Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

A review of the “Season of Love” Tri-Partite Exhibition at the Tampa Museum of Art featuring the work of Patricia Cronin, Yayoi Kusama, and Robert Indiana.

‘Dharma’ (Rightousness)1 sometimes takes the shape of ‘Adharma’ (unrighteousness ).”2 The Mahābhārata gives a subtle message through the stories. Sage Viśhwamitra justifies stealing of a piece of dog’s flesh to save his life during famine. (Śāntiparvan). Blind adherence of the sage Kauśika to his vow of speaking truth led to the killing of the vi…[Read more]

‘Dharma’ (Rightousness)1 sometimes takes the shape of ‘Adharma’ (unrighteousness ).”2 The Mahābhārata gives a subtle message through the stories. Sage Viśhwamitra justifies stealing of a piece of dog’s flesh to save his life during famine. (Śāntiparvan). Blind adherence of the sage Kauśika to his vow of speaking truth led to the killing of the vi…[Read more]

While male illustrators including Alberto Vargas (1896–1982), George Petty (1894–1975), and Gil Elvgren (1914–1980) are synonymous with the field of early-twentieth-century pin-up art, there were in fact several women who also succeeded in the genre. Pearl Frush (1907–1986), Zoë Mozert (1907–1993), and Joyce Ballantyne (1918–2006) each establi…[Read more]

While male illustrators including Alberto Vargas (1896–1982), George Petty (1894–1975), and Gil Elvgren (1914–1980) are synonymous with the field of early-twentieth-century pin-up art, there were in fact several women who also succeeded in the genre. Pearl Frush (1907–1986), Zoë Mozert (1907–1993), and Joyce Ballantyne (1918–2006) each establi…[Read more]

In response to the four commentaries on ‘Cyborg uterine geography’, in which I argued normatively for reorganizing gestation on the basis of comradeliness, I grapple with three overlapping conceptual areas highlighted: the ethical and political affordances of the term ‘generosity’ in relation to care and pregnancy; the methodological questio…[Read more]

Recent forms of realism in continental philosophy that are habitually subsumed under the category of “speculative realism,” a denomination referring to rather heterogeneous strands of philosophy, bringing together object-oriented ontology (OOO), non-standard philosophy (or non-philosophy), the speculative realist ideas of Quentin Meillassoux and…[Read more]

Christina McPhee’s ‘commonplace book’ draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art — all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video i…[Read more]

The work of L.O. Aranye Fradenburg, especially her psychoanalytic criticism of Chaucer, and her formulations of discontinuist historical approaches to the Middle Ages, has been extremely influential within medieval studies for several decades. More recently she has been focusing on more broad defenses of the humanities, especially with regard to…[Read more]

Part of a panel discussion in the Use and Influence of the New Testament seminar

The aim of this course is to explore the cultural constructions of gender and sexuality in the literature of Medieval and Renaissance Southern Europe. We will approach questions such as the status of women and the context of misogyny, the societal role of same-sex relations, the presentation and visualization of sexuality, desire and the body. We…[Read more]

In this essay, I discuss salient themes of The Child to Come: Life After the Human Catastrophe (University of Minnesota Press, 2016). I hold that The Child To Come’s main thrust is this: ‘The issue is not that there is no future but rather that there is no sure way of orienting toward that future, either to save it or to survive it’. The chall…[Read more]

Anhand der Science-Fiction Animes “Captain Future”, “Saber Rider and the Star Sheriffs” und “Cowboy Bebop” wird eine bestimmtes Narrativ innerhalb des Genres des Science-Fiction Anime stichprobenartig über drei Jahrzehnte hinweg betrachtet und die vorzufindenden Geschlechterkonstruktionen beleuchtet: Jede dieser Erzählungen handelt von den A…[Read more]

The tension between feminism and national liberation is a commonplace of political mobilization across the postcolonial world. This essay traces how postcolonial nationalist and transnational feminist agendas were brought into conflict during the defense of a thesis on the novels of the Syrian writer Ghada al-Samman (b. 1942) that took place in…[Read more]

This dissertation examines the idea of ethical revaluation — taking things we normally see as good for our flourishing and seeing them as neutral or bad, and vice versa — in the Mahāyāna Buddhist thinker Śāntideva. It shows how Śāntideva’s thought on the matter is more coherent than it might otherwise appear, first by examining the consistency…[Read more]