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Maximilian Kaiser deposited Künstlerbiographien und historische Netzwerkforschung: Anwendungsbeispiele aus dem Bereich der digitalen Kunstgeschichte in the group
Digital Art History on Humanities Commons 5 years, 2 months agobook chapter about artists’ biographies and networks
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Ostap Kushnir deposited Ukraine and Russian Neo-Imperialism: The Divergent Break in the group
Soviet and Russian history and culture on Humanities Commons 5 years, 3 months agoThis book first proves that the rationale behind Russia’s aggressive actions in its neighborhood resides in its goal of achieving certain geostrategic objectives which are largely predefined by the state’s imperial traditions, memories, and fears that the Kremlin may irretrievably lose control over lands which were once Russian. In other words,…[Read more]
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Ostap Kushnir deposited The Intermarium as the Polish-Ukrainian Linchpin of Baltic-Black Sea Cooperation in the group
Soviet and Russian history and culture on Humanities Commons 5 years, 3 months agoThe term “Intermarium” has a long historical tradition and was commonly used to define the area between the Baltic and Black Seas. With its regular re-appearances in contemporary academic and political discourses, this book explores and assesses a variety of its connotations. In order to do this, it applies a multi-dimensional approach to the Int…[Read more]
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Edmundo Murray deposited The Diplomacy of Art: Irish, Spanish and Latin American Artwork in a Historic Building of Geneva in the group
History of Art on Humanities Commons 5 years, 3 months agoThis article focuses on the works of art offered by Irish, Spanish, Brazilian and other governments and institutions to embellish the Centre William Rappard since 1926 to date. The Centre William Rappard is the first building in Geneva designed to house an international organization. It was built for the International Labour Office, and…[Read more]
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Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 1 in the group
History of Art on Humanities Commons 5 years, 3 months agoArt Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of…[Read more]
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Alicia Mihalic deposited Review of Barbara Burman and Ariane Fennetaux, The Pocket: A Hidden History of Women’s Lives, 1660-1900 in the group
History of Art on Humanities Commons 5 years, 3 months agoBarbara Burman and Ariane Fennetaux, The Pocket: A Hidden History of Women’s Lives, 1660-1900, Yale University Press, London, England, 2020, Appendix: Pockets in the Old Bailey, Notes, Archives, Bibliography, Index, Picture Credits, 161 Colour Illustrations, 264 pages, Softback, £19.99.
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Christopher Joseph Helali deposited No Pasaran! An Interview on the History and Politics of Anti-fascism with Mark Bray in the group
Soviet and Russian history and culture on Humanities Commons 5 years, 3 months agoMark Bray is a historian of human rights, terrorism, and political radicalism in Modern Europe as well as a political organizer. This interview outlines what fascism is, the history of anti-fascist resistance, the debate surrounding free-speech, anti-imperialism, World War II, and the Trump Era.
Mark Bray is a political organizer and historian…[Read more]
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Ivan Sablin deposited Russia in the Global Parliamentary Moment, 1905–1918: Between a Subaltern Empire and an Empire of Subalterns (Locating the Global: Spaces, Networks and Interactions from the Seventeenth to the Twentieth Century, ed. by Holger Weiss. Berlin: De Gruyter Oldenbourg, 2020, pp. 257–282) in the group
Soviet and Russian history and culture on Humanities Commons 5 years, 3 months agoThe chapter analyzed the debates on parliamentarism in the late Russian Empire and revolutionary Russia and explored how the idea of parliament helped intellectuals locate Russia globally. The establishment of the legislative State Duma and the adoption of the Fundamental Laws of the Russian Empire during the Revolution of 1905–1907 seemed to m…[Read more]
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Ivan Sablin deposited Parliamentary Formations and Diversities in (Post-)Imperial Eurasia, ed. by Ivan Sablin (Journal of Eurasian Studies, vol. 11, nos. 1 and 2, 2020, Special Issue) in the group
Soviet and Russian history and culture on Humanities Commons 5 years, 3 months agoAddressing the entangled histories of deliberative decision making, political representation, and constitutionalism in several geographic and temporal contexts, this Special Issue offers nuanced political and intellectual histories and anthropologies of parliamentarism in Eurasia. It explores parliaments and quasi-parliamentary formations and the…[Read more]
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Ben Newbound deposited A ring from Pylos in the group
History of Art on Humanities Commons 5 years, 3 months agoA three-page paper on the artistry of a bronze age ring whose discovery was reported in 2019.
