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Philipp Casula deposited Justificaciones populistas de la guerra? La intervención rusa en el este de Ucrania in the group
Soviet and Russian history and culture on Humanities Commons 7 years, 4 months agoIn the context of the war between Ukraine and Russia in the Donbass and the earlier crisis over Crimea, this paper examines four speeches by Vladimir Putin to identify and map populist elements in his discursive and formal strategies of justifying and creating a specific form of conflict. The analysis shows how this populism goes beyond the…[Read more]
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Koca Mehmet Kentel deposited Caricaturizing “Cosmopolitan” Pera: Play, Critique, and Absence in Yusuf Franko’s Caricatures, 1884–1896 in the group
History of Art on Humanities Commons 7 years, 4 months agoThis article explores a unique series of caricatures made between 1884 and 1896 by Yusuf Franko Kusa, a high-ranking Ottoman bureaucrat and a vener- ated member of n-de-siècle Pera’s high society. Yusuf Franko’s hitherto unstudied caricatures were comparable to contemporary European caricatures in style, but their subject matter was very loca…[Read more]
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Ben Newbound deposited The Problem with Linear B in the group
History of Art on Humanities Commons 7 years, 4 months agoThe book demonstrates the invalidity of existing assumptions about the administrative nature of Linear B (“Mycenaean Greek”) and related objects, proposes an alternative revolving around cult art, and explores similar evidence relating to scripts and art from the same and other regions and periods.
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Alicia Mihalic deposited Pictorialism and Sartorial Symbolism: A Poetic Response to Modernity at the Turn of the Twentieth Century in the group
History of Art on Humanities Commons 7 years, 5 months agoWith its focus on the achievement of painterly effects in photography , the international Pictorialist movement sought to employ various techniques and aesthetic approaches in order to capture images of landscapes and delicate feminine beauty within perfectly composed atmospheric settings. Facing the turn of the twentieth century, a time when the…[Read more]
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Thomas Dreher deposited History of Computer Art in the group
History of Art on Humanities Commons 7 years, 5 months agoThe development of the use of computers and software in art from the Fifties to the present is explained. As general aspects of the history of computer art an interface model and three dominant modes to use computational processes (generative, modular, hypertextual) are presented. The “History of Computer Art” features examples of early…[Read more]
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Thomas Dreher deposited Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976 in the group
History of Art on Humanities Commons 7 years, 5 months agoThe core of the Conceptual artists (Mel Bochner, Sol LeWitt; the Siegelaub group with Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner; English and American members of Art & Language) is situated in the art context of the late sixties and the first half of the seventies. The self-positioning of the Conceptual artists within the art…[Read more]
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Thomas Dreher deposited Performance Art nach 1945. Intermedia und Aktionstheater. in the group
History of Art on Humanities Commons 7 years, 5 months agoThe outline of the development of Performance Art features happenings in New York and Vienna in the sixties as well as body art and performances with closed circuits in the seventies (among others). Action Art, Environmental Theater and Intermedia are the terms defining the main characteristics of the works discussed. The research method is mainly…[Read more]
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Maximilian Kaiser deposited Was uns Biographien über Künstlernetzwerke sagen in the group
Digital Art History on Humanities Commons 7 years, 5 months agoArticle from the proceedings of the conference “Europa baut auf Biographien”
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Maximilian Kaiser deposited The Biographical Formula: Types and Dimensions of Biographical Networks in the group
Digital Art History on Humanities Commons 7 years, 5 months agoBehind every printed national biography is a board of editors responsible for finding established scholars to write the biographies. The personal and institutional networks, the scientific and ideological socialization of these authors have a significant influence on the biographical constructs and narratives they have designed, and thus also…[Read more]
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Barbara Allen deposited “А.Г. Шляпников и НКВД в 1930-х годах.” [“A.G. Shliapnikov and the NKVD in the 1930s”]. in the group
Soviet and Russian history and culture on Humanities Commons 7 years, 5 months agoА.Г. Шляпникова арестовали ночью 1-2 января 1935 года и обвиняли в том что он «являлся одним из руководителей контрреволюционной организации рабочей оппозиции.» Он не признавал себя виновным и не обвинял других.
