Michael W. Pesses
,@mpesses
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Carl Gelderloos deposited Learning to See: Art & Media in Weimar Germany | Fall 2018 in the group
MS Visual Culture on MLA Commons 6 years, 7 months agoA syllabus for an undergraduate course, taught in English, on the visual culture (primarily film, photography, and aesthetic theory) of the Weimar Republic. The course is housed in German Studies and crosslisted with Art History, Cinema, and other departments.
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Carl Gelderloos deposited Learning to See: Art & Media in Weimar Germany | Fall 2018 in the group
LLC 19th- and Early-20th-Century German on MLA Commons 6 years, 7 months agoA syllabus for an undergraduate course, taught in English, on the visual culture (primarily film, photography, and aesthetic theory) of the Weimar Republic. The course is housed in German Studies and crosslisted with Art History, Cinema, and other departments.
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Carl Gelderloos deposited Learning to See: Art & Media in Weimar Germany | Fall 2018 in the group
History of Art on Humanities Commons 6 years, 7 months agoA syllabus for an undergraduate course, taught in English, on the visual culture (primarily film, photography, and aesthetic theory) of the Weimar Republic. The course is housed in German Studies and crosslisted with Art History, Cinema, and other departments.
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Carl Gelderloos deposited Learning to See: Art & Media in Weimar Germany | Fall 2018 in the group
German Literature and Culture on Humanities Commons 6 years, 7 months agoA syllabus for an undergraduate course, taught in English, on the visual culture (primarily film, photography, and aesthetic theory) of the Weimar Republic. The course is housed in German Studies and crosslisted with Art History, Cinema, and other departments.
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Carl Gelderloos deposited Learning to See: Art & Media in Weimar Germany | Fall 2018 in the group
Education and Pedagogy on Humanities Commons 6 years, 7 months agoA syllabus for an undergraduate course, taught in English, on the visual culture (primarily film, photography, and aesthetic theory) of the Weimar Republic. The course is housed in German Studies and crosslisted with Art History, Cinema, and other departments.
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Carl Gelderloos deposited Learning to See: Art & Media in Weimar Germany | Fall 2018 on Humanities Commons 6 years, 7 months ago
A syllabus for an undergraduate course, taught in English, on the visual culture (primarily film, photography, and aesthetic theory) of the Weimar Republic. The course is housed in German Studies and crosslisted with Art History, Cinema, and other departments.
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Derek Johnston's profile was updated on Humanities Commons 6 years, 8 months ago
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Imogen Wegman deposited The road to here: rivers were the highways of Australia’s colonial history on Humanities Commons 6 years, 9 months ago
On November 2, 1816, Charles Repeat, “a poor old man”, was driving his master’s cart along the short route between Hobart and New Town in Van Diemen’s Land (Tasmania). He accidentally drove over a small tree stump, and was thrown from the cart and killed immediately.
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In our first blog post of the year, Dr Imogen Wegman provides a guide to tour guiding. Imogen, who recently completed her PhD in History at the University of Tasmania, talks about the joys and frustrations of leading tour groups, explains how it can improve your skills as a scholar and communicator, and shares some selections from her collection…[Read more]
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Derek Johnston deposited Exploring Television Seasonality in the group
Television Studies on Humanities Commons 6 years, 9 months agoThis paper will consider the continued significance of television seasonality, even in the era of on-demand and timeshifting. It will draw upon my own research into seasonality and genre, as well as the research of other academics, including that from the special issue of the Journal of Popular Television and the subsequent dossier on Christmas…[Read more]
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Derek Johnston deposited Exploring Television Seasonality in the group
Cultural Studies on Humanities Commons 6 years, 9 months agoThis paper will consider the continued significance of television seasonality, even in the era of on-demand and timeshifting. It will draw upon my own research into seasonality and genre, as well as the research of other academics, including that from the special issue of the Journal of Popular Television and the subsequent dossier on Christmas…[Read more]
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Derek Johnston deposited The Sublime Horror of the English Countryside in the group
Television Studies on Humanities Commons 6 years, 9 months agoThis paper will explore the use of the English landscape as a source of sublime horror, particularly through a shift in perception from idyllic to ominous. Where Peter Hutchings has indicated the importance of the ‘uncanny landscape’ as a fairly stable location for wrestling with modernity, this chapter will investigate those moments of slippage…[Read more]
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Derek Johnston deposited The Sublime Horror of the English Countryside in the group
Horror on Humanities Commons 6 years, 9 months agoThis paper will explore the use of the English landscape as a source of sublime horror, particularly through a shift in perception from idyllic to ominous. Where Peter Hutchings has indicated the importance of the ‘uncanny landscape’ as a fairly stable location for wrestling with modernity, this chapter will investigate those moments of slippage…[Read more]
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Derek Johnston deposited The Sublime Horror of the English Countryside in the group
Film Studies on Humanities Commons 6 years, 9 months agoThis paper will explore the use of the English landscape as a source of sublime horror, particularly through a shift in perception from idyllic to ominous. Where Peter Hutchings has indicated the importance of the ‘uncanny landscape’ as a fairly stable location for wrestling with modernity, this chapter will investigate those moments of slippage…[Read more]
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Derek Johnston deposited The Sublime Horror of the English Countryside in the group
Cultural Studies on Humanities Commons 6 years, 9 months agoThis paper will explore the use of the English landscape as a source of sublime horror, particularly through a shift in perception from idyllic to ominous. Where Peter Hutchings has indicated the importance of the ‘uncanny landscape’ as a fairly stable location for wrestling with modernity, this chapter will investigate those moments of slippage…[Read more]
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Derek Johnston deposited Exploring Television Seasonality on Humanities Commons 6 years, 9 months ago
This paper will consider the continued significance of television seasonality, even in the era of on-demand and timeshifting. It will draw upon my own research into seasonality and genre, as well as the research of other academics, including that from the special issue of the Journal of Popular Television and the subsequent dossier on Christmas…[Read more]
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Derek Johnston deposited The Sublime Horror of the English Countryside on Humanities Commons 6 years, 9 months ago
This paper will explore the use of the English landscape as a source of sublime horror, particularly through a shift in perception from idyllic to ominous. Where Peter Hutchings has indicated the importance of the ‘uncanny landscape’ as a fairly stable location for wrestling with modernity, this chapter will investigate those moments of slippage…[Read more]
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Jason W. Moore deposited Confronting the Popular Anthropocene: Toward an Ecology of Hope in the group
World-Ecology Research Network on Humanities Commons 6 years, 9 months agoThis essay engages the Popular Anthropocene and offers an alternative to its “Man” and “Nature” perspective: the Capitalocene.
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Jason W. Moore deposited Confronting the Popular Anthropocene: Toward an Ecology of Hope on Humanities Commons 6 years, 10 months ago
This essay engages the Popular Anthropocene and offers an alternative to its “Man” and “Nature” perspective: the Capitalocene.
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Jason W. Moore's profile was updated on Humanities Commons 6 years, 10 months ago
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