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Sarah Kirby started the topic CFP (articles): Musicology Australia in the discussion
MSA Forum on Humanities Commons 2 years, 10 months agoMusicology Australia is now calling for submissions for consideration for our 2023 issues.
Submissions are accepted at any time, and contributors are not required to write on Australian music or be Australian-based. Musicology Australia is the scholarly journal of the Musicological Society of Australia. Since its inception in 1963, the journal h…[Read more]
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Timothy W. Elfenbein deposited The Challenge of Metadata Distribution for Open-Access Books in the group
Scholarly Communication on Humanities Commons 2 years, 10 months agoIntroduction for the Challenges of Metadata Distribution for Open-Access Books session.
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Kristen Mapes deposited Introduction to Digital Humanities Syllabus (Fall 2022) in the group
Digital Humanists on Humanities Commons 2 years, 10 months agoSyllabus for 2022 edition of DH285: Introduction to Digital Humanities, taught at Michigan State University as a required course in the undergraduate Digital Humanities minor. The course is a survey introduction to the field, has no prerequisites, and is open to students from any major. Twenty-eight students were in the course.
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Rachel Orzech started the topic Wagner Symposium: Rivers of Gold! Wagner in Bendigo, 22 April 2023 in the discussion
MSA Forum on Humanities Commons 2 years, 11 months agoWagner Symposium: Rivers of Gold! Wagner in Bendigo, 22 April 2023
A symposium held in collaboration with the Melbourne Conservatorium of Music, University of Melbourne.
Delve into Wagner’s works and their afterlives through a series of talks given by leading musicologists and performers. Full program and booking details available here: https://…[Read more]
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Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoAfter the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive…[Read more]
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Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThis article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]
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Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]
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Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe publication of Cervantes’ Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H…[Read more]
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Paulino Capdepon deposited La transición al siglo XIX en la Catedral de Jaén: el maestro de capilla Ramón Garay (1761-1823) [The transition to the 19th century in Jaén Cathedral: the maestro de capilla Ramón Garay (1761-1823)] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThis article focuses on the personal and artistic career of one of the most representative composers of Spain in the second half of the 18th century and the first third of the 19th century. Ramón Garay, born in 1761 in Asturias, held the post of Chapel Master of Jaén Cathedral for 36 fruitful years, which saw the birth of an extraordinary p…[Read more]
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Paulino Capdepon deposited Decadencia e intentos de reforma de la música eclesiástica española en el siglo XIX [Decline and reform attempts of Spanish church music in the 19th century] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThis article focuses on the decline of Spanish ecclesiastical music from the beginning of the 19th century, coinciding with the outbreak of the War of Independence. This decline worsened as a result of the application of successive disentailments by the various liberal governments and the signing of the Concordat of 1851. To remedy this situation,…[Read more]
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Paulino Capdepon deposited La capilla musical de la Catedral de Segorbe en los siglos XVI y XVII [The chapel music at the Segorbe Cathedral in 16th and 18th centuries] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe music chapel of the Cathedral of Segorbe has historically played a primordial role in the history of Spanish music, constituting a focus of musical activity that attracted a numerous group of singers, instrumentalists, organists and chapel masters who formed part of the aforementioned chapel, whose antecedents date back to the mid-13th…[Read more]
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Mike Rifino started the topic CFP: JITP Themed Issue: The Liberatory Legacy of bell hooks – Due date 5/31 in the discussion
Digital Humanists on Humanities Commons 2 years, 11 months agoThe Journal of Interactive Technology and Pedagogy
Themed Issue 23: The Liberatory Legacy of bell hooks: Pedagogies and Praxes that Heal and Disrupt
Issue Editors:
Nikki Fragala Barnes, University of Central Florida
Summer L. Hamilton, Pennsylvania State University
Asma Neblett, The Graduate Center, CUNY
Kush Patel, Manipal Academy of Higher…[Read more]
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Joshua Banks Mailman started the topic Computer-Assisted Composition: Perspectives on human–machine interaction in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 2 years, 11 months agoFolks in this forum might be interested in the published videos from this recent symposium on
Computer — Assisted Composition Perspectives on human–machine interaction (organized by Laura Zattra, Giacomo Albert, and Gianmario Borio…[Read more]
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Paulino Capdepon deposited Pauline Viardot García (1821-1910), una compositora en la Europa del siglo XIX (1821-1910) in the group
Digital Humanists on Humanities Commons 2 years, 11 months agoArticle about the composer Pauline Viardot
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Paulino Capdepon deposited Felipe Pedrell Sabaté. Compositor, musicólogo, docente y gran maestro de la música in the group
Digital Humanists on Humanities Commons 2 years, 11 months agoArticle about the Spanish composer, teacher and musicologist Felipe Pedrell, founder of the Modern Musicology in Spain
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Brad Osborn deposited Triangulating Timbre in Sigur Rós’s Iceland in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 2 years, 11 months agoOsborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.
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Brad Osborn deposited Triangulating Timbre in Sigur Rós’s Iceland in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoOsborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.
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Michael Christoforidis started the topic CFP: Picasso and Musical Modernity (c.1900-1940) – 12-14 October 2023 in the discussion
MSA Forum on Humanities Commons 2 years, 11 months agoSYMPOSIUM: Picasso and Musical Modernity (c.1900-1940) – 12-14 October 2023
Parador de Mojácar, Spain – University of Melbourne, Australia; Hybrid (in person and online)
Pablo Picasso (1881-1973) was a witness and frontline actor of the music currents developing in Barcelona, Paris, and other sites prior to World War II. Coinciding with the 50th…[Read more]
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Paulino Capdepon deposited El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe celebration of the “Beethoven Year” in Madrid in 1927 resulted in a whole series of celebrations of all kinds that extended throughout that emblematic year to honour the German composer. This resulted in the public performance of numerous concerts by Madrid’s leading orchestral and choral groups, including the Orquesta Filarmónica de Madrid,…[Read more]
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Paulino Capdepon deposited Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThis article focuses on the study of the different musical periods that make up the Modern Age in Europe, taking into account from a critical point of view the current state of the art in bibliography. Each period is previously defined according to the chronological problem and according to its technical, aesthetic and stylistic characteristics.
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