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Max Marmor started the topic CFP for CAA NYC 2019 in the discussion
Art History on Humanities Commons 7 years, 7 months agoAnnual CAA Conference 2019
Hilton Midtown, New York, February 13 – 16, 2019
Deadline: 6 August 2018Currently seeking papers for a session exploring the potential of historic libraries – whether intended explicitly for the study of art or not – to deepen and broaden our understanding of art historiography and its relationship to social, inte…[Read more]
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Anika Walke deposited Split Memory: The Geography of Holocaust Memory and Amnesia in Belarus in the group
Soviet and Russian history and culture on Humanities Commons 7 years, 8 months agoThe remote location of Beshankovichy’s mass grave for Jewish victims of the Nazi genocide reflects the exclusion of local Jews during the German occupation of Soviet territories and limits their memory to a few knowledgeable survivors and witnesses. In contrast, local commemorative practices focus on memorials for Soviet soldiers, partisans, and…[Read more]
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Anika Walke deposited ANIKA WALKE: Pioneers and Partisans – An Oral History of Nazi Genocide in Belorussia in the group
Soviet and Russian history and culture on Humanities Commons 7 years, 8 months agoHow did Soviet Jews respond to the Holocaust and the devastating transformations that accompanied persecution? How was the Holocaust experienced, survived, and remembered by Jewish youth living in Soviet territory? Anika Walke, Assistant Professor of History at Washington University in St. Louis, examines these important questions in Pioneers and…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group
History of Art on Humanities Commons 7 years, 8 months agoFrom 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group
Digital Art History on Humanities Commons 7 years, 8 months agoFrom 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Thorsten Wuebbena deposited Sandrart.net – Eine Online-Edition eines Textes des 17. Jahrhunderts in the group
History of Art on Humanities Commons 7 years, 8 months agoThe following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]
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Thorsten Wuebbena deposited Sandrart.net – Eine Online-Edition eines Textes des 17. Jahrhunderts in the group
Digital Art History on Humanities Commons 7 years, 8 months agoThe following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]
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Lukas Fuchsgruber deposited Virtualität und Ökonomie Ästhetische Potentiale der vernetzten Hypergraphik in the group
History of Art on Humanities Commons 7 years, 8 months agoDrei digitale Kunstprojekte aus den Jahren 2015 und 2016 werden in diesem Text vorgestellt und verglichen, Game Over Facebook, WrongGrid und Curating Money. Ihnen ist gemeinsam, dass sie in Konfrontation zu ihrem jeweiligen technischen und ästhetischem Kontext stehen, beispielsweise zu den digitalen Plattformen, auf denen sie gespeichert sind,…[Read more]
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Lukas Fuchsgruber deposited Neue, neuere, neueste Kunstgeschichte? Wie die Wissenschaft versucht, den Kunsthandel zu „erobern“ in the group
History of Art on Humanities Commons 7 years, 8 months agoAm 11.10.2014 erschien im Feuilleton der Frankfurter Allgemeinen Zeitung ein Artikel von Gina Thomas über die derzeitige Intensivierung der wissenschaftlichen Arbeit zum Kunstmarkt. Der Titel lautete: Wie der Kunsthandel die Wissenschaft erobert. Auf diese Bestimmung eines Verhältnisses und die gebrachten Beispiele soll hier reagiert werden.
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Sonia Silva deposited Along an African Border: Angolan Refugees and Their Divination Baskets in the group
History of Art on Humanities Commons 7 years, 8 months agoIn Along an African Border, anthropologist Sónia Silva examines how the Angolan refugees living in Zambia during the Angolan civil war used their divination baskets to cope with daily life in a new land. To many people, these baskets are capable of thinking, hearing, judging, and responding. They communicate by means of small articles drawn in…[Read more]
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