This essay explores Dante Alighieri’s notion of projectile motion in relation to spiritual fulfillment in the first canto of Paradiso. The notion of impetus, or projectile motion, stood at the confluence of Greek philosophical rationality (mediated by a substantial Arabic corpus) and Christian thought, and it provides a unique window through…[Read more]

This chapter examines the plight of Fra’ Alberigo in light of philosophical questions of personal identity and embodiment. I argue that Fra’ Alberigo’s individuality and his punishment in Tolomea provides insight into Dante’s unique interpretation of the complex relationship between body and spirit and the issue of material continuity in the…[Read more]

This chapter details the efforts of the kindergarten educator, Elizabeth Harrison, to introduce Dante’s Divine Comedy to children in the midwestern United States during the late nineteenth century.

This syllabus for Major Authors: Anonymous serves as one of the capstone seminar options for our English Majors and Minors. In overhauling our curriculum to make the English BA represent more literature, we removed Single-Author-Named courses & replaced them with Major Authors. Each faculty who teach this course make an argument for the various…[Read more]

This essay focuses on Olive Schreiner’s personal correspondence and the allegories collected in Dreams (1890) to explore her complicated relationship to late-Victorian Decadence. I argue that Schreiner modified Decadent writers’ use of intersensoriality and synaesthesia to educate her readers into a new kind of common sense, one aligned with her…[Read more]

Pedagogical edition, transcription, and translation of the Aljamiado-Morisco Legend of the Damsel Carcayçiyona (Aragón, ca. 1587) found in MS J57 of the Biblioteca Tomás Navarro Tomás, CSIC, Madrid. A variant of the folktale of the “handless maiden,” this narrative details the conversion of the pagan princess Carcayçiyona to Islam and the trials t…[Read more]

Pedagogical edition, transcription, and translation of the Aljamiado-Morisco Legend of the Damsel Carcayçiyona (Aragón, ca. 1587) found in MS J57 of the Biblioteca Tomás Navarro Tomás, CSIC, Madrid. A variant of the folktale of the “handless maiden,” this narrative details the conversion of the pagan princess Carcayçiyona to Islam and the trials t…[Read more]

Pedagogical edition, transcription, and translation of the Aljamiado-Morisco Legend of the Damsel Carcayçiyona (Aragón, ca. 1587) found in MS J57 of the Biblioteca Tomás Navarro Tomás, CSIC, Madrid. A variant of the folktale of the “handless maiden,” this narrative details the conversion of the pagan princess Carcayçiyona to Islam and the trials t…[Read more]

Pedagogical edition, transcription, and translation of the Aljamiado-Morisco Legend of the Damsel Carcayçiyona (Aragón, ca. 1587) found in MS J57 of the Biblioteca Tomás Navarro Tomás, CSIC, Madrid. A variant of the folktale of the “handless maiden,” this narrative details the conversion of the pagan princess Carcayçiyona to Islam and the trials t…[Read more]

In the fall of 2019 I taught my eighteenth-century novel course as an exercise in slow reading, taking a tactic I had used before: putting a canonical work of fiction into the context of the other voices in the literary marketplace, and the circumstances of its making. For such a course, Tristram Shandy is an ideal central text. It was published…[Read more]

The reports listed here and then reproduced in facsimile were published in British and American journals during the nineteenth century. They describe contemporary aspects, both editorial and mechanical, of the production processes that made such publications possible. Leading topics include the relative efficiency of steam-powered printing, the…[Read more]

Como homenaje a Fernando González Ollé se realizó esta presentación de notas y correcciones a la edición de FMM en Biblioteca Nueva, 1997, como un modo de ampliar el diálogo y abrirlo al conjunto de participantes en el homenaje, fueran autores o lectores.

Como homenaje a Fernando González Ollé se realizó esta presentación de notas y correcciones a la edición de FMM en Biblioteca Nueva, 1997, como un modo de ampliar el diálogo y abrirlo al conjunto de participantes en el homenaje, fueran autores o lectores.

El primer objetivo de esta edición es la reconstrucción crítica del texto, llevando hasta sus últimas consecuencias las hipótesis lingüísticas, porque un texto es, primero, la lengua en que fue escrito. Para esta reconstrucción crítica podremos recurrir a la ayuda del ordenador, pero lo que contará fundamentalmente serán los datos obtenidos…[Read more]

El primer objetivo de esta edición es la reconstrucción crítica del texto, llevando hasta sus últimas consecuencias las hipótesis lingüísticas, porque un texto es, primero, la lengua en que fue escrito. Para esta reconstrucción crítica podremos recurrir a la ayuda del ordenador, pero lo que contará fundamentalmente serán los datos obtenidos…[Read more]

The object of this research is divided among phenomena observed in al-Andalús, in North Africa, with the peculiarity that data from America and its languages can help to clarify certain points and, finally, in Palestine. There is therefore a historical journey and a synchronous investigation. This has given rise to reflections that relate…[Read more]

The object of this research is divided among phenomena observed in al-Andalús, in North Africa, with the peculiarity that data from America and its languages can help to clarify certain points and, finally, in Palestine. There is therefore a historical journey and a synchronous investigation. This has given rise to reflections that relate…[Read more]

Juan Carlos buscó decididamente un modelo común mediterráneo que permitiera explicar que muchas de las características de los llamados tradicionalmente “arte visigodo” o “arte mozárabe” eran independientes de la instauración de la dinastía Omeya en al-Andalús y, de manera mucho más profunda, cómo esa importancia e influencia que se concede al art…[Read more]

Juan Carlos buscó decididamente un modelo común mediterráneo que permitiera explicar que muchas de las características de los llamados tradicionalmente “arte visigodo” o “arte mozárabe” eran independientes de la instauración de la dinastía Omeya en al-Andalús y, de manera mucho más profunda, cómo esa importancia e influencia que se concede al art…[Read more]

This article attributes one of the three “first” editions of Leviathan to the London printer John Richardson (fl. 1673–1703), revising Noel Malcolm’s attribution to a different printer in the recent Clarendon Edition of Leviathan. We lay out the mystery of Leviathan’s so-called “Ornaments” edition and use evidence from damaged type pieces to say…[Read more]