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Ann E Mullaney deposited Pietro Bembo Motti translated (Draft) by Ann Mullaney in the group
Digital Humanists on Humanities Commons 4 years, 4 months agoPietro Bembo (1470-1547) wrote and published in an era in which a highly developed erotic code was adopted by dozens and dozens of writers in Italy, and presumably understood by tens of thousands of readers in Europe. A most helpful text for decoding the erotic lexicon was written by Jean Toscan: Le carnaval du langage: le lexique érotique des…[Read more]
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Ann E Mullaney deposited Bembo’s Attack on Dante, Illustrated in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 4 months agoIn 1525, Pietro Bembo in his Prose della volgar lingua published a condemnation of Dante’s Comedy that has often passed for linguistic and cultural criticism, yet might be better understood as satire.
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Ann E Mullaney deposited Bembo’s Attack on Dante, Illustrated in the group
Digital Humanists on Humanities Commons 4 years, 4 months agoIn 1525, Pietro Bembo in his Prose della volgar lingua published a condemnation of Dante’s Comedy that has often passed for linguistic and cultural criticism, yet might be better understood as satire.
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James Ryan deposited “A Turk Named O’Brien”: Bedtime Stories of the Early Turkish Republic from the Memoirs of Sevim Sertel O’Brien in the group
Ottoman and Turkish Studies on Humanities Commons 4 years, 4 months agoThis article examines the unpublished memoirs of Sevim Sertel O’Brien, a journalist and daughter of prominent journalists and intellectuals Sabiha and Zekeriya Sertel. The memoirs, written in English and told as bedtime stories to O’Brien’s Turkish-American children in the 1950s and 1960s, provide a unique lens on the early history of the Turkish…[Read more]
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James Ryan deposited “‘Unveiling’ The Tramway”: The Intimate Public Sphere in Late Ottoman and Early Republican Istanbul in the group
Ottoman and Turkish Studies on Humanities Commons 4 years, 4 months agoWith the introduction of the horse-drawn tramway in 1871, the citizens of Istanbul were forced to reckon with a new type of public space—the crowded confines of the tramcar. This article focuses on the removal of a curtain that separated men and women on public transit in 1923, analyzing the discourses that shaped the decision and the way in w…[Read more]
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Alexander J McNair deposited Vida y muerte del Cid de “Un ingenio de esta corte”: Transmisión y recepción de las sueltas tardías in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 4 months agoCuando Antonio Enríquez Gómez (AEG) escribió su comedia cidiana, El noble siempre es valiente, en la primavera de 1660, no podría sospechar el éxito que iba a gozar un siglo y medio más tarde, tanto en el teatro como en la imprenta. Entre el manuscrito (autógrafo, por lo menos en parte) de 5 abril 1660 y las primeras versiones del siglo XVIII…[Read more]
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Artemis Preeshl started the topic Consent in Shakespeare in the discussion
Renaissance/ Early Modern Studies on Humanities Commons 4 years, 4 months agoLast week, Routledge published my new book, Consent in Shakespeare. Has anyone else applied the increased understanding of consent to Renaissance and Early Modern Literature?
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Thomas Dabbs posted an update in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 4 months agoSeason 1 of “Speaking of Shakespeare” is now fully available on Apple Podcasts, Spotify, Amazon Music, Google Podcasts, and other services that can be accessed at https://speakingofshakespeare.buzzsprout.com.
These podcasts feature conversations with authors of new books, performers, digital developers, archivists, and others involved in things…[Read more]
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Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen’s (ab)use of the JAFFE dataset in the group
Digital Humanists on Humanities Commons 4 years, 4 months agoReflections on artist Trevor Paglen’s (ab)use of the JAFFE dataset
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Brendan Dooley deposited Irish Beef in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 4 months agoThe Irish were making trouble again, or so it seemed. The year was 1666, and relations between the Irish and the English, only recently becalmed following the close of the tumultuous Cromwellian period, were being roiled by a new crisis, this one having to do with large landowners and…[Read more]
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Brendan Dooley deposited Irish Beef in the group
Digital Humanists on Humanities Commons 4 years, 4 months agohttps://www.euronewsproject.org/2021/04/28/irish-beef/
The Irish were making trouble again, or so it seemed. The year was 1666, and relations between the Irish and the English, only recently becalmed following the close of the tumultuous Cromwellian period, were being roiled by a new crisis, this one having to do with large landowners and…[Read more]
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Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen’s (ab)use of the JAFFE dataset in the group
Digital Humanists on Humanities Commons 4 years, 4 months agoReflections on Trevor Paglen’s (ab)use of the JAFFE dataset
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Kristen Mapes deposited Introduction to Digital Humanities Syllabus (Fall 2021) in the group
Digital Humanists on Humanities Commons 4 years, 4 months agoSyllabus for 2021 edition of DH285: Introduction to Digital Humanities, taught at Michigan State University as a required course in the undergraduate Digital Humanities minor. The course is a survey introduction to the field, has no prerequisites, and is open to students from any major. Twelve students were in the course.
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Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen’s (ab)use of the JAFFE dataset in the group
Digital Humanists on Humanities Commons 4 years, 4 months agoThe article contains a historical account and commentary on Trevor Paglen and Kate Crawford’s unauthorized use of the JAFFE dataset.
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Julian C. Chambliss deposited Reframing Digital Humanities: Conversations with Digital Humanists in the group
Digital Humanists on Humanities Commons 4 years, 4 months agoDefining digital humanities is a unique academic challenge. In this volume, Julian Chambliss, Professor of English at Michigan State University, explores the meaning, practice, and implication of digital humanities by talking to scholars deeply engaged with digital methods and the promise they hold for the humanities.
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