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Flavia De Nicola started the topic CFPs in the discussion
Applied and decorative arts (1400-1700) on Humanities Commons 5 years, 5 months agoCFP: “Redefining the British Decorative ArtsCall for Papers”
Until 15 September 2020
The open access journal British Art Studies invites proposals for articles on the British decorative arts for its forthcoming September 2021 issue. What roles have objects, which have long been deemed as ‘superfluous’, played in shaping and negotiating our p…[Read more]
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Florian Windhager deposited Reassembling Elephants: A Multi-Spatiotemporal Visualization Method for History and Humanities Data in the group
Digital Art History on Humanities Commons 5 years, 6 months agoWhen engaging in the visual analysis and communication of cultural collections and other types of complex historical data, scholarly or public audiences rarely get to see their multidimensional richness. Commonly, visualization tools require analysts to selectively ‘cut’ into the complexity of the data to highlight and project particular asp…[Read more]
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Vladimir Kozlov deposited Sedition. Everyday Resistance in the Soviet Union under Khrushchev and Brezhnev in the group
Soviet and Russian history and culture on Humanities Commons 5 years, 6 months agoSedition Everyday Resistance in the Soviet Union under Khrushchev and Brezhnev Edited by Vladimir A. Kozlov, Sheila Fitzpatrick, and Sergei V. Mironenko Compiled by V. A. Kozlov and O. V. Edelman with assistance from E. Yu. Zavadskaia English edition edited and introduced by Sheila Fitzpatrick Translated by Olga Livshin English edition annotated…[Read more]
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Cristelle Baskins started the topic CFP — IAS sponsored session at RSA Dublin 2021 in the discussion
Art History on Humanities Commons 5 years, 7 months agoPainted Faces: Documenting the Tradition and Reach of the Renaissance Frescoed Façade in Rome and Beyond In early sixteenth-century Rome, as the architectural language of grand domestic spaces was being further refined, elaborate façade fresco decorations came into incredible popularity. These cycles, some of which were designed to root the st…[Read more]
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Birk Weiberg deposited Modeling Performing Arts: On the Representations of Agency in the group
Digital Art History on Humanities Commons 5 years, 7 months agoThe documentation of performing arts by means of databases is a challenging task for several reasons. Primarily, this has to do with the absence of a central, sizeable object that can be described and quantified. Any information collected in a database for performing arts thus seems to be of second order, paraphrasing what cannot be reproduced.…[Read more]
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Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s “October” in the group
Soviet and Russian history and culture on Humanities Commons 5 years, 7 months agoThis essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]
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Edmundo Murray deposited Centre William Rappard: Home of the World Trade Organization, Geneva in the group
History of Art on Humanities Commons 5 years, 7 months agoThe first building in Geneva designed to house an international organization, the Centre William Rappard has played host to the International Labour Office since it first opened its doors in 1926, and later to the General Agreement of Tariffs and Trade secretariat and to the World Trade Organization. “Centre William Rappard: Home of the World…[Read more]
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Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group
History of Art on Humanities Commons 5 years, 7 months agoHarun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]
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Jasmine Burns deposited Images as Research Data and the Role of the Information Professional in the group
Digital Art History on Humanities Commons 5 years, 8 months agoThe goal of this paper is twofold: first to define “research data” in a humanities context through a discussion of the ways in which humanities researchers create and aggregate image collections, and second to address the processes by which academic libraries and information professionals can play an active role in supporting the treatment and per…[Read more]
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Annika McQueen deposited What part did decorative plasterwork play in the transformation of the Great House before 1660? in the group
History of Art on Humanities Commons 5 years, 9 months agoThis essay argues that the changes that occurred in the form, function, material and internal decorative schemes of the Great House before 1660 was less of a transformation and more of a slow evolution. The popularity of plasterwork in the Great House from the Tudors to the Restoration, demonstrates its importance in the evolution of such…[Read more]
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