In this article, I argue that the groundlessness associated with postmodernism is not as entrenched within its discourse as it may appear. Graham Swift’s Waterland (1992) and Margaret Atwood’s Oryx and Crake (2003), while conforming to many of the aesthetic values of postmodernism, share an ecopostmodernist platform that raises questions and con…[Read more]

An examination of spatial themes in the emerging genre of environmental fiction. Originally presented as a talk at the Futures of American Literature event at Uppsala University (Sweden).

An introductory survey of climate fiction (a.k.a. “cli-fi”) in English. Written with an international readership in mind.

An introductory survey of climate fiction (a.k.a. “cli-fi”) in English. Written with an international readership in mind.

Gregory Crewdson’s cinematic, tableaux photographs often depict an anonymous, banal, and tension-filled life in suburban and rural communities. Working as a self-described American realist and strongly influenced by a tradition of American vernacular artists, including work by Arbus, Eggleson, Friedlander, and Hopper, Crewdson actively seeks to c…[Read more]

In response to perceived valuation problems giving rise to global environmental crisis, ‘nature’ is being qualified, quantified and materialised as the new external(ised) ‘Nature-whole’ of ‘natural capital’. This paper problematises the increasing legibility, through numbering and (ac)counting practices, of natural capital as an apparently…[Read more]

This engagement highlights the antagonism between wealth and the commodity value form posed at the heart of Marx’s work. In doing so, it considers methodological possibilities for both understanding and intervening in the fabricating of new alienated capitalist values from beyond-human natures.

De Larrabeiti’s Borribles children’s/young adult fantasy trilogy was written and published between 1976 and 1986, a period of huge political, social and economic change in the UK. Set in London, it tells the story of Borribles, a group of children who have had a ‘bad start’ in life and become Borrible; ‘wild’ children with pointed ears who can nev…[Read more]

This paper seeks to examine whether daemons (which take the shape of animals) and familiar animals indicate the social class of characters in Harry Potter and His Dark Materials. Both series of books for young people were started at a time when neo-liberal politics were at the forefront of government, both in the late years of John Major’s C…[Read more]

This paper discusses approaches to pedagogy outlined in three series of books for children and young adults. By the end of the presentation, I hope to have outlined what the education systems in these novels says about the culture and society presented in these books. The books are: JK Rowling’s Harry Potter series, Jonathan Stroud’s Bar…[Read more]

This draft handout accompanied in-class discussion and instruction. There are two key objectives: 1) to model the practices of critical note taking, including close reading, connection making, and question asking; and 2) to document the first assigned reading from Becky Chambers’ A Closed and Common Orbit. This handout covers the first three c…[Read more]

Gregory Crewdson’s cinematic, tableaux photographs often depict an anonymous, banal, and tension-filled life in suburban and rural communities. Working as a self-described American realist and strongly influenced by a tradition of American vernacular artists, including work by Arbus, Eggleson, Friedlander, and Hopper, Crewdson actively seeks to c…[Read more]

The historical narrative of water purity tends to chart a process of secularisation with an
increasing importance on cleanliness. We suggest otherwise – that rhetorically at least, water
has never been secularised. Moral impurity and water contamination have a long and
interrelated history. Even before the connection had been made between c…[Read more]