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Hania A.M. Nashef's profile was updated on MLA Commons 2 years ago
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Justin Walsh deposited Adapting to Space: The International space Station Archaeological Project in the group
Visual Anthropology on Humanities Commons 2 years agoThe International Space Station Archaeological Project (ISSAP), co-directed by Alice Gorman and me, is the first full-scale, systematic archaeological investigation of the material culture from a site of human activity in space. We started in late 2015, in response to a number of phenomena, including a growing desire to move the focus of space…[Read more]
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Justin Walsh deposited Adapting to Space: The International space Station Archaeological Project in the group
Digital Archaeology on Humanities Commons 2 years agoThe International Space Station Archaeological Project (ISSAP), co-directed by Alice Gorman and me, is the first full-scale, systematic archaeological investigation of the material culture from a site of human activity in space. We started in late 2015, in response to a number of phenomena, including a growing desire to move the focus of space…[Read more]
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Justin Walsh deposited Adapting to Space: The International space Station Archaeological Project in the group
Archaeology on Humanities Commons 2 years agoThe International Space Station Archaeological Project (ISSAP), co-directed by Alice Gorman and me, is the first full-scale, systematic archaeological investigation of the material culture from a site of human activity in space. We started in late 2015, in response to a number of phenomena, including a growing desire to move the focus of space…[Read more]
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Justin Walsh deposited Adapting to Space: The International space Station Archaeological Project in the group
Anthropology on Humanities Commons 2 years agoThe International Space Station Archaeological Project (ISSAP), co-directed by Alice Gorman and me, is the first full-scale, systematic archaeological investigation of the material culture from a site of human activity in space. We started in late 2015, in response to a number of phenomena, including a growing desire to move the focus of space…[Read more]
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Steven Schroeder deposited the moon, not the finger, pointing in the group
Poetics and Poetry on Humanities Commons 2 years agoThe moon, not the finger, pointing is a sort of memoir – a collection of 67 lyric poems that trace the course of a life from the Texas Panhandle through Chicago to China and back, with the window open “because everybody knows / by now there is a poem out there.” In Chicago, “a street musician / plays Vivaldi on violin not two blocks from / a kid s…[Read more]
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Justin Walsh deposited Adapting to Space: The International space Station Archaeological Project on Humanities Commons 2 years ago
The International Space Station Archaeological Project (ISSAP), co-directed by Alice Gorman and me, is the first full-scale, systematic archaeological investigation of the material culture from a site of human activity in space. We started in late 2015, in response to a number of phenomena, including a growing desire to move the focus of space…[Read more]
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Justin Walsh's profile was updated on Humanities Commons 2 years ago
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The moon, not the finger, pointing is a sort of memoir – a collection of 67 lyric poems that trace the course of a life from the Texas Panhandle through Chicago to China and back, with the window open “because everybody knows / by now there is a poem out there.” In Chicago, “a street musician / plays Vivaldi on violin not two blocks from / a kid s…[Read more]
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In Transnational Arab stardom : glamour, performance and politics
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Hania A.M. Nashef deposited Canines: Unlikely Protagonists in the Novels of Coetzee, Saramago and Shibli in the group
TM Literary Criticism on MLA Commons 2 years, 2 months agoAnthropomorphism, which combines two Greek words, anthropos and morphe, meaning “human” and “form’ respectively, is a term that reflects our attribution of human characteristics to non-human animals and objects, bestowing upon them agency (Taylor 2011: 266). In this respect, we elevate the status of the non-human animal, moving it from being a…[Read more]
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Hania A.M. Nashef deposited Canines: Unlikely Protagonists in the Novels of Coetzee, Saramago and Shibli in the group
