Most previous writings on musical exoticism reflect the unspoken assumption that a work is perceived by the listener as exotic only if it incorporates distinctively foreign or otherwise highly unusual elements of musical style. This “Exotic Style Only” Paradigm often proves revelatory, especially for purely instrumental works. In operas and oth…[Read more]

The essay explores Peter Weiss’s play “Die Ermittlung” (1965) and public reactions to it in BRD, DDR and Sweden.

The chapter deals with Peter Weiss’s translation of a short story by Swedish author Stig Dagerman (1923-1954) and intertextual dynamics in Peter Weiss’s early prose work.

The chapter examines the German and Swedish language author Peter Weiss’s linguistic re-orientation in early postwar Sweden. Particular attention is devoted to metaphors of language and intermedial dynamics.

Der vorliegende Beitrag untersucht den Lyrikband notes for soloists (2009) der transnationalen Lyrikerin Cia Rinne mit einem besonderen Schwerpunkt auf der Frage der literarischen Vielsprachigkeit und der Intermedialität des Textes. Mit Ausgangspunkt in Naoki Sakais Verständnis von Übersetzung als bordering (Sakai 2009) wird die Rolle des Le…[Read more]

This essay examines photographs of the German Expressionist artist, writer, and Tierliebhaber Franz Marc and his dog, Russi, taking the position that one of the most obvious characteristics of Marc’s life his – affectionate and respectful relationship with Russi – has been largely overlooked, though its documentation is clear. I extol the value…[Read more]

My sonic work “City Noise” proposes both an artistic and a theoretical approach to the city-sound relationship. The default assumption about this relationship is that sounds reflect a one-to-one relationship between soundscape and landscape, both drawing upon and revealing the physical and social landscapes from which they originate. However, the…[Read more]

My sonic work “City Noise” proposes both an artistic and a theoretical approach to the city-sound relationship. The default assumption about this relationship is that sounds reflect a one-to-one relationship between soundscape and landscape, both drawing upon and revealing the physical and social landscapes from which they originate. However, the…[Read more]

Illustration as part of art works has often been considered a form of low art, but as it has progressively become more developed, it has established a decent place in the art community. Through this paper, the authors have tried to apply a primarily participatory research method, including participant observation, deep interview, and literature…[Read more]

Illustration as part of art works has often been considered a form of low art, but as it has progressively become more developed, it has established a decent place in the art community. Through this paper, the authors have tried to apply a primarily participatory research method, including participant observation, deep interview, and literature…[Read more]

Edition des ‘Kommunionverbots der Diözese Eichstätt’ des Johann von Eych aus dem Jahre 1456 nach dem Erstdruck in den ‘Statuta synodalia Eystettensia et provincialia Maguntina’ (Eichstätt Michael Reyser 15.03.1484).

Marco Heiles, Johann von Eych: Kommunionverbot für die Diözese Eichstätt. Edition und Kommentar, in: Mittelalter. Inter…[Read more]

This short piece reflects on the reception of the reissue of Hitler’s ‘Mein Kampf’ in 2016, and serves as an end piece to a collection of articles on ‘Mein Kampf’ curated by the German Historical Institute, London, in 2017. The collection appears in the Bulletin of the German Historical Institute and can be accessed in its entirely on the…[Read more]

August Macke und Franz Marc pflegten bis zum Tod eine innige Freundschaft, die in
einem gemeinsam gemalten Bild einen fast utopischen Ausdruck fand: Das Paradies-
Fresko in Mackes Haus in Bonn. Das überlebensgroße Bild zeugt einerseits vom seltenen,
aber gelungenen Versuch einer künstlerischen Zusammenarbeit. Zum anderen
dokumentiert es die Su…[Read more]

Bibliography on late medieval and early modern book production in the German speaking areas.

An introduction to music appreciation and history that emphasizes the political, cultural, and social influences on music from antiquity to the 20th century. Contents include sacred and secular, vocal and instrumental, and folk and art music from across the Western world, including modern popular song. No previous musical experience necessary. All…[Read more]

In The Burns Antiphoner – From manuscript to interactive resource, Anna Kijas reports on a new project based around a 14th-century source, the Burns Antiphoner. In this project they focus on integrating and delivering images, metadata, and recorded audio and video to provide an in-depth look at the contents and experience of this particular s…[Read more]

This article examines Franz Marc’s writing as a discrete project. Marc’s contradictions and complications invite a complex reaction as does his tendency to deliberately misread and misstate both historical events and the work of other people. Here I also embed a new and previously unpublished photograph of Marc found during research in Nuremberg in 2015.

In 1984 I published a chapter on the art song, simply entitled “Song,” in my first book, Music and Poetry: The Nineteenth Century and After (University of California Press). The chapter aimed to replace the traditional understanding of song as a harmonious fusion of words and music. The chapter has had a fortunate reception, but as time has run…[Read more]

A short article reflecting on the relationship of Schubert’s songs to the culture of modernity, with reference to the author’s 1985 article “The Schubert Lied.” Includes an account of the song “Wanderers Nachtled.”