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Whit Frazier Peterson deposited The Afrofuturist Historical Novel in the group
Cultural Studies on Humanities Commons 6 years, 7 months agoThe recent surge of interest in Afrofuturism has resulted in some groundbreaking work looking at the ways technology and race intersect in film, fashion, music and literature, as is evidenced by the important collection of essays “Afrofuturism 2.0” (2016), edited by Reynaldo Anderson and Charles E. Jones. However there has not yet been an aca…[Read more]
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Valeria Graziano deposited Domestics against domestication study day in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoDomestics Against Domestication. A study day to rethink practices and politics of the domestic.
Thursday, 30 May 2019, University of Roehampton.
Convened by Dr. Valeria Graziano (Coventry University) and Dr. Giulia Palladini (University of Roehampton).
The starting point for this study day is the idea that the set of activities associated…[Read more] -
Valeria Graziano deposited Caring for the Carers in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoThe rapid development and adoption of technological care equipment for remote monitoring, self-diagnosis and other forms of telemedicine risks splitting care work: on the one hand, well-paid professionals developing or operating new technologies; on the other, much poorer and much less qualified assistants to take care of the operations that are…[Read more]
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Eileen Joy deposited The Faded Silvery Imprints of the Bare Feet of Angels: Notes Toward an Historical Poethics in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoBy way of the autobiographical writings of Bruno Schulz and the “resurrection” paintings of Stanley Spencer, this talk sketches out some of the ways in which literature and the fine arts situate themselves within the division, or series of breaks, that Michel de Certeau argued Western historiography inscribes between past and present, between the…[Read more]
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Eileen Joy deposited On the Hither Side of Time: Tony Kushner’s Homebody/Kabul and the Old English Ruin in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoThrough an analysis of Tony Kushner’s 2001 play “Homebody/Kabul” and the Old English “Ruin” poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o…[Read more]
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Eva Weinmayr deposited Library Underground – a reading list for a coming community in the group
Cultural Studies on Humanities Commons 6 years, 8 months ago“In capitalism, institutional libraries, publishers and book traders all have ways to suppress the publishing of, the access to or the distribution of texts and books — rigidities inviting for creative subversion.”
This chapter written in the form of a dialogue presents an informal conversation between Eva Weinmayr and her inner voice about a…[Read more]
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Eileen Joy deposited You Are Here: A Manifesto in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoThis essay ruminates the ethics of a co-implicated, bounded dependence between objects (human and otherwise) that are always in some sense withdrawing from each other but also always together in a some-place labeled “here”: the world (where no Absolute or Outside vantage point is possible or habitable). This essay also considers the possibility,…[Read more]
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Eileen Joy deposited Disturbing the Wednesday-ish Business-as-Usual of the University Studium: A Wayzgoose Manifest in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoA manifesto for a radically open publishing commons; an expansion of remarks originally presented on a panel devoted to independent open-access academic publishing at the 2nd Biennial Meeting of the BABEL Working Group (Boston, Massachusetts, 20-22 Sep. 2012).
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Eileen Joy deposited It is the Connection of Desire to Reality that Possesses Revolutionary Force, or, Why I Decided Not to Commit Suicide, After All in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoAn expanded version of a talk presented at the Sub-conference of the Modern Language Association, “The Public and Its Privates,” Cheer-up Charlie’s, Austin, Texas, 7 January 2015, that ruminates both the difficulties of collective work as well as how various scholarly collectives create spaces of radical hospitality within which individual perso…[Read more]
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Eileen Joy deposited Like Two Autistic Moonbeams Piercing the Windows of My Asylum: Chaucer’s Griselda and Lars von Trier’s Bess McNeill in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoThrough a comparative analysis of Chaucer’s “The Clerk’s Tale” and Lars von Trier’s film “Breaking the Waves,” this essay wonders what happens when two texts and one reader happen to each other and open up a singular adventure that is also a moment of ‘futurition’ that opens up new horizons of meaning, both human and inhuman. How can we reckon the…[Read more]
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Eileen Joy deposited Working Darkly and Beautifully at the Bottom of Our Game: Failing, Fragility, and Making Things in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoThis essay argues, through various personal anecdotes, for a university in which our work and lives would turn away from impersonal professionalism and more towards a praxis where we would recognize better, as Brantley Bryant has written, that our “very strength, our very expertise, comes from darkness, indeterminacy, unmarketably disastrous…[Read more]
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Eileen Joy deposited And Then There Was One: A Saint’s Life in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoTAG is a journal/experiment of new writing that publishes two works per phase, the authors of which becoming, in turn, the editors of the next phase. “And Then There Was One” is a short story that was solicited / “tagged” by Luke A. Fidler and Anthony Opal.
