Circular Quay was one of the first points of contact between First Nations people and Europeans, and to this day, it is one of the busiest localities on Sydney Harbour. The quay’s history is rich as it is still a busy transport hub, government administration area and commercial zone. In more recent decades, it’s expanded to include thriving…[Read more]

Taxes and dying. Two certainties in life, and that was certainly the case in colonial Sydney. For more than 150 years Customs House has provided the means of collecting taxes on the movement of goods

Taxes and dying. Two certainties in life, and that was certainly the case in colonial Sydney. For more than 150 years Customs House has provided the means of collecting taxes on the movement of goods

Journalist Jeff McGill recently wrote an opinion piece in the Campbel/town Macarthur Advertiser with the heading ‘Nothing “yucky” about fibro cottages’. He continued that ‘Macarthur’s first big housing development was Campbelltown’s St Elmo Estates of the 1950s, guided by Neil McLean, a much-loved developer’.1 The McLean St Elmo land releases were…[Read more]

Journalist Jeff McGill recently wrote an opinion piece in the Campbel/town Macarthur Advertiser with the heading ‘Nothing “yucky” about fibro cottages’. He continued that ‘Macarthur’s first big housing development was Campbelltown’s St Elmo Estates of the 1950s, guided by Neil McLean, a much-loved developer’.1 The McLean St Elmo land releases were…[Read more]

This article analyzes the nexus between collective violence, temple violation, and military glory in 1 and 2 Maccabees by comparing two festivals established in the context of revolt and guerilla warfare; namely, Hanukkah and Nicanor’s Day. It argues that the accounts of the origins of these two festivals in 1 and 2 Maccabees reinforce the close c…[Read more]

The period of masonic internationalism in the last third of the 19th and first third of the 20th centuries saw the most visible – and controversial – attempts to organisationally model the “cosmopolitan imperative” of freemasonry. The various freemasonries in Europe saw themselves as links in a world-spanning “chain of brothers” forged by the…[Read more]

Early European settlers were the key actors in a place-making exercise that constructed an English-style landscape aesthetic on the colonial stage in the Cowpastures district of New South Wales. The aesthetic became part of the settler colonial project and the settlers’ aim of taking possession of territory involved the construction of a c…[Read more]

Several documents from Egypt and Ḫatti (especially the Amarna letters and the Egyptian-Hittite correspondence) mention envoys and messengers in charge of diplomatic contacts between the two countries. Cuneiform and hieroglyphic transcriptions of Egyptian names at Ugarit hint at an actual presence (in Ugarit and Karkemish) of officials coming f…[Read more]

This chapter discusses the aesthetic of refusal as it is articulated in contemporary performances in India and South Africa while debates around the #MeToo movement continue to agitate and exhaust womxn around the globe. In the aftermath of the Indian Supreme Court acquitting the Chief Justice of India of all sexual harassment charges in May 2019,…[Read more]

This chapter discusses the aesthetic of refusal as it is articulated in contemporary performances in India and South Africa while debates around the #MeToo movement continue to agitate and exhaust womxn around the globe. In the aftermath of the Indian Supreme Court acquitting the Chief Justice of India of all sexual harassment charges in May 2019,…[Read more]

Since 2016, the academic narrative emerging from the Zora Neale Hurston Festival of the Arts and Humanities in Eatonville, Florida, has increasingly relied on a public scholarship model to bridge the gap between institutional practice and community knowledge. Inspired by Zora Neale Hurston’s legacy as an interdisciplinary scholar, these a…[Read more]

In recent years, medieval studies have become increasingly aware of how enmeshed they are in fascist ideologies as medieval imagery is weaponized and scholarly discourse appropriated for political ends. These developments have brought into view how medieval studies as a discipline have its origins in the epistemic frameworks of 19th-century…[Read more]

No creo que haya mejor ocasión que este homenaje alcalaíno al maestro Alberto Blecua para vencer las reticencias y dudas del neófito que, en palabras de Márquez Villanueva, ha de pisar por vez primera los “senderos de alto riesgo” por los que camina el Libro de buen amor. Por motivo de mi admiración y reconocimiento al homenajeado, voy a dejarme…[Read more]

Presentation about the divinatory texts in the Bairische Bild-Enzyklopädie.

Manuscripts:
Erlangen, Universitätsbibliothek, MS.B 200, http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832
Kraków, Biblioteka Jagiellońska, Rkp. Przyb. 35/64, http://jbc.bj.uj.edu.pl/dlibra/docmetadata?id=271106&from=FBC

With US economic sanctions against Russia in recent years, the Nord Stream Gas Pipeline project in Europe that links Russia and Germany via the Baltic Sea came under considerable global attention. Russia’s ongoing invasion of Ukraine has only increased uncertainties around the Project, arguably one of the world’s most consequential submarine pip…[Read more]

Tal vez uno de los procesos más destacados de la historia de Europa en el siglo XIII sea la configuración de la primera época de esplendor de justas, torneos y todo tipo de espectáculos de riesgo. Aproximadamente entre los años 1170 y 1260, el Viejo Continente asistió a la explosión de estos encuentros, en los que brillaron con luz propia los no…[Read more]

The freedom of transit in international trade law originally involved the movement of goods across borders without any arbitrary or unnecessary hindrance. In this era of network-bound energy systems requiring the permanent establishment of fixed installations such as gas pipelines and high voltage power transmission grids to facilitate access to…[Read more]

How do people make sense of works of art? And how do they write to make others see the same way? There are many guides to looking at art, histories of art history and art criticism, and accounts of various ‘theories’ and ‘methods’, but this book offers something very unlike the normal search for difference and division: it examines the general…[Read more]