This paper is a new examination of the original find context of the Saqqara lion tables (CG 1321–2) in ‘Gallery C’, an underground structure in the Step Pyramid complex. The substructure may date to the 1st millennium BCE, and this structure was likely part of an embalming complex for the Apis or other sacred animals. The adjacent Western Galle…[Read more]

The Egypt Exploration Society archive contains unpublished pencil drawings by A. Klasens of seal impressions found in the Step Pyramid complex of Saqqara. Digitally inked versions of these drawings are published here for the first time. The seal impressions can be sourced to the Northern Galleries of the complex. The impressions were sealed on…[Read more]

This essay argues that the changes that occurred in the form, function, material and internal decorative schemes of the Great House before 1660 was less of a transformation and more of a slow evolution. The popularity of plasterwork in the Great House from the Tudors to the Restoration, demonstrates its importance in the evolution of such…[Read more]

This dissertation ‘Inns and Innkeeping in North Hertfordshire: 1660-1815’ addresses the lack of a localised study on this building type and supplements the wider body of work that has been undertaken, on inn form, function and innkeeping lifestyles in other regions of England during the long eighteenth century.

Catalog essay for “Brotherville,” photographic exhibition by Farah Al Qasimi

Review of “René d’Harnoncourt and the Art of Installation” By Michelle Elligott. New York: The Museum of Modern Art, 2018. 176 pp. Hardcover. $45.00. ISBN 978-1-63345-050-9.

Illustration of various features in the arrangement of Linear B tablets in the photo plates of Scripta Minoa II, and a proposed rationale in terms of underlying art.

This report describes for the first time the surviving (upper) portions of three 26th-Dynasty shabtis made for Wedjat-Hor, son of Ashsedjemes. Shabtis A and C are clearly from the same mould and inscribed by the same scribe; shabti B is the product of a different mould and scribe. Some orthographic idiosyncrasies are shared, whereas others are…[Read more]

Section 1 of this paper describes a pottery shabti of the Third Intermediate Period and recounts the early stages of the project to understand the name of its owner. Sections 2-7 describe the outcome of the analysis. This covers both the name itself (its variants, orthographies and possible meanings) and a survey of those individuals who bore it…[Read more]

The relationship between the ‘Two Brothers’ Nakhtankh and Khnumnakht has been heavily debated since the discovery of their mummies in 1907. Re-examining the coffin inscriptions of these two individuals reveals that Nakhtankh and Khnumnakht were likely uncle and nephew.

A brief technical re-examination of a paper by George Mann on the Qau skeletons in the Duckworth collection is undertaken. Taking into account the original data and technical aspects of skeletal sexing, it is shown that old data on skeletal sexing may not always be as unreliable as previously thought. Factors that may introduce errors into this…[Read more]

The Fernández Rivero Collection of old photography is a collection of original photographic objects of more than 45,000 pieces of different types. The CFRivero has been formed with a historicist approach so that it could cover museum and teaching purposes. About two thirds of his pieces are from the 19th century, of which most could be described…[Read more]

The brothers Fernando and Edgardo Debas arrived in Madrid in 1872, coming from France, and soon became the main court photographers of Alfonso XII, above Laurent, who was then in full swing of his activity. The article reveals the keys to this situation as well as the details of his previous activities in France, the circumstances of his arrival…[Read more]

At the beginning are described first reports made in Spain on major exhibitions, since the great exhibition of London in 1851. Below is a brief review about the photographers Laurent, Debás and Esperon, who were the authors of the photo album made in 1877 about the «Exposición Vinícola» in Madrid. Finally, the article focuses on the desc…[Read more]

The motif in the centre of the Egyptian Middle Kingdom Tale of the Shipwrecked Sailor (ca. 2000-1900 BCE) concerns a star that fell to earth and caused the extinction of a population of giant serpents on an enchanted island, whose location is traditionally ascribed to the Red Sea. These creatures could apparently breathe fire, but they themselves…[Read more]

Ancient pseudo-histories may contain kernels of geographic truth. In the Sumerian King List (SKL) the long and south-focused antediluvian era may reflect a combination of the Ubaid and Uruk periods, while the initial post-Flood period, which was short and ruled from the north, may reflect the Jemdet Nasr phase. The SKL’s subsequent return of k…[Read more]

This commentary takes advantage of the provenance established by Hoffman, et al.2018 to explore exclusionary symbol sets in Art, Astrology, and Myth within La Pasiega Gallery C in Spain. Using the One Godz paradigm plus the added parameter of U-TH dating this commentary ascribes meaning to two proximate rock art panels, one homo sapien and the…[Read more]

It is suggested that the progressive and destructive aridification during the Old Kingdom was recognised by ancient Egyptians as a sun-driven phenomenon, and that this awareness may have contributed to the rise of the solar cult in the 5th Dynasty.