The author does justice to a subject often mentioned, yet rarely studied. He succeeds in its purpose, i.e., providing “as genuine a picture as possible of the censorship of literature after the 1979 Revolution” followed by discussing “the effects of this unique censorship regime on the Iranian literature of the time” (9). Drawing from his experie…[Read more]

Through the case of Emerson’s appropriation of Persian poetry this volume provides a thought-provoking example of how the literary founding father of a nation is cosmopolitan and receptive of foreign cultures in what might seem a purely “nationalistic” agenda. It will appeal to those in the field of Persian literature, comparative liter…[Read more]

Young Michelangelo Buonarroti’s experience was deeply marked by his cult of Antiquity, reverberated in the creation of artworks such as the Sleeping Cupid and the Bacchus and shared with Raffaele Riario and Jacopo Galli, his patrons during his first stay in Rome (1496-1501).
The cardinal-camerlengo Raffaele Riario was an important promoter of t…[Read more]

The peculiar iconography of the winged horse surmounted by several puttos, as appears in the Hypnerotomachia Poliphili sixth woodcut, turns out to be unprecedented and enigmatic at a glance and it’s the result of the depth and complexity of the author’s concepts.
Considering the iconographic details of the sculptural group as well as the text sca…[Read more]