This is Christian digital poem which is written in French and English to present Jesus Christ above Croesus and Zeus.

Cyberpoetry for activism is a collection of two digital poems: Arise Africa! and Letter to the United Nations. The later was published in this Core repository before the official publication date . The poems communicate justice and encouragement.

Homosalus is a digital poem that suscitate the culture of saving humanity. It is written in French and English to foster a philosophy of people first before me.

Homosalus est un poème numérique qui suscite la culture de sauver notre humanité. Il est écrit en anglais et français afin de projecter une philosophie de considérer d’autrui d’abord.

Momenta is a digital poem for Africans. It is written in two languages-French and English. The poem aims at bringing hope in the continent.

Momenta est un poème numérique pour les Africains. Il est rédigé en deux langues-anglais et français. Le poème excite l’esproir.

The articles in this Special Collection engage directly with the realities of water as they simultaneously explore its intellectual potential in various genres of medieval writing, from crusade chronicles to medieval romance. In this way they shed new light not only on the literature and history they explore but also on medieval conceptions of…[Read more]

This short article offers a perspective on the social organization of repair and re-use of public infrastructures in the UK today by focusing on an former public library now transferred to a social enterprise which also hosts a repair centre for the processing of used household goods.

The prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868. The p…[Read more]

The British State has been terraformed over recent decades through the changing spatio-temporal dynamics of capital accumulation in the world-system entailed in financialisation, neoliberalsiation, and the emergence of global cities. A new post-industrial constellation of political domination has thus emerged in that state that requires urgent…[Read more]

This paper explores how everyday religious narratives in post-disaster contexts can be interpreted as key sites of agency articulated in resistance to dominant discourses of disaster relief. Drawing on ethnographic fieldwork among affected communities after the 2010 floods in Pakistan, we argue that religious discourses code everyday actions with…[Read more]

An interpretation of the Red Mammoth Panel in Chauvet linking Chauvet to Lascaux in a single ritual landscape

In many US cities, especially those in the Rust Belt, the environmental goods and services (EGS) industry has played a significant role in restructuring local economies to promote new, flexible, and “creative” forms of service-based labour. And yet much of the environmental work conducted in these cities has been directed at an industrial pas…[Read more]

The Index of Deities and Demons is the heart of One Godz. This Index presents almost all Deities and Demons represented on the cave walls of Chauvet and Lascaux along with their defining Basis Points drawn from Hesiod and the Homeric Hymns. This chapter demonstrates the actual process of attaching meaning to symbolism while mediating subjectivity.

This Primer provides a methodology for mitigating subjectivity when attaching meaning to preholocene rock art. It provides an introduction to basic syntax, grammar, and some vocabulary. It identifies four non-verbal languages of the Upper Paleo.

This is the five image hypothesis for the thesis One Godz which follows.

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The coffered ceiling of Nossa Senhora dos Réis de Lamalonga church is one of the largest and most important nucleus of painting in the northeastern region of Portugal. Given the ambitious programme of interceding saints it appears that the work was largelly triggered by the human tragedy in Lisbon earthquake of 1 November 1755. Joaquim Manuel da…[Read more]

The different sensations resulted from Vieira Lusitano garnish and ungarnish drawings observation, registered in a few museums in our country, led us to consider other reasons beyond the painter intentions to promote this creative step in art itself. Painters ennoblement was more dependent in social origins rather in artistic merits, besides they…[Read more]

First known and signed work of Francisco Xavier Lobo, translator, playwright, poet and painter from Lisbon during the eighteenth century for the collegial-church of Espírito Santo (Castelo de Vide), heavily marked by decency concerns as response to a progressively more sensual painting.

Efforts had been made to portrait Francisco Pérez Bayer in his visit to Portugal in 1782, but with a «shadowing memory» result as we seen today at Évora Museum reserves and originally from D. Frei Manuel do Cenáculo’s pinacotheca. Portraits of edifying figures of society had been included in his collection reinforcing the position of this genr…[Read more]

The United Nations cited the 2010 monsoon floods in Pakistan as the largest
humanitarian crisis in living memory. The environmental catastrophe effected
twenty million people and highlighted the complicated relationship between nature
and society. The lives of extremely vulnerable groups such as subsistence farmers
and unskilled labourers were…[Read more]