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Gabriela Méndez Cota deposited Structural Violence and Scientific Activism in Mexico: A Feminist Agenda in the group
Feminist Humanities on Humanities Commons 6 years, 6 months agoIn the first section I provide a historical overview of structural violence, science studies, and feminism in Mexico. Structural violence appears first as the immediate context in which some Mexican scientists and academics have recently intensified their struggles to articulate “science” with social justice. Yet I offer a deeper account of how…[Read more]
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Alessandra Ciucci deposited Performing ‘L-ʿalwa’: a sacred and erotic journey in Morocco in the group
Gender Studies on Humanities Commons 6 years, 6 months ago‘L-ʿalwa’, a sung poem whose text recounts the pilgrimage to a saint’s shrine in Morocco, is celebrated for its ability to convey images and emotions stirred up by the sacred journey. As part of the repertory of ʿaita—a genre of sung poetry from the Moroccan plains and plateaus traditionally performed by professional female singer-danc…[Read more]
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Alessandra Ciucci deposited EMBODYING THE COUNTRYSIDE IN AIṬA ḤAṢBAWIYA (MOROCCO) in the group
Gender Studies on Humanities Commons 6 years, 6 months agoʿAiṭa–a genre of sung poetry from the Moroccan Atlantic Plains and its adjacent territories—is regarded as the quintessential expression of the identity of the region. If it is possible to analyse the poetic language of ʿaiṭa in order to understand its significance among these populations, it is also critical to examine how the affective power of…[Read more]
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Alessandra Ciucci deposited The Study of Women and Music in Morocco in the group
Gender Studies on Humanities Commons 6 years, 6 months agoPanorama of scholarly work on women and music in Morocco
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Alessandra Ciucci deposited “The Text Must Remain the Same”: History, Collective Memory, and Sung Poetry in Morocco in the group
Gender Studies on Humanities Commons 6 years, 6 months agoThe article explores why a particular group of Moroccan musicians conceives of different performances of a sung poem titled “Kharbusha” as unchanging despite variables arising from the dynamics of performance practices. To this end, I explore the seeming discrepancy between discourses about “Kharbusha” and its performance, and what this discrep…[Read more]
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Alessandra Ciucci deposited Una panoramica delle musiciste professioniste in Marocco in the group
Gender Studies on Humanities Commons 6 years, 6 months agoThe article examines Moroccan professional female singer-dancers (shikhat) in relation to other professional female performers . An analysis of the role that women have as entertainers, and in particular of their behavior in the course of performance, will show how they affect the status of each class of performers. Sketching a panorama of the…[Read more]
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Alessandra Ciucci deposited De-orientalizing the ‘Aita and Re-orienting the Shikhat in the group
Postcolonial Studies on Humanities Commons 6 years, 6 months ago‘Aita is a sung poetry practiced by professional female singer-dancers known as shikhat along the Moroccan Atlantic plains and plateaus. By focusing on the discourses and politics employed in the revalorization of the ‘aita, this ethnographic investigation will show how the official incorporation of the ‘aita into the Moroccan heritage has…[Read more]
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Alessandra Ciucci deposited De-orientalizing the ‘Aita and Re-orienting the Shikhat in the group
Gender Studies on Humanities Commons 6 years, 6 months ago‘Aita is a sung poetry practiced by professional female singer-dancers known as shikhat along the Moroccan Atlantic plains and plateaus. By focusing on the discourses and politics employed in the revalorization of the ‘aita, this ethnographic investigation will show how the official incorporation of the ‘aita into the Moroccan heritage has…[Read more]
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Alessandra Ciucci deposited Les musiciennes professionnelles au Maroc in the group
Gender Studies on Humanities Commons 6 years, 6 months agoThe article examines Moroccan professional female singer-dancers (shikhat) in relation to other professional female performers . An analysis of the role that women have as entertainers, and in particular of their behavior in the course of performance, will show how they affect the status of each class of performers. Sketching a panorama of the…[Read more]
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Alicia López Mendoza deposited El principio pro homine como base para la legislación de medidas de protección de género in the group
Feminist Humanities on Humanities Commons 6 years, 6 months agoLas medidas de protección son aquellas actitudes y decisiones que toma en cuenta el Estado a través de sus diversas instituciones públicas, a fin de hacer efectivo el cuidado y protección de la víctima de la agresión, con respecto a la agresión misma y a su agresor; son mecanismos que buscan brindar apoyo y protección a las víctimas de las agre…[Read more]
