In “I, Stereotype,” Seo-Young Chu applies Mori’s theory of the uncanny valley not to robots but to a different species of humanoid artifact: stereotypes of the “yellow peril.” Through analyses of stories by Sax Rohmer, World War Two propaganda, and films from the Bond franchise, Chu investigates ways in which the logic of the uncanny valley has…[Read more]

This semiotic analysis identifies and characterizes how textual, compositional, and mathematical resources have been strategically articulated to project intersemiotic complementarity in the book The Private Memoirs and Confessions of a Justified Sinner; Written by Himself: With A Detail of Curious Traditionary Facts, And Other Evidence, By The…[Read more]

Research about Sino-foreign cultural interactions during the last decades of the Qing Empire pays much attention to the extremely dense and complex relations between Japan and China. Against this backdrop, historians have tended to neglect that the Chinese “constitutional preparation” of the years 1905-06 was concomitant to the promulgation of con…[Read more]

This article reconstructs two modes of parliamentary representation of (post-)imperial diversity in early twentieth-century China. One model foresaw a differentiated representation of the borderlands in the nascent parliamentary institutions, using upper house seats to garner loyalty from the nobility at the same time as it denied electoral…[Read more]

The current article explores and assesses the coming into being of new business culture characteristics due to the extreme conditions of Covid-19 pandemic. Based on conducted focus group with students in Organizational culture module and performed subsequent literature review of scientific and professional literature, and blogs/ sites of opinion…[Read more]

Сommenting on “Notes of Larionov”, Mikhail Shishkin defined his own authorial role in it as follows: «A novel is a means of finding the way to that very primordial love. The author for the characters is similar to God». One can extrapolate this by saying that the author is not only and not as much God to the fictional characters as a ps…[Read more]