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Kathleen DeLaurenti started the topic Help with assignment design in the discussion
Music on Humanities Commons 7 years, 5 months agoHi all –
I’m co-teaching a music seminar/bibliography hybrid course this semester and I’m looking for some ideas about how to improve an assignment.
We want to work with the students to create a new anthology of composers underrepresented in the canon because of gender identity or sexual orientation. We’d like students to work on chapters…[Read more]
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Tom Bickley deposited “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff’s Remarks in the group
Music and Sound on Humanities Commons 7 years, 7 months agoMany music librarians participate in professional and amateur music making. We face similar performance practice/interpretive issues as do our music library users. This panel discussion focuses on application of the ACRL Framework for Information Literacy to performance practice in experimental music. Four music librarians with significant…[Read more]
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Tom Bickley deposited “SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides in the group
Music and Sound on Humanities Commons 7 years, 7 months agoMany music librarians participate in professional and amateur music making. We face similar performance practice/interpretive issues as do our music library users. This panel discussion focuses on application of the ACRL Framework for Information Literacy to performance practice in experimental music. Four music librarians with significant…[Read more]
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Tom Bickley deposited “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes’ Remarks in the group
Music and Sound on Humanities Commons 7 years, 7 months agoMany music librarians participate in professional and amateur music making. We face similar performance practice/interpretive issues as do our music library users. This panel discussion focuses on application of the ACRL Framework for Information Literacy to performance practice in experimental music. Four music librarians with significant…[Read more]
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Marco Heiles deposited ‚Der Sinn der höchsten Meister von Paris‘ mit ‚Sendbrief-Aderlassanhang‘ Transkription aus Hamburg, Staats- und Universitätsbibliothek, Cod. germ. 1 in the group
German Literature and Culture on Humanities Commons 7 years, 7 months agoTranscription of a tract on the plague from a German manuscript from ca 1463, Hamburg, Staats- und Universitätsbibliothek, Cod. germ. 1, fol. 51ra-rb.
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Patrick Eisenlohr deposited Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World in the group
Music and Sound on Humanities Commons 7 years, 7 months agoSounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site…[Read more]
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Kyle Frackman deposited Shame and Love: East German Homosexuality Goes to the Movies in the group
German Literature and Culture on Humanities Commons 7 years, 8 months agoThis essay examines the circumstances of the production and appearance of East Germany’s first film about homosexuality (the short documentary “Die andere Liebe” or “The Other Love”), while considering the role it plays in our understanding of the development of German lesbian and gay history. More specifically, this essay provides a reading of…[Read more]
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Stephen Meyer started the topic Journal of Music History Pedagogy Issue 8.2 in the discussion
Music on Humanities Commons 7 years, 8 months agoWe have just published Issue 8.2 of the Journal of Music History Pedagogy, with articles by Kyle Fyr, Cristina Fava, Reba Wissner, Lei Ouyang Bryant, Nancy November, Andrew Granade, Katherine Leo, Laurie Semmes, Aaron Ziegel, Esther Morgan-Ellis, Laurie McManus, and Catherine Mayes. Here is the…[Read more]
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Russell Millard deposited Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé in the group
Music and Sound on Humanities Commons 7 years, 9 months agoThis thesis seeks to contribute towards the emerging discourse in Ravel studies concerning gender, as well as adding to the ongoing work in musical narratology, especially as regards ballet, to which very little narratological attention has been given. Employing a combination of narratological and Schenkerian analysis, this thesis argues that…[Read more]
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Kyle Frackman deposited Vor Ort: The Functions and Early Roots of German Regional Crime Fiction in the group
German Literature and Culture on Humanities Commons 7 years, 10 months ago“This essay argues that German regional crime fiction is both a modern development and simultaneously a recollection of crime fiction’s journalistic and literary beginnings. …[R]egional crime fiction has connections to eighteenth- and nineteenth-century Fallgeschichten (case stories) that fascinated a developing reading public and satisfied…[Read more]
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Laurie Ringer deposited Cigar Box Fiddle 3: Assembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoAssembled cigar box fiddle. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Laurie Ringer deposited Cigar Box Fiddle 2: Disassembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoThe label is under the soundboard. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Laurie Ringer deposited Cigar Box Fiddle 1: Disassembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoFiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Patrick Eisenlohr deposited Suggestions of Movement: Voice and Sonic Atmospheres in Mauritian Muslim Devotional Practices in the group
Music and Sound on Humanities Commons 7 years, 10 months agoIn this article I make a case for an analytic of atmospheres as a way to understand the seemingly ineffable yet powerful effects of vocal sound on listeners in an Islamic setting. Focusing on the recitation of devotional poetry in honor of the Prophet Muhammad among Mauritian Muslims, I seek to bring together neo-phenomenological approaches to…[Read more]
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Richard Elliott deposited A Dream Deferred: Nina Simone and the Work of Mourning in the group
Music and Sound on Humanities Commons 7 years, 11 months agoThis talk presents work from Richard Elliott’s recent book about the late singer, songwriter, pianist and civil rights activist Nina Simone. It focuses on Simone’s reaction to what she saw as the failure of the civil rights movement and how that reaction was played out in her work from the end of the 1960s onwards, blending into a personal but…[Read more]
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Richard Elliott deposited “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone in the group
Music and Sound on Humanities Commons 7 years, 11 months agoAlthough most often remembered as an icon of the civil rights era, Nina Simone enjoyed (and occasionally endured) a long career during which the bulk of the songs she performed dealt with the politics, pains and precariousness of the self. Her work—always suffused with longing, sensuality and the passion of being—took on, in her later career, wha…[Read more]
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Richard Elliott deposited “Time and Distance Are No Object” in the group
Music and Sound on Humanities Commons 7 years, 11 months agoWhether temporally or spatially focussed, nostalgia results from a division between what is longed for and the moment of longing. This article examines this “nostalgia gap” alongside the analogous gap found in representation. The relationship is highlighted via an analysis of “holiday records”, a genre of recordings that became prevalent in the…[Read more]
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Richard Elliott deposited A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice in the group
Music and Sound on Humanities Commons 7 years, 11 months agoTaylor Swift’s songs invite listeners to connect art and life in the tradition, if not always the style, of the ‘confessional’ singer-songwriter. From an early age, Swift has written and sung about ‘big topics’ like time and experience with a remarkable sense of self awareness. Her songs hymn youthful experience to great effect through reference…[Read more]
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Ascensión Mazuela-Anguita deposited The soundscape of the ceremonies for the beatification of St Teresa of Ávila in the Crown of Aragon, 1614 in the group
Music and Sound on Humanities Commons 7 years, 11 months agoThe beatification of Saint Teresa of Ávila in October 1614 gave rise to widespread celebrations in many of the cities and towns of the Iberian Peninsula. Printed relaciones describing these celebrations, despite their limitations —in terms of political agenda, propaganda, rivalry and literary style— can nevertheless provide information about musi…[Read more]
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Linda Shaver-Gleason deposited The Morality of Musical Men: From Victorian Propriety to the Era of #MeToo in the group
Music and Sound on Humanities Commons 7 years, 12 months agoDuring an interview, Andris Nelsons, music director of the Boston Symphony Orchestra, stated unequivocally that sexual harassment was not a problem in the world of classical music because, “If [people] could realize how important [music and art] are…I believe they would become better human beings.” The interview was in response to the recent sprea…[Read more]
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