La poesia dell’inverno (del letargo, dice Proust) è materia della Recherche che coniuga arte e vita, o piuttosto impasta i materiali della vita, per farne arte. In un passo del Côté de Guermantes l’eroe del romanzo si trova a trascorrere una notte nella guarnigione di Doncière. L’associazione di diverse sensazioni fisiche (il freddo, la luminosit…[Read more]

This article focuses on a vast category of texts, the so-called “Tableaux de Paris”, or “Paris-Guides”, which contributed in a relevant way to the creation and the vulgarization of the Myth of Paris all along the Nineteenth Century. The relation of these publications with the “high” literature is sometimes ambiguous: several great authors par…[Read more]

In the 16th century most of Russia is still a terra incognita with a highly dubious and mostly mythologized geography, anthropology, and sociology. In this article we look at some texts of the Early Modern period – Sir Thomas Smithes Voiage and Entertainment in Rushia (1605), Peter Mundy’s Travel Writings of 1640–1641, and The Voiages and Trave…[Read more]

To make sense of Knausgaard’s meteoric rise, we need to see that his prestige preceded his consecration in the Anglophone literary press.

Hinging on the concept of transvestism, this article traces a trajectory that goes from Alfonsina Storni’s re-appropriation of the women’s page in the guise of a male persona, through Alejo Carpentier’s contributions to a fashion column disguised as Jacqueline, to Clarice Lispector’s unsettling use of the page addressed specifically to women i…[Read more]

This paper argues that contemporary understandings of cosmopolitan literature are significantly limited by their dependence on sympathetic attachments as constitutive of cosmopolitan practice. I trace a genealogy of the connection between sympathy, cosmopolitanism, and the novel that extends from Adam Smith and Immanuel Kant to Martha Nussbaum and…[Read more]

This essay examines scenes portrayingcare for the aging, ill, and dying across J.M. Coetzee’s fiction. Even as Coetzee’s work models an ideal of hospice that resonates with Derrida’s conception of unconditional hospitality, it also attends to how this ideal is constrained by a global neoliberal regime that conceives of dying as a crisis to be ma…[Read more]

This paper examines cosmopolitanism in Teju Cole’s Every Day is for the Thief (2007) and Open City (2011). The protagonists of both texts maintain cosmopolitan identities largely by embracing an international literary culture in which elite cosmopolitan fiction relays the experiences of marginalized cosmopolitan subjects such as migrant workers a…[Read more]

Current debates about Afropolitan literature alternately value it for challenging western stereotypes about Africa and critique it for embracing western capitalism. Chimamanda Ngozi Adichie’s Americanah (2013) complicates these debates by articulating a Nigerian dream that, while imbued with the class mobility of its American counterpart, d…[Read more]

Review of Peter J. Capuano, Changing Hands: Industry, Evolution, and the Reconfiguration of the Victorian Body

Review of The Starry Sky Within: Astronomy and the Reach of the Mind in Victorian Literature by Anna Henchman

Situates the composition of Walt Whitman’s Democratic Vistas—from manuscript notes, source material, and pilot essays to its publication as an 84-page pamphlet—within the intellectual tendencies of the Reconstruction-era American social science movement to reveal Whitman’s text as an important case study in the nascent discipline. In his pro…[Read more]

The transfer of Saracen arms into Frankish ownership is a leitmotif of
many chansons de geste, but one whose significance for translatio imperii has yet to be
elucidated. In this essay, I focus on the Chanson d’Aspremont, a twelfth-century epic
set in Calabria that narrates the pre-history of Durendal, Roland’s sword of Song of
Roland fam…[Read more]

Reads William of Rubruck’s mission to Asia as an instance of premodern ethnographic representation and the shape of the precolonial European ethnographic gaze upon Asia.

This article sets the itineracy of antiapartheid expressive culture to work in relation to exiled South African jazz singer Miriam Makeba. It revisits accounts of transnational cultural circulation on the part of Rob Nixon, Paul Gilroy, and others to argue that the diffusion of South African cultural formations outward from South Africa offers…[Read more]