this chapter will investigate those moments of slippage…[Read more]

This chapter explores the legacy of the Iranian reformer and intellectual Abd al-Rahim Talibuf (1834-1911), as viewed from Daghestan, where he passed the last decades of his life. Talibuf’s eight books shaped the trajectory of subsequent Iranian intellectual history, and inspired the revolutionary constitutional movement. Talibuf’s example e…[Read more]

This dissertation provides a historical account of a until now neglected field of moving image production. It identifies and focuses on optical effects as a practice of montage within moving images as opposed to the montage of like images in time. Drawing on a wide range of new archival material, my dissertation presents previously unknown reasons…[Read more]

The presentation documents a community-based history project conducted by students to uncover the details of the reported lynching of Oscar Mack, an African American veteran reported lynched in Orlando. Reported lynched in Orlando on July 17, 1922, by a mob in Orlando, the newspaper accounts of the incidents gave little detail. In 2013, Julian…[Read more]

On September 30, 1567, members of the Protestant majority of Nîmes, led by many members of the présidial court, overthrew the Catholic town council. They arrested many leading Catholics, both laity and priests, who they felt perverted the word and will of God, and massacred an estimated one hundred of them; about one-third of the dead can be s…[Read more]

Review Essay on work (2004 to 2014) on French religious history, 1500-1650. The article discusses books including “Une concorde urbaine: Senlis au temps des réformes (vers 1520-vers 1580)” by Thierry Amalou, “Martyrs & Murderers: The Guise Family & the Making of Europe” by Stuart Carroll, and “Calvin” by Bruce Gordon, focusing on the relationship…[Read more]

In “Ending the French Wars of Religion,” Allan A. Tulchin considers why these sixteenth-century sectarian wars—eight of them—recurred over half a century and why they finally ended when they did. The existing literature emphasizes that the French state proved too weak to enforce order, and that each side believed itself favored by God, making…[Read more]

Analysis of medieval and Renaissance era French non-nuclear household systems. Shows that such arrangements were common, and occasionally consisted of same-sex unrelated male couples.

Archives are full of ghosts—the ghosts of music long-forgotten, technologies now superseded, practices that have faded away with time. This talk examines music used to accompany and signify the supernatural the silent film, as well as what can be learned by excavating the ghosts of musicians’ lives and careers now held in archives both at the Uni…[Read more]

Archives are full of ghosts—the ghosts of music long-forgotten, technologies now superseded, practices that have faded away with time. This talk examines music used to accompany and signify the supernatural the silent film, as well as what can be learned by excavating the ghosts of musicians’ lives and careers now held in archives both at the Uni…[Read more]

This Chapter provides simple but valuable insights to Upper Paleo abstract values such as Time, Life After Death, Social Roles, etc. Introduction to ‘Soft Cultural Institutions’. Understanding how abstract valuations become embedded into social structure is especially important in terms of understanding nonverbal language and symbolic sets.

This Primer provides a methodology for mitigating subjectivity when attaching meaning to preholocene rock art. It provides an introduction to basic syntax, grammar, and some vocabulary. It identifies four non-verbal languages of the Upper Paleo.

This is the five image hypothesis for the thesis One Godz which follows.

Geschichte des Archivs der Herrschaft Wallsee in Niederösterreich

While found documents have long been marshalled as evidence in documentary, several recent films have interrogated the found document’s evidentiary status and raised questions about the ethics of appropriation. This essay examines two films — Yael Hersonski’s A Film Unfinished (2010) and Jane Gillooly’s Suitcase of Love and Shame (2013) – in rela…[Read more]

This paper explores the ways in which Natalie Bookchin’s video loop installation entitled Mass Ornament (2009) both replicates and diverges from the notion of the mass ornament articulated by Siegfried Kracauer in the 1930s. By appropriating YouTube videos of many anonymous amateurs dancing alone in their homes and synchronizing them so that the d…[Read more]

Found footage filmmaking often generates novel juxtapositions and produces new meanings unintended by the footage’s original makers – meanings that are, in other words, “inappropriate.” One response to many such films is laughter. Through an examination of several experimental found footage videos made in the past decade, this chapter explore…[Read more]

Explores Quentin Tarantino’s “Pulp Fiction” as if it were experienced by many viewers of a particular type — SCM’s: suburban, collegiate young men — as a feeling out of how they might contrive themselves so that their future development would not place them as identifiable as losers by he-men pulp figures they’d learned early represent…[Read more]

This article studies the intersection of sport, religion, and imperialism through the Young Men’s Christian Association (YMCA) as an extension of United States expansion into Puerto Rico after the Spanish American War of 1898. The YMCA’s emphasis on “muscular Christianity” and sports made it attractive to some locals who welcomed this feature…[Read more]