They say the global proliferation of colonial and neoliberal (ir)rationalities and the techno-managerial enclosure of the ‘commons’ (Hardt & Negri 2000; Harvey 2004) has resulted in a ‘foreclosure of politics’, prompting calls for a renewed technocultural hegemony for a post-capitalist future (Srnicek & Williams 2015) or a return to the revolut…[Read more]

PrEP (Pre-Exposure Prophylaxis) is a relatively new drug-based HIV prevention technique and an important means to lower the HIV risk of gay men who are especially vulnerable to HIV. From the perspective of biopolitics, PrEP inscribes itself in a larger trend of medicalization and the rise of pharmapower. This article reconstructs and evaluates…[Read more]

Diskriminierung und Menschenrechtsverletzungen gegenüber LSBTI-Personen werden heute international thematisiert und angeprangert – ein vergleichsweise neues Phänomen. Dennoch tragen die herrschenden Normen von Zweigeschlechtlichkeit und Heterosexualität weiterhin zur Diskriminierung bei: So sind gleichgeschlechtliche Partnerschaften in fast alle…[Read more]

Menschenrechtsverletzungen aufgrund sexueller Orientierung und Geschlechtsidentität (SOGI) wurden auf internationaler Ebene lange Zeit kaum zur Kenntnis genommen. Doch seit einigen Jahren wird dem Thema in den Vereinten Nationen breiterer Raum eingeräumt. Die Yogyakarta-Prinzipien und eine Studie des Amtes des Hohen Kommissars für Me…[Read more]

Cultural memory is actively constructed through embodied and political performances. Tang Xianzu and William Shakespeare, two “national poets” of unequal global stature, have recently become vehicles for British and Chinese cultural diplomacy and exchange during their quatercentenary in 2016. The culture of commemoration is a key factor in Tang’s…[Read more]

The annexation of Crimea is not an ordinary event in contemporary international relations. Since WWII, there has been no precedent in Europe when one state under dubious premises has forcefully annexed a part of another state. This article scrutinizes the Crimean case in the context of the ongoing Ukrainian crisis and uncovers the rationale behind…[Read more]

The article aims to uncover the nature and distinctive features of the contemporary messianic narrations in the Russian public discourse, as well as estimate their impact on the actual policy-making. For this reason, the article scrutinizes the political philosophy of Aleksandr Dugin, Nataliia Narochnitskaia, Egor Kholmogorov, and Vadim…[Read more]

As a work that survives and appears in more than one form, King Lear has a vexing problem of interpretation and a rich opportunity for the study of textual and cultural variants. The play begins with an aging monarch staging a fantastical, paradoxical final act as a king. It lures us toward a final act of interpretation to nail down the nature of…[Read more]

In As You Like It, Shakespeare glorifies the social bandits that survive in the Forest of Arden, likening them to Robin Hood outlaws. Near-contemporary pseudo-biographies also record Shakespeare’s early life as a poacher and youthful renegade. Shakespeare’s play might suggest his advocacy of food sovereignty and social justice, a romanticized ima…[Read more]

Moon-Crossed reimagines the central plot of Shakespeare’s All’s Well That Ends Well as a means to examining the female monstrous in early modern drama, literature, and though. Why doesn’t Bertram like Helena? Because she’s a werewolf. But as he learns, she’s of a very noble line of werewolves. She saves the King of France, he learns a bit more…[Read more]

This article traces the attempts by the Soviet Union and Warsaw Pact countries to devolve economic powers to the regions and the ultimate failure of this project, which was a contributing factor to the fall of the Berlin Wall.

This is the syllabus I’ve designed for my Fall 2019 undergraduate-level Introduction to Film course. I focused the course as a genre study of American horror films. I want my students to be able to consider the socio-political contexts of popular films and to detect and explain the arguments and worldviews produced by film.