Iberian Studies on MLA Commons 2 years, 2 months agoAnthropomorphism, which combines two Greek words, anthropos and morphe, meaning “human” and “form’ respectively, is a term that reflects our attribution of human characteristics to non-human animals and objects, bestowing upon them agency (Taylor 2011: 266). In this respect, we elevate the status of the non-human animal, moving it from being a…[Read more]
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Hania A.M. Nashef deposited Canines: Unlikely Protagonists in the Novels of Coetzee, Saramago and Shibli in the group
GS Prose Fiction on MLA Commons 2 years, 2 months agoAnthropomorphism, which combines two Greek words, anthropos and morphe, meaning “human” and “form’ respectively, is a term that reflects our attribution of human characteristics to non-human animals and objects, bestowing upon them agency (Taylor 2011: 266). In this respect, we elevate the status of the non-human animal, moving it from being a…[Read more]
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Hania A.M. Nashef deposited Canines: Unlikely Protagonists in the Novels of Coetzee, Saramago and Shibli in the group
CLCS 20th- and 21st-Century on MLA Commons 2 years, 2 months agoAnthropomorphism, which combines two Greek words, anthropos and morphe, meaning “human” and “form’ respectively, is a term that reflects our attribution of human characteristics to non-human animals and objects, bestowing upon them agency (Taylor 2011: 266). In this respect, we elevate the status of the non-human animal, moving it from being a…[Read more]
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Hania A.M. Nashef deposited Canines: Unlikely Protagonists in the Novels of Coetzee, Saramago and Shibli on MLA Commons 2 years, 2 months ago
Anthropomorphism, which combines two Greek words, anthropos and morphe, meaning “human” and “form’ respectively, is a term that reflects our attribution of human characteristics to non-human animals and objects, bestowing upon them agency (Taylor 2011: 266). In this respect, we elevate the status of the non-human animal, moving it from being a…[Read more]
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Hania A.M. Nashef deposited Songs of Nostalgia: Creative Activism and Exile in Elia Suleiman’s “It Must be Heaven” and Panah Panahi’s “Hit the Road” in the group
TC Popular Culture on MLA Commons 2 years, 2 months agoAbstract | The final scene of Elia Suleiman’s film, It Must be Heaven (2019), ends with the actor/director sitting in an Arab bar in the city of Haifa, while the young crowd is dancing to “Arabyon Ana” (2000) by Lebanese singer Yuri Mrakadi. The Arabic music is a testimony to a Palestinian-Arab culture that resists erasure.
The songs in Sulei…[Read more]
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Hania A.M. Nashef deposited Songs of Nostalgia: Creative Activism and Exile in Elia Suleiman’s “It Must be Heaven” and Panah Panahi’s “Hit the Road” in the group
MS Sound on MLA Commons 2 years, 2 months agoAbstract | The final scene of Elia Suleiman’s film, It Must be Heaven (2019), ends with the actor/director sitting in an Arab bar in the city of Haifa, while the young crowd is dancing to “Arabyon Ana” (2000) by Lebanese singer Yuri Mrakadi. The Arabic music is a testimony to a Palestinian-Arab culture that resists erasure.
The songs in Sulei…[Read more]
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Hania A.M. Nashef deposited Songs of Nostalgia: Creative Activism and Exile in Elia Suleiman’s “It Must be Heaven” and Panah Panahi’s “Hit the Road” in the group
MS Screen Arts and Culture on MLA Commons 2 years, 2 months agoAbstract | The final scene of Elia Suleiman’s film, It Must be Heaven (2019), ends with the actor/director sitting in an Arab bar in the city of Haifa, while the young crowd is dancing to “Arabyon Ana” (2000) by Lebanese singer Yuri Mrakadi. The Arabic music is a testimony to a Palestinian-Arab culture that resists erasure.
The songs in Sulei…[Read more]
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Hania A.M. Nashef deposited Songs of Nostalgia: Creative Activism and Exile in Elia Suleiman’s “It Must be Heaven” and Panah Panahi’s “Hit the Road” in the group
LLC Arabic on MLA Commons 2 years, 2 months agoAbstract | The final scene of Elia Suleiman’s film, It Must be Heaven (2019), ends with the actor/director sitting in an Arab bar in the city of Haifa, while the young crowd is dancing to “Arabyon Ana” (2000) by Lebanese singer Yuri Mrakadi. The Arabic music is a testimony to a Palestinian-Arab culture that resists erasure.
The songs in Sulei…[Read more]
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Hania A.M. Nashef deposited Songs of Nostalgia: Creative Activism and Exile in Elia Suleiman’s “It Must be Heaven” and Panah Panahi’s “Hit the Road” on MLA Commons 2 years, 2 months ago
Abstract | The final scene of Elia Suleiman’s film, It Must be Heaven (2019), ends with the actor/director sitting in an Arab bar in the city of Haifa, while the young crowd is dancing to “Arabyon Ana” (2000) by Lebanese singer Yuri Mrakadi. The Arabic music is a testimony to a Palestinian-Arab culture that resists erasure.
The songs in Sulei…[Read more]
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