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Eileen Joy deposited This Is Not My (or, Our Time), so Please Take Ecstasy With Me: The Necessity of Generous Reading in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoA plea for more generous modes of reading each other’s scholarship in order to arrive at a University that values productive dissensus within a framework of shared endeavor and solidarity. The essay also argues for new relational modes in which personal, professional and other identities would be rejected in favor of cruising each other’s thought and work.
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Eileen Joy deposited The Work, or the Agency, of the Nonhuman in Premodern Art in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoAn overview of the “state of the field” of critical post/humanist studies that also argues for the important intervention of premodern studies into contemporary post/humanist studies, and which serves as the Introduction (with chapter summaries) to “Fragments for a History of a Vanishing Humanism,” eds. Myra Seaman and Eileen A. Joy (Ohio State…[Read more]
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Eva Weinmayr deposited Confronting Authorship, Constructing Practices (How Copyright is Destroying Collective Practice) in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoIn this chapter I investigate the coercive relationship between authorship and copyright from the perspective of intersectional feminist and de-colonial knowledge practices. Examining three artistic strategies (Richard Prince, Cady Noland and the Piracy Project) which all try to challenge the close ties between copyright and authorship – a…[Read more]
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Eileen Joy deposited The Boy Who Couldn’t Change the World: An Open Letter to Verso Books and The New Press in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoAn Open Letter & petition, with signatures, from punctum books to The New Press and Verso Books (UK), relative to their recent compilations (in print and e-book form) of Aaron Swartz’s selective collected writings, “The Boy Who Could Change the World,” in which the undersigned ask Verso and The New Press to reverse and repair this unfortunate…[Read more]
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Danijela Tešić Radovanović deposited Неки аспекти Антинојевог култа у римском насељу у Сочаници in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoCERTAIN ASPECTS OF THE CULT OF ANTINOUS IN THE ROMAN SETTLEMENT AT SOČANICA This Roman settlement, located on the territory near Sočanica, was parтly explored around the 1950’s. Systematic excavations, headed by E.Češkov, resulted in quite a large number of mobile and immobile finds, helped to form a clearer picture about the history, econom…[Read more]
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Danijela Tešić Radovanović deposited The Menorah as a Symbol of Jewish Identity in the Diaspora and an Expression of Aspiration for Renewing the Jerusalem Temple in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoJewish relation to representational art is determined mostly by the Second Commandment: “You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; you shall not bow down to them nor serve them.” As science has observed, the…[Read more]
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Danijela Tešić Radovanović deposited О пореклу Антинојевог култа у римском насељу код Сочанице in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoTHE ORIGIN OF ANTINOUS CULT IN ROMAN SETTLEMENT NEAR SOČANICA А Roman settlement, located near the village of Sočanica, was part-ly explored around 1960’s. Systematic excavations headed by archae-ologist E. Čerškov and resulted in quite a large number of mobile andimmobile finds helped form a clearer picture of the history, economyand urban layout…[Read more]
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Danijela Tešić Radovanović deposited Светиљка као симбол у теологији и иконологији светлости на простору Медитерана in the group
Cultural Studies on Humanities Commons 6 years, 8 months agoLamp as a Symbol in Theology and Iconology of Light in the Mediterranean / Light and fire have been a part of the religious experience since the dawn of civilization, its cultic use can be traced back to as early as the Paleolithic. Seen as divine emanations, light and fire were experienced as a symbol of the divine presence. This symbolism can be…[Read more]
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