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María-Teresa García Ballesteros deposited Los Hermanos Debas: fotógrafos de corte en las monarquías alfonsinas on Humanities Commons 6 years, 1 month ago
The brothers Fernando and Edgardo Debas arrived in Madrid in 1872, coming from France, and soon became the main court photographers of Alfonso XII, above Laurent, who was then in full swing of his activity. The article reveals the keys to this situation as well as the details of his previous activities in France, the circumstances of his arrival…[Read more]
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María-Teresa García Ballesteros deposited El álbum de la Exposición Vinícola de 1877: Laurent, Debás y Esperon. on Humanities Commons 6 years, 1 month ago
At the beginning are described first reports made in Spain on major exhibitions, since the great exhibition of London in 1851. Below is a brief review about the photographers Laurent, Debás and Esperon, who were the authors of the photo album made in 1877 about the «Exposición Vinícola» in Madrid. Finally, the article focuses on the desc…[Read more]
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María-Teresa García Ballesteros's profile was updated on Humanities Commons 6 years, 1 month ago
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María-Teresa García Ballesteros's profile was updated on Humanities Commons 6 years, 2 months ago
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María Teresa García Ballesteros deposited Luis Masson, uno de los grandes en los inicios de la fotografía en España in the group
History of Art on Humanities Commons 6 years, 2 months agoThe discovery of the importance of photographer Luis Leon Masson and the observation that, nevertheless, has been almost ignored in all the temporal space in which the Spanish photohistory has been developing in the last thirty years, has led us to ask ourselves about the circumstances that have concurred so that this character, who was able to…[Read more]
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María Teresa García Ballesteros deposited Spanish Stereoscopic Commercial Photography in the 20th Century: “El Turismo Práctico” and “Rellev” in the group
History of Art on Humanities Commons 6 years, 2 months agoThroughout the twentieth century, the two major projects carried out in Spain to commercialize ste- reoscopic photography were those of the Barcelona publishing house Alberto Martín and the photo- grapher José Codina Torrás, both projects with an obvious tourist orientation. During the decade of 1910, the publishing house Alberto Martín lau…[Read more]
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María Teresa García Ballesteros deposited La fotografía estereoscópica en Canarias durante el siglo XIX in the group
History of Art on Humanities Commons 6 years, 2 months agoStereoscopic photography begins in the Canary Islands at the end of the 1850s, not only by photographers and news from Peninsular Spain but also through the important English colony. The names of Piazzi Smyth and Jessica Duncan, of photographers such as Luis Marín del Corral, Manuel Sapera, Rafael and Bartolomé Belza or Juan González Méndez and…[Read more]
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María Teresa García Ballesteros deposited Luis Masson, uno de los grandes en los inicios de la fotografía en España on Humanities Commons 6 years, 2 months ago
The discovery of the importance of photographer Luis Leon Masson and the observation that, nevertheless, has been almost ignored in all the temporal space in which the Spanish photohistory has been developing in the last thirty years, has led us to ask ourselves about the circumstances that have concurred so that this character, who was able to…[Read more]
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María Teresa García Ballesteros deposited Spanish Stereoscopic Commercial Photography in the 20th Century: “El Turismo Práctico” and “Rellev” on Humanities Commons 6 years, 2 months ago
Throughout the twentieth century, the two major projects carried out in Spain to commercialize ste- reoscopic photography were those of the Barcelona publishing house Alberto Martín and the photo- grapher José Codina Torrás, both projects with an obvious tourist orientation. During the decade of 1910, the publishing house Alberto Martín lau…[Read more]
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María Teresa García Ballesteros deposited La fotografía estereoscópica en Canarias durante el siglo XIX on Humanities Commons 6 years, 2 months ago
Stereoscopic photography begins in the Canary Islands at the end of the 1850s, not only by photographers and news from Peninsular Spain but also through the important English colony. The names of Piazzi Smyth and Jessica Duncan, of photographers such as Luis Marín del Corral, Manuel Sapera, Rafael and Bartolomé Belza or Juan González Méndez and…[Read more]