The present study, carefully edited, already announces in its title a very precise description of its subject. It is preceded by another, published in 2012 (La música en la Colegiata de Santa María la Mayor de Talavera de la Reina durante el siglo XVIII), in which the same author revealed the existence, until then little or not known, of an i…[Read more]

Introductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII.

Introductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII.

Analysis of the participation of the Orquesta Sinfónica de Madrid in the commemorative events of the first centenary of Beethoven’s death (1927)

Before arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]

Before arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]

Though English supporters of the Oxford theologian John Wycliffe (d.1384)—known as “Lollards”—had been drawn from academic and noble/gentry circles during the later-fourteenth and early-fifteenth centuries, persecution, equation of heresy with sedition, and the failure of Sir John Oldcastle’s Rebellion (1414) ensured overt abandonment of Lollard i…[Read more]

This article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.

This article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.

Duchess Anna Amalia (1739-1807) was a central figure in the duchies of Weimar and Eisenach for over fifty years – as wife of the reigning duke, then as custodial regent and finally as mother of the reigning duke. The article comes to the conclusion that the duchess could barely affect the emergence of the configuration that has been referred to in…[Read more]

The article examines regulations for »order« at the princely courts in the Holy Roman Empire in the 16th century and asks how these prescriptive documents sought to establish “good order” at court. Special attention is paid to the theological justifications of order as well as the confessionality and the confessional character of court orders. T…[Read more]

हिंदी कथाकार राजकुमार राकेश और प्रमोद रंजन की यह लंबी बातचीत शिमला में जनवरी, 2003 में हुई थी, जिसे पटना से जाबिर हुसेन के संपादन में प्रकाशित पत्रिका दोआबा ने जून, 2007 अंक में प्रकाशित किया था। उसी वर्ष इसे इसे पटना के मंडल विचार प्रकाशन ने एक पुस्तिका के रूप में भी प्रकाशित किया था। इस बातचीत में जादूई यथार्थवाद, मार्क्सवाद, दलित व…[Read more]