Book review of S. Dalton-Brown’s monograph on Alexander Pushkin’s Evgenii Onegin. Published by Bristol Classical Press in Critical Studies in Russian Literature. Series Editor: Neil Cornwell. Bristol: Bristol Classical Press, 1997.

This co-authored essay reflects on the process of co-translation as a form of co-authorship, drawing on examples taken from Persian poetry and the history of Russian-English literary translation.

This paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.

In his essay “The Poet,” Emerson called for the poet who would sing the burgeoning nation of the United States of America. The answer to his request far exceeded all his expectations in the form of a ground-breaking volume of poems where Walt Whitman sang not only a nation, but the people who inhabited it as the people incarnated the values, str…[Read more]

Review of The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian (Cambridge, Mass.: Harvard University Asia Center, 2018)

In the winter of 476 A.D. the Ostrogoths, hungry and exhausted from wandering for months along the barren confines of the Byzantine Empire, wrote to Emperor Zeno in Constantinople requesting permission to enter the walled city of Epidaurum and just kinda crash and charge their phones. Closer to home, Orpheus walks Eurydice through a suburban…[Read more]

When we think we know Fernando Pessoa, a new surprise arises: this time, one related to the genesis of Mensagem, the most established and celebrated book of the Pessoan canon. That book, published in 1934 with a title only finalized at the time of the typographical proofs, was initially called Portugal—an inscription dating from 1910, when P…[Read more]

As Prof. Dale Townsend has observed, the concept of the Gothic has had an association with fairies from its inception; even before Walpole’s 1764 Castle of Otranto (considered the first Gothic novel), eighteenth-century poetics talked of ‘the fairy kind of writing’ which, for Addison, ‘raise a pleasing kind of Horrour in the Mind of the Reader’…[Read more]

Writing a factual or fictional dream is a difficult task as its ›otherness‹ will challenge all of our accustomed modes of narration. So the existence of established cultural and textual patterns is a welcome help. This collection of essays describes these patterns, their historical and individual modifications and their relation to the dre…[Read more]

از رویکردهای تازه در حوزۀ نقد ادبی رویکرد بوم­نقد است که به بررسی رابطۀ میان انسان و طبیعت در ادبیات می­ پردازد. هرچند تعداد قابل توجهی از آثار نظری و کاربردی در حوزۀ بوم‌نقد منتشر شده ­است، اما تاکنون توجه چندانی به پژوهش بوم­نقد تطبیقی نشده­ است. پژوهش پیش­رو تلاشی است برای گشودن باب چنین پژوهش ­هایی به زبان فارسی در فضای دانشگاهی ایران. شا…[Read more]

Nimā Yushij (1897-1960), the first major modern Persian poet, developed a poetic form later called New Poetry, Free Poetry or Nimāic Poetry to remove the restrictions of traditional rhyme and meter. Although he was not the only or even the first trying to modernize Persian poetry, he was the one on whom was bestowed the title “the father of mod…[Read more]

While there has been a growing acknowledgement of the existence of earlier examples of television science fiction, the typical history of the genre still privileges Nigel Kneale’s The Quatermass Experiment (1953) as foundational. This was a significant production, and an effective piece of television drama, but it was not the first piece of B…[Read more]

Tras el análisis de las tres novelas que Carlos Gardini publica en este siglo, se observa que la característica formal más notable es una trama concebida para conducir a un instante de revelación plena sobre el mundo, re-conocido ahora en un momento de luminosa anagnórisis. Esta anagnórisis consiste en la comprensión por parte de un protag…[Read more]

En el caso de cierta CF escrita en México, hay una doble invasión: espacial y temporal. Ocurre así, por ejemplo, en La destrucción de todas las cosas (1992), de Hugo Hiriart, y en “La catástrofe” (1984), recogido en La sangre de Medusa de José Emilio Pacheco.211 En estos textos, se emplea un género que se percibe como ajeno para abordar la disloca…[Read more]

No sólo la calidad une Trafalgar y Kalpa Imperial, o el hecho de que cierren un primer periodo de la obra de Gorodischer. En ambos libros la fi gura central es un narrador que relata aventuras y acontecimientos en lo que es, explícita o implícitamente, otro planeta, muchos en Trafalgar, uno solo en Kalpa Imperial. Estos planetas y estos ac…[Read more]

En el capítulo 1 se ofrece un modelo del funcionamiento del género de la ciencia ficción construido desde una cierta mirada del latinoamericanista. El capítulo 2 examina la práctica de la ciencia ficción en América Latina.

La ciencia ficción latinoamericana es, ante todo, ficción latinoamericana. Participa íntegramente de las corrientes culturales y artísticas que nutren la literatura de América Latina, al tiempo que constituye un específi co punto de articulación de éstas. Englobable en la literatura de lo insólito, la ciencia ficción (CF a partir de ahora) es…[Read more]

My purpose in this article is to analyze Bioy’s novel in terms of two concepts from two well-known studies on specters and haunting, and to connect this spectral dimension of the novel to current discussions of the concept of cosmopolitanism. The first idea I will use is Derrida’s njunction that one needs “to learn to live with ghosts” (Specte…[Read more]

بخشی از مطالعات ادبی بینارشته‌ای شامل بررسی ارتباط میان ادبیات و تصویر می‌شود. در این زمینه ارتباط میان ادبیات و سینما شناخته‌شده‌ترین حوزۀ پژوهشی است که تعداد چشمگیری اثر پژوهشی، اعم از رساله و مقاله، در این حوزه نگاشته شده‌ است. در همین زمینه می‌توان به ارتباط میان ادبیات و نقاشی اشاره کرد که در سال‌های اخیر شاهد تعداد انگشت‌شماری اثر تحقیق…[Read more]

If Fernando Pessoa’s Portuguese works contain a coterie of heteronyms, his English poetry also displays an array of fictitious authors: besides Pessoa himself, one finds Charles Robert Anon, Alexander Search and—with his poems compiled here for the first time in print—Frederick Wyatt. After Alexander Search’s presence, which dominated the English…[Read more]