This is the non-copy-edited Microsoft Word manuscript of my chapter in the edited collection _Disability, Health, and Happiness in the Shakespearean Body_ (Routledge, 2015), uploaded in accordance with the publisher’s “Green OA” rules.

Chapter in exhibition “Voices of Tolerance in an Age of Persecution” curated by Vincent Carey at the Folger in 2002.

Account of the genesis and creation of the first born-digital humanities periodical to publish rich multimedia and the first scholarly journal devoted to the study of Shakespearean appropriation.

The Iberian Peninsula during the Latin Middle Ages was home to large populations of Muslims and Jews. During the period we like to call the Middle Ages, much of the Iberian Peninsula was under Muslim rule. By the beginning of the sixteenth century, the entire peninsula was under Christian rule, and Judaism and Islam were officially banned.…[Read more]

Hugh M. Richmond, “Renaissance Landscapes,” Mouton, 1973; De Gruyter 2019.

This study explores some of the significant points in the evolution of a literary pattern, a recognizable topic or motif which captures attention through the poet’s mastery of language, which records the nuances of human awareness of each period. The author coins this…[Read more]

Hugh M. Richmond, “Renaissance Landscapes,” Mouton, 1973; De Gruyter 2019.

This study explores some of the significant points in the evolution of a literary pattern, a recognizable topic or motif which captures attention through the poet’s mastery of language, which records the nuances of human awareness of each period. The author coins this…[Read more]

Asian directors leverage Shakespeare’s own propensity to undermine dominant ideologies of gender—notably through the Ophelia figure—in their effort to renew Asian performance traditions. How do Shakespeare and modern directors talk to each other across cultural and historical divides? How does Ophelia become “unbound” through supraling…[Read more]

Review of The Shakespeare Theatre Company’s Oresteia (2019), Adapted by Ellen McLaughlin, Directed by Michael Kahn, Music by Kamala Sankaram, interview with Sankaram

This essay explores the covert censorship of Shakespeare production nudity by Western and Eastern theater and television companies. Using Ian McKellen’s 2007 RSC King Lear as its case study, the essay considers the economic and political pressures brought to bear on the RSC by those seeking to prevent the perceived corruption of young people, and…[Read more]

IMC paper for panel 374 Medieval Futura 1: Now, sponsored by the Medieval Studies Institute, Indiana Univ.–Bloomington and organised by Dr Andrea Whitacre.

How will immersive virtual reality (VR) cognitively affect the audiences who interface with it to interpret Shakespeare performances? Current theories of performance and cognition are based on theatre and film audiences, but VR performances combine features of both media: a disembodied spectral presence, like a theatrical audience; and a flexible…[Read more]

How will immersive virtual reality (VR) cognitively affect the audiences who interface with it to interpret Shakespeare performances? Current theories of performance and cognition are based on theatre and film audiences, but VR performances combine features of both media: a disembodied spectral presence, like a theatrical audience; and a flexible…[Read more]

English 412 is, in its official description, “A survey of drama from 1558 to 1603, including works by William Shakespeare and Christopher Marlowe.” In this version from 2017, students focused on six revenge tragedies, the blockbuster genre of the Elizabethan theatre: plays filled with bloody violence, elevated rhetoric, and ghosts imploring…[Read more]