Mwalim *7)
,@mwalim
0
Following
0
Followers
-
Keith Salley replied to the topic ideas for dma comp exam pieces in the discussion
Society for Music Theory – Jazz Interest Group via email on Humanities Commons 5 years, 8 months agoFeel free to just email me, btw: ksalley@su.edu.
-
Keith Salley replied to the topic ideas for dma comp exam pieces in the discussion
Society for Music Theory – Jazz Interest Group via email on Humanities Commons 5 years, 8 months agoHi Megan
I also make the grad diagnostics for my school, and have a substantial
background in jazz theory. Am about to attend a webinar, so will be
unavailable for a couple hours, but I might be able to offer help. My first
question would be: what are you diagnosing? That is, what is it that you’re
trying to determine from each student’s…[Read more] -
Megan Lavengood started the topic ideas for dma comp exam pieces in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 5 years, 8 months agoHi! I’m not usually a participant in this group but wanted to solicit some expert advice. I administer DMA comprehensive exams at my school. The format of the exam is very open-ended; I just ask students to analyze two pieces. One of the pieces will be 17th–19th century classical music; the other piece will be 20th–21st c. Students are exp…[Read more]
-
Randye Jones deposited Rare Gems by the Pioneers of the Concert Spiritual (Pt. 2) in the group
Afrocentric Sounds on Humanities Commons 5 years, 8 months agoContinuation of documentary about concert spirituals categorized by song theme, from sorrow songs to songs of transcendence. Each category is followed by a recording:
– “Oh, Didn’t It Rain” (Ruby Elzy, soprano)
– “Every Time I Feel de Spirit” (Lawrence Brown, composer; Evelyn Dove, soprano)
– “My Soul’s Been Anchored in the Lord” (Florence…[Read more] -
Randye Jones deposited Rare Gems by the Pioneers of the Concert Spiritual (Pt. 1) in the group
Afrocentric Sounds on Humanities Commons 5 years, 8 months agoDocumentary about concert spirituals categorized by song theme, from sorrow songs to songs of transcendence. Each category is followed by a recording: –
“I Cannot Stay Here by Myself” (Hall Johnson, composer; A. Grace Lee Mims, soprano)
– “Who’ll Be a Witness for My Lord” (John Rosamond Johnson, composer; Kenneth Spencer, baritone)
– “Steal…[Read more] -
Maheswari D deposited இலக்கியங்களில் மருத்துவச் சிந்தனைகள்/ THOUGHTS OF MEDICINE IN LITERATURE, Volume-2, March 2020 Special Issue-4, Vol-3 in the group
Afrocentric Sounds on Humanities Commons 5 years, 9 months agoThis is the Vol – 2, SPECIAL ISSUE 4: VOL – 3, MARCH 2020 issue.
-
Ben Geyer replied to the topic V in Rhythm Changes in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 5 years, 11 months agoGarrett,
Thanks for responding to this! I’m working on hierarchy within cyclical chord progressions (I do think at least some aspects are hierarchical) but certainly don’t want to be chasing windmills.
Ben
-
Adam Rosado started the topic ICJ Submission Deadline in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 5 years, 11 months agoHi all,
I’ve posted the CFP on SMT Announce a couple of times, but I wanted to give JIG folks specifically a reminder that the submission deadline for the Issues in Contemporary Jazz Conference is this Friday. I hope y’all submit any papers and/or scores you’ve been working on! Feel free to reach out with any questions.
Adam
-
Garrett Michaelsen replied to the topic V in Rhythm Changes in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 5 years, 12 months agoBen:
Sorry for the extremely slow reply! I don’t think that one can give a generic answer. The concept of a chord relating more to ones that come before or after seems to me to be wrapped up in so much additional context that making such a determination on the basis of chord changes alone doesn’t make sense. Think of Gershwin’s original: in this…[Read more]
-
Ben Geyer replied to the topic V in Rhythm Changes in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 1 month agoTo clarify (because of the font change): that progression is I-V-I-V, with one chord per bar.
-
Ben Geyer started the topic V in Rhythm Changes in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 1 month agoDear SMT JIG,
I wonder if any of you would give me your opinion on a question that’s been bugging me for ages. Let’s say we agree that you can reduce rhythm changes to |I|V|I|V| in the first four measures. Do you hear those Vs as back-related? Front-related? Depends on comping vs. soloing? Depends on the line being played? Depends on something…[Read more]
-
Dustin Chau started the topic Possible SMT integrated special session proposal in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 1 month agoHi all! I hope all has been well since our meeting in Columbus last month, and you all are surviving the end of the school year grading piles. I have been spending this year (taking a break from academia) in the Kansas City area, which is such a rich geographic location in relation to jazz history’s roots in blues and proto-bebop. Something my…[Read more]
-
Garrett Michaelsen started the topic 2019 Meeting Report in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 1 month agoDear SMT Jazz Interest Group members,
We conducted our 25th annual meeting in Columbus. Twenty-seven individuals attended. After my opening welcome—in which I hoped to convey that our group is open to everyone interested in jazz theory and analysis at any career stage—Janna Saslaw announced the winner of the Steve Larson Award for Jazz Sch…[Read more]
-
Garrett Michaelsen deposited Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’s The Complete Live at the Plugged Nickel 1965 in the group
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 2 months agoThis article examines three improvisations by the Miles Davis Quintet from their recording The Complete Live at the Plugged Nickel 1965 through the lens of a new theory of musical interaction. It shows how the quintet favored divergent over convergent interactional strategies in the interpersonal, referent, role, and style domains in its quest to…[Read more]
-
Ben Geyer replied to the topic SMT 2019 Meeting in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 3 months agoGarrett,
This is a great idea, and I like the game plan. Thanks for organizing this!
Sincerely,
Ben Geyer
-
Garrett Michaelsen started the topic SMT 2019 Meeting in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 3 months agoDear jazz interest group,
I’d like to officially announce the main topic of our meeting in Columbus this year and ask if you have any questions that we might consider as we plan. As I mentioned in an email to the old listserv earlier in the year, Dan Shanahan has graciously agreed to give us a workshop on corpus and computational methods of jazz…[Read more]
-
Marc Edward Hannaford deposited One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams in the group
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 4 months agoThis dissertation examines aspects of the creative practice of Muhal Richard Abrams, composer, improviser, pianist, and cofounder of the Association for the Advancement of Creative Musicians (AACM). Abrams’s work intersects with various facets of creative music. I focus on free improvisation, both as a stand-alone performance and in conjunction w…[Read more]
-
Randye Jones created the group
Afrocentric Sounds on Humanities Commons 6 years, 6 months ago -
Clay Downham started the topic Steve Larson Award 2019 — Call for Nominations in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 7 months agoThe SMT-Jazz Interest Group is currently soliciting nominations for the
2019 Steve Larson Award for Jazz Scholarship. This award acknowledges
outstanding contributions to the field of jazz theory and analysis.
Eligibility extends to books, chapters from books, articles, delivered
conference papers, dissertations, or theses that have been publ…[Read more] -
David Mosher deposited Implicit Learning As A Means Of Tonal Jazz Pitch-Listening Skills Acquisition in the group
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 7 months agoIn this dissertation, I present a method for developing tonal jazz pitch-listening skills (PLS) which is rooted in scientific experimental findings from the fields of music cognition and perception. Converging experimental evidence supports the notion that humans develop listening skills through implicit learning via immersive, statistically rich…[Read more]
- Load More