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James Gifford deposited Postcolonial Literature (Syllabus) in the group
Postcolonial Studies on Humanities Commons 6 years, 6 months agoColonialism waned in the 1940s through 60s amidst decolonization movements, yet globalization flourished in often unnoticed, hegemonic pathways. Considering cultural products of this moment leads us to ask what happens in the age of globalization that follows after an age of nationalism. When capital migrates, and labour follows, whence culture?…[Read more]
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James Gifford deposited Postcolonial Literature (Study Guide) in the group
Postcolonial Studies on Humanities Commons 6 years, 6 months agoColonialism waned in the 1940s through 60s amidst decolonization movements, yet globalization flourished in often unnoticed, hegemonic pathways. Considering cultural products of this moment leads us to ask what happens in the age of globalization that follows after an age of nationalism. When capital migrates, and labour follows, whence culture?…[Read more]
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Swati Arora deposited Be a Little Careful: Women, Violence and Performance in India in the group
Gender Studies on Humanities Commons 6 years, 6 months agoThe essay analyzes a contemporary Indian feminist performance, Thoda Dhyaan Se (A Little Carefully, 2013), by framing it in the spatial ecosystem of the city of Delhi and explores its engagement with the feminist movement and the national imaginary of India. It examines the workings of the cultural economy of the city to discuss the effect of its…[Read more]
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Swati Arora deposited Be a Little Careful: Women, Violence and Performance in India in the group
Feminist Humanities on Humanities Commons 6 years, 6 months agoThe essay analyzes a contemporary Indian feminist performance, Thoda Dhyaan Se (A Little Carefully, 2013), by framing it in the spatial ecosystem of the city of Delhi and explores its engagement with the feminist movement and the national imaginary of India. It examines the workings of the cultural economy of the city to discuss the effect of its…[Read more]
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Valeria Graziano deposited Repair Matters in the group
Feminist Humanities on Humanities Commons 6 years, 7 months agoRepair has visibly come to the fore in recent academic and policy debates, to the point that ‘repair studies’ is now emerging as a novel focus of research. Through the lens of repair, scholars with diverse backgrounds are coming together to rethink our relationships with the human-made matters, tools and objects that are the material mesh in whi…[Read more]
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Iskandar Zulkarnain deposited Immediacy, Hypermediacy and the College Campus: Using Augmented Reality for Social Critique in the group
Feminist Humanities on Humanities Commons 6 years, 7 months agoPart of Feminist Interventions in Participatory Media edited collection by Lauren Berliner and Ron Krabill.
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Jonathan Basile deposited Borges y Yo, Eiron and Alazon: Irony in “The Library of Babel” and “Pierre Menard” in the group
Philosophy on Humanities Commons 6 years, 7 months agoBorges made a habit of differing from himself. “El otro” and “Borges y yo” are only the most overt examples from a corpus that constantly played with his biography, his beliefs, and his proper name. In his “non-fiction,” this Auseinselbstsetzung takes the form of self-contradiction, asserting opposed theses in his own name, celebrating…[Read more]
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Grégoire Espesset deposited Prenatal Infancy Regained: Great Peace (Taiping) Views on Procreation and Life Cycles in the group
Medical Humanities on Humanities Commons 6 years, 7 months agoBased on a cluster of Great Peace (taiping 太平) and Weft (wei 緯) materials dealing with stages in human reproduction (impregnation, gestation, intrauterine infancy, birth) and the logic governing annual cycles, this study shows how ontological and cosmological representations were translated into religious discourse and practice in early medie…[Read more]
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Grégoire Espesset deposited Traditional Chinese Knowledge before the Japanese Discovery of Western Science in Gabor Lukacs’ Kaitai Shinsho & Geka Sōden in the group
Medical Humanities on Humanities Commons 6 years, 7 months agoGabor Lukacs’ 2008 book on “Kaitai Shinsho: The Single Most Famous Japanese Book of Medicine & Geka Sōden: An Early Very Important Manuscript on Surgery” is a bibliographical contribution to the comparative history of the introduction of Western science in East Asia. It focuses on two illustrated manuals of anatomy and surgery in Japanese, adap…[Read more]
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Valeria Graziano deposited Domestics against domestication study day in the group
Feminist Humanities on Humanities Commons 6 years, 8 months agoDomestics Against Domestication. A study day to rethink practices and politics of the domestic.
Thursday, 30 May 2019, University of Roehampton.
Convened by Dr. Valeria Graziano (Coventry University) and Dr. Giulia Palladini (University of Roehampton).
The starting point for this study day is the idea that the set of activities associated…[Read more] - Load More