Review of the 6th edition of the Linear B tablets from Knossos in transcription.
This is the accepted manuscript; the published version is available at https://doi.org/10.1017/eaa.2020.32.

The chapter argues that disciplinary memory claims in US American communication research have become smaller, more parochial, and less potent, as their underlying referent—the discipline—has splintered in the wake of the digital in the mid-1990s. For decades after its institutionalization in the 1950s, US communication research had relied on gra…[Read more]

NASA’s Viking probes were launched in 1975. Six years earlier an International Planetary Patrol Network of telescopes was set up to observe Martian surface conditions. Sites were chosen to provide continuous observing, and were located in Hawaii, eastern Australia, India, South Africa, Chile, and central USA. Negotiations for a facility to be s…[Read more]

This chapter examines the ways in which the Linear B ‘extra’ signs – syllabograms which can in certain circumstances replace the ‘core’ signs of the Linear B syllabary – are often used as evidence for the process by which this writing system was created from its parent writing system, Linear A, and thus, by extension, for reconstructing aspects of…[Read more]

Due to the great interest for the first two sessions of the Digital Humanities Doctoral Seminar, we are very happy to announce two new online sessions on August 3rd & 4th and on September 3rd & 4th. This doctoral seminar is an introduction to Digital Humanities defined as the application of methods and tools from Information and Communication…[Read more]

The essay positions John Heartfield (1891-1968) as the kind of artist — or better, image-maker or imager — that Vilém Flusser described in his book, Into the Universe of Technical Images. The photomontages, for which Heartfield is best known, overturn the media priorities of the newspaper in which they appear. More like theatre or film, they…[Read more]

The essay positions John Heartfield (1891-1968) as the kind of artist — or better, image-maker or imager — that Vilém Flusser described in his book, Into the Universe of Technical Images. The photomontages, for which Heartfield is best known, overturn the media priorities of the newspaper in which they appear. More like theatre or film, they…[Read more]

The contemporary art college makes a broad range of media available to students, from which writing is conventionally excluded. Writing entered the art college curriculum in the 1960s as a “frame,” or means of integrating art and artists into an academic framework, rather than as a medium of potential study. Drawing on the philosophy of Vilém Flus…[Read more]

Focussing the Nasa’s Opportunity Rover, the essay claims the field of creativity as definitively human, supported by Vilém Flusser’s understanding the the “apparatus”.

Focussing the Nasa’s Opportunity Rover, the essay claims the field of creativity as definitively human, supported by Vilém Flusser’s understanding the the “apparatus”.

In the winter of 476 A.D. the Ostrogoths, hungry and exhausted from wandering for months along the barren confines of the Byzantine Empire, wrote to Emperor Zeno in Constantinople requesting permission to enter the walled city of Epidaurum and just kinda crash and charge their phones. Closer to home, Orpheus walks Eurydice through a suburban…[Read more]

In this presentation, I investigate claims that publishers add little value to scholarly communication by asking about those parts of publishing overlooked when the focus is exclusively on content. Evaluating a study by Martin Klein, Peter Broadwell, Sharon Farb, and Todd Grappone, I not only point to problems with its assumptions about value,…[Read more]

As start-up companies reimagine components of the scholarly communication system, are observers too quick to assimilate the new into the known? This presentation discusses the case of the social-network and document-sharing platform Academia.edu and the debates it has stirred. Academia.edu has been subsumed into discussions about scholarly…[Read more]

This article analyzes the famous tenth-century Greek alchemical codex Marcianus graecus 299, and in particular its first quire, considering the structure and significance of the manuscript as a whole.

Mit dem Begriff der Kunstvermittlung wird Politik gemacht und er wird mit gegenläufigen Verständnissen verknüpft. Das Buch “Was heißt hier Vermittlung?” arbeitet heraus, dass die Bedeutungskonkurrenz bereits im Streitbegriff der Vermittlung angelegt ist. Der unternommene Gang durch sozialhistorische und philosophische Begriffsgeschichten wird mit…[Read more]

Selbstbeschreibungen der Kunstpädagogik greifen oft auf binäre Logiken zurück – sei es, um eindeutige Ein- und Ausgrenzungen vornehmen zu können oder um spannungsvolle Zweierverhältnisse zum Ausgangspunkt kunstpädagogischer Überlegungen zu machen. Kunstpädagogische Komplexität ist ein Angebot, das sich neben solche Logiken stellt, wirbt dafür, Kun…[Read more]

Zusammenfassung
In diesem Beitrag beschreibe ich einen Typus von Glücksspielen, der über mehrere Jahrhunderte in Mittel- und Westeuropa verbreitet war. Meines Wissens gibt es weder für das Spielgerät noch für das damit gespielte Glücksspiel eine einheitliche Bezeichnung. Nach einer einleitenden Beschreibung (1) und einem Vergleich mit ähnli…[Read more]

When we think we know Fernando Pessoa, a new surprise arises: this time, one related to the genesis of Mensagem, the most established and celebrated book of the Pessoan canon. That book, published in 1934 with a title only finalized at the time of the typographical proofs, was initially called Portugal—an inscription dating from 1910, when P…[Read more]

Writing a factual or fictional dream is a difficult task as its ›otherness‹ will challenge all of our accustomed modes of narration. So the existence of established cultural and textual patterns is a welcome help. This collection of essays describes these patterns, their historical and individual modifications and their relation to the dre…[Read more]

Writing a factual or fictional dream is a difficult task as its ›otherness‹ will challenge all of our accustomed modes of narration. So the existence of established cultural and textual patterns is a welcome help. This collection of essays describes these patterns, their historical and individual modifications and their relation to the dre…[